This is a brief critical analysis of ‘James Cameron’s Avatar’, the very successful 2009 science fiction film. This film takes place on the virtual world or moon of Pandora, created by Cameron with very expensive technology and devices, inhabited with extraordinary creatures and an indigenous race of 10 feet tall, yellow eyed, long tailed, blue striped aliens called the ‘Na’vi’. With this film, Cameron has managed to deliver a fast-paced 3D fantasy like adventure that combines numerous streams of powerful themes that are very important to our modern world that they even extend far beyond the world of fictional film. A variety of themes can be identified such as, a protest for anti-violence, a film about war, environmentalism, the effects of violence, and even speciesism. This could also be seen as simply a film about what it truly means to be human, which should be the main purpose of the film. From my …show more content…
The humans abandoned Earth and resorted to invading the planet of the Na’vi. Pandora has Unobtanium that humans want for profit. Scientist then develop Avatars which are clones of the Na 'vi and have drivers, whose consciousness is projected into them. The plot of this film mainly follows Jake sully, a former marine who is wheelchair bound. The film opens with Jake’s lucid dream of flying so synonymous with freedom. We then see scenes of loss as Jake hears the tear-jerking news of his brother’s death, another blow to his loss of self after he had lost his ability to walk. Because of this, Jake is a very disillusioned and bitter person, but still a warrior at heart. In the movie Jake states, “All I ever wanted was a single thing worth fighting for”. Even though he finds it in the most unexpected place, the heart of Neytiri, it was so ironic that at some point he would have to choose sides and literally fight in a battle between the human and the Na’vi that decided the fate for the entire
Judith Halberstam’s essay “Animation Revolt and Revolting Animation” brings to the surface topics such as Neo-anarchist utopian worlds in Chicken Run and Oedipal themes in Toy Story. She states that the movies have subliminal messages that are hidden to the eyes of the average viewer, but still affect the way that the viewers see the rest of the world and society as a whole. The more a child sees a common theme in movies the more used to and accepting they are of the idea in the real world. This essay will be discussing Halberstam's use of rhetorical strategies and the ways that they influence the meaning and purpose of the piece.
Both Neuromancer and Dawn are works of science fiction taking place in the future of our own world. In this way they both provide ways to look at our own society through a different lense. Both Gibson and Butler bring to light many of the problems of our own world through their literature. Two articles are highlighted as well: In her article, Razor Girls: Genre and Gender in Cyberpunk fiction, Lauraine Leblanc addresses the issue of gender as a dichotomous system.
Oftentimes, people read their favorite books or watch popular movies and they are completely oblivious to the origin of the theme(s). In fact, a collection of recent movies, books and paintings include themes dating back to mid-19th century. Indeed, the 19th century transcendentalists inspired many of today’s influential artists. For instance, mainstream movies like the “Star Wars” saga, best selling books such as the Hunger Games series, and distinguished artwork like Dispersion all suggest transcendentalist themes. Even though humanity moved farther away from simple lifestyle, some ideas from transcendentalists remain prominent in modern movies, books, and paintings.
Susan Sontag, an author of the essay “Imagination Disaster,” explores the world of science fiction as she discusses the tropes in films from the mid-1900s. Throughout her essay, Sontag analyzes why these types of films were created, and basically ties her discussion with humanity. With the growing technological advances, science fiction films state specific things about how science threatens humanity. She also ties her discussion to how sci-fi films tend to serve an attempt at distributing a balance between humanity and the technological world. Sontag claims that science fiction films has suspense, shock, surprises, has an inexorable plot, and how they invite a dispassionate, aesthetic view of destruction and violence.
The use of visual cinematics allows F.W. Murnau to create a film that shows the main characters being lost, then eventually found, within the setting of a modern frontier. Murnau argues, through the use of the film, that the boundaries between love and lust, city and country, and even life and death are not as distinct as one may believe, and that they cannot be contained by defined
Over the past century, film has served as a powerful means of communication to a global audience and has become a vital part of the contemporary culture in a world that is increasingly saturated by visual content. Due to the immediacy and the all-encompassing nature of film, the process of watching a film, is widely perceived to be a passive activity by the general masses. However, quoting Smith in his article about the study of film, “nothing could be further from the truth.” The study and understanding of film as an art form enhances the way we watch and appreciate films. It requires the audience's active participation and interaction with the film in order to fully comprehend the directors' intention behind every creative decision.
“Avatar,” a rich, suspenseful, marvellous three hour film encompasses an enticing story comprised of many key concepts from within our textbook. Through this film analysis of the film “Avatar,” one can inform themselves about the many key concepts within our textbook and how they correlate with the film; these key concepts discussed within this film analysis and demonstrated throughout the film include: self-disclosure, managing emotions, cultural differences in relationships, family rituals, and interpersonal conflict. Through this film, it was revealed that one can create an interpersonal relationship by following the key concepts of communication found within our textbook, regardless of vast cultural differences. After the homicide of his brother, Jake Sully, a paraplegic war veteran and ex-Marine was appointed the position of fulfilling his brother’s pivotal role in
Jesse Marroquin Comm: 3048 The Art of Film Professor Mary Slaughter 5/11/2017 Mise-en-scene in Avatar the movie Movies have been effectuated with different types of elements to create a phenomenal film. The element Mise-en-Scene has provided a critical part to the film and imagination. It gives the viewers a better understanding of the movie with a cinematic view.
Science fiction has become increasingly popular over the past few years as new innovative technology has made it possible for films to become more realistic. Avatar, being one of the highest ranked sci-fi films to be made, is a clear example of how the film industry is on a fast moving track towards a new era of science fiction storytelling. James Cameron’s Avatar exercised all new forms of cinematographic tools in order to bring one’s imagination to real life. The first step after writing the script was to cast actors to each specific role.
In this technological age, use of machines and systems is rapidly replacing more traditional means. Take for instance, computer generated imagery, otherwise known as CGI (insert cited definition here). Computer generated imagery is prevalent in a vast amount of the visuals we humans are exposed to, regardless of whether we realize it or not. It has had such a tremendous impact on different industries, such as design, manufacturing, entertainment, business and education. Under the category of entertainment, an example of use of computer generated imagery is that of its use in the video production industry, which includes film, television, music videos and visual advertisements.
The humans have abandoned a dying Earth and invaded this planet of the Na’vi. Pandora has Unobtanium that humans want for profit. Scientist develop these "Avatars" which look like the "Na 'vi" and have drivers, whose consciousness is projected into them. The plot mainly follows Jake sully, a former marine who is in a wheelchair. Avatar opens with Jake’s lucid dream of flying so synonymous with freedom, then the metaphorical belly of the whale, sees the start of the hero’s journey.
Which came first, the chicken or the egg? This question has been hotly debated for centuries with no hardline conclusion. The question “do films shape culture, or does culture shape films?” has the same cyclical, unanswerable nature. Films cannot change culture without in some way reflecting it, and films cannot reflect culture without in some way affecting it. Film is inextricably intertwined in today’s culture, both as a means and as an outcome.