It’s been proven ever since the dawn of time that humans will always return to similar stories, with similar morals and messages. Look at all the versions of the same fairy tale cropping up millions of miles apart. Cinderella has appeared in Europe and in East Asia, despite the fact the two cultures had not mingled before then. The stories of dragons and sea creatures, of Gods and deities. The Greeks, especially, loved to tell morals and messages through story. In the play “Antigone,” Sophocles uses the medium of storytelling to deliver his moral message through the tale of a stubborn Antigone and a prideful king, Creon.. One message he delivers through a conversation between Creon and his son, Haimon. To convince his father to not punish Antigone, …show more content…
In his attempt to persuade his father not to carry out Antigone’s punishment, he appeals to his father’s reason. After Creon finishes ranting about Antigone and the danger of women and lust, Haimon takes the chance to voice his own opinion. He opens his speech with “You are not in a position to know everything/That people say or do, or what they feel:/Your temper terrifies them--everyone/Will tell you only what you like to hear” (Scene 3 lines 57-60). He establishes that Creon is unable to properly understand the wants and wills of the people he is ruling over, and that Creon is in an echo chamber of people who will agree with him and support him, no matter what they actually think. He then says, “They [Thebe’s citizens] say no woman has ever, so unreasonably,/ Died so shameful a death for a generous act:/….’Death?--she should have all …show more content…
Haimon’s argument is well-structured and thought out. Its heavy use of logic and reason gives it stronger weight towards the audience than Creon’s raving does. Creon’s speech relies heavily on pathos, on appeal to emotion and ideals such as son’s should be subordinate to their fathers and constant misogynistic comments about Antigone and women in general. Compared to that, Haimon’s argument is heavy on appeals to reason. Even his metaphor with a trees’ main sway is its reasonable qualities. Sophocles wrote their speeches to contrast each other, but more importantly, to get the audience to be more swayed by Haimon’s argument than Creon’s. Haimon’s argument, which is driven entirely on the idea of the importance of listening to other people and taking their advice. Even the Choragos, leader of the Chorus whose one of many roles is to affirm the outlook of society, says, “And you, Haimon,/Must listen to your father. Both speak well” (Scene 3 lines 92-94). Sophocles, in writing this, was attempting to send a message on the importance of listening to others. However, in the end, Creon’s pride prevents him from listening both to his son and to the Choragos. Creon’s hubris is what leads to him ignoring reason. Hubris, which by the Greeeks, was considered a great sin. Sophocles uses Creon’s hubris to send the message that being prideful and having hubris will
Theatrical performances such as Greek tragedy's, even when written years ago can still teach lessons and tell stories. One of these tragedies called Antigone, is about the downfall of a king named Creon during the aftermath of two brothers’ feuds during which they both are killed, one is buried and the other is not. Along with this, the sister of both brothers Antigone, rebels against the king's rule to honor one the unburied brothers and while she ends up successfully burying him, Antigone ends up getting caught committing a crime the king made illegal. This consequently leads to her death along with the tragic ending of Creon. In the Greek tragedy Antigone, written by author Sophocles, the audience can see Haemon being a foil to Creon highlighting
Haimon’s loyalty is broken between obeying his father and his lover. Creon is obsessed with his loyalty to the state; he is too stubborn and proud to listen to the people of said state. This leads to his misconception that he as king is the entirety of the state. ”I’ll have no dealings with law-breakers, critics of the government: Whoever is chosen to govern should be obeyed-- Must be obeyed, in all things, great or small, Just or Unjust!” (Sophocles, Lines 525-529).
In the short story titled “Antigone,” the author portrays Creon as a tragic hero by displaying flaws in Creon's character shown throughout the story. Creon’s character contains many flaws which lead to many problems. His decisions end up deciding the fates of his son, his wife, and Antigone. Creon finally realizes that what he has done is sinful to the gods. He has put his own pride over the appreciation of the gods.
Creon does not keep an open mind, and refuses to see her point of view. Antigone said she buried the body because of God’s law, but Creon puts his law above the God’s. This shows an extreme amount of pride and confidence. Another example of Creon showing hubris is when Haimon says. “It is no City if it takes orders from one voice,” (221).
Zachary Chaffin Mrs. Pastor English 10 15 May. 2023 Antigone Foil Writing Assignment In the story, Antigone, a famous and one of the last remaining Greek tragedies written by Sophocles, the audience will experience a heartfelt story, complete with a vast array of characters intertwining together for a tragic ending. In Sophocles’ Greek tragedy, Antigone, Creon’s self-assurance is highlighted through his interactions with Antigone, which establishes his self-assurance and develops his character as it leads to his downfall as a tragic hero.
Lexi Nguyen Mr. Palko Period 8 27 October 2022 Haemons Speech In Antigone, Haemon uses figurative language and appeals to pride to argue that Creon must be a good leader and learn to take criticism by other people, encouraging Creon to forgive Antigone and let her be free. In Antigone, Haemon uses Figurative language to argue that a good leader can take others' criticism. In his speech to his father in the palace he argues that a leader can listen to the citizens' opinions, in order to make a better decision to free Antigone.
In the play Antigone, by Sophocles, Creon’s deadly stubbornness and selfishness in ignoring the pleas and
Haimon , Creon’s son warns him that the people of Thebes sympathize with Antigone. Haemon tells his father, I beg you, do not be unchangeable: Do not believe that you alone can be right. The man who thinks that, The man who maintains that only he has the power To reason correctly, the gift to speak, to soul–– A man like that, when you know him, turns out empt.
This contributed to the fact that he was mentally lost. He had clouded judgment because of his idea of what is right for the city is the only way he would rule. As Burt describes “Creon remains adamant, and his judgment on Antigone and Ismene, along with his subsequent argument with his son, Haemon, reveals that Creon's principles are self-centered, contradictory, and compromised by his own pride, fears, and anxieties. ”(Burt). Creon can only think in his mindset and any other view to him is impossible to understand.
From world wars to present day national elections, pride can always be connected to many appalling, life-changing issues. Pride has always either been negative or positive, and it has been around forever. In the epic play Antigone, Sophocles demonstrates how Creon’s hubris allows for the downfall of himself and the killing of his family. Creon’s fatal flaw is his hubris. Creon not only loses his family, he also loses the trust of his people.
“Persuasion is often more powerful than force” once stated by great greek fabulist Aesop, Many of the characters follow this advice throughout the story (“Aesop Quotes”.). As Creon gives a speech to his city he uses ethical appeals in hope to assert his power and make himself look like a trustworthy leader.. Antigone does not listen to this and decides to disobey her uncle, sister Ismene tries to plant logic into her head not to disobey in fear that her sister may end up dying in result. Haemon being both the son of Creon and the fiance of Antigone he should have a hard decision to make but he cannot get behind his father in putting his future wife to death. Ismene, Creon, and Haemon all use the rhetorical appeals of Ethos, Pathos, and Logos to be persuasive towards their goals.
“A city which belongs to just one man is no true city.” (lines 838-39) Throughout the play, Antigone, written by Sophocles, the character Haemon constantly tries to persuade his father, Creon, to listen to the people of his city and to become a more humble leader. Haemon’s words, actions, and ideas contrast with Creon’s character. Which results in the two characters having continual conflicting motivations.
In Sophocles’ play Antigone, Creon, the king of Thebes, best represents a tragic hero. Creon demonstrates goodness in his intentions for Thebes as well as his fragile state due to the fact that he recently lost several family members. Creon, newly named king, finds himself as highest ranking official around, showing superiority. Creon often acts stubborn and prideful, his tragic flaw. And lastly, he must come to terms with the fact that he caused the death of his wife, son, and niece.
In this quote, she is trying to harn Creon that although he thinks very highly of himself, he will never be able to anything to disrupt the gods and their unwritten laws (being that all men deserve burial). Additionally, the word choice and tone used by the characters also differs. When Creon talks he makes it clear that he thinks of himself quite highly and is convinced that he is above everyone else because of his excessive pride and noble stature. This leads to a tone in his speech that is very obnoxious and off-putting. To the contrary, Antigone regards herself quite low and stands for
Creon almost seemed like he wanted Haimon to be angry so he put Antigone in the vault. He couldn’t see that Haemon was in love and Antigone was just trying to honor the dead because of his hubris. Creon also says, “My own blind heart has brought me from darkness to final darkness.” This shows he knows he didn’t use his intelligence to solve his problems. He was already heading the wrong direction with his pride and it finally was too much.