“that is something.”” (Wilde 33) The reader begins to perceive that Dorian is both intrigued and disgusted by the never changing portrait of his innocence. At this point, Dorian begins to acquire the indication to switch souls with the painting, in order to Boyett 2 maintain an innocent complex. The beginning of the soul switch did not cause any harm, his minute cruelty led to small lines on his portrait’s face, while not allowing any signs on his own self. Realizing the soul switching was successful,
“O, beware, my lord, of jealousy; It is the green-ey'd monster, which doth mock the meat it feeds on. (3.3.170)” In the tragedy Othello, the Moor of Venice we meet Othello who has problems holding his jealousy in place. After Iago presented the idea that Desdemona, Othello’s wife, is cheating with his lieutenant. He can’t think about anything else. Iago’s plan is to become lieutenant and does everything he can to fulfil his plan.
In the novella Anthem by Ayn Rand, the protagonist, Equality 7-2521, is an egoist, but not in the way expected. Along with him being an egoist, comes an expected bad connotation, but he does in fact break away from the chains his collectivist society puts on him and Equality- later known as Prometheus- finds himself and his individuality. Equality 7-2521 is in fact an egoist, but rather in a good way, he uses his egoism to set him apart from his fellow brothers, which ultimately leads him to better himself and find the sweet freedom he’s been missing out on.
The play begins with him talking to another character about how unfair it was for him not to get the lieutenant job, He then wants revenge from Othello.He accuses othello for sleeping with his wife “I hate the moor, it is thought abroad that ‘twixt my sheets/he has done my office-”(I.iii.329-370). Then he goes on insisting his lust for Desdemona because he wants to get revenge from othello “Wife for wife”(II.i.286). These false claims indicate that he doesn't really care about who he hurts, he just wants revenge no matter who it is, which makes him dangerous. Even though these are false claims
The theme of appearance extends further in Dorian’s life. Dorian’s outer beauty allows him to get away with almost anything, due to the fact that people equals his outer beauty to him being a good person. In reality, Wilde makes it very clear that Dorian Gray is not a good person. The theme of appearance is illustrated through underlying criticism within Wilde’s use of motifs and symbols. A main motif used by Wilde is the painting done by Basil Hallward.
Sit you down/And let me wring your heart. For so I shall/If it be made of penetrable stuff,/If damnèd custom have not brassed it so/That it is proof and bulwark against sense. (3.4.30-40) This show the hidden meaning of Hamlets violence with being love hurt, in his head he feels as no one loves him and is all alone to suffer with his grief. Letting Hamlet be so hurt by love lets the reader and audience see how the love really can affect a person view into driving the play in madness and despair. Hamlet is madness is started by love but is infused with jealousy.
Thinking of the deeds he has done, he reasons that “For them the gracious duncan have I murder'd” (35). His statement is selfish because slaughter is suddenly unjustifiable once it affects others positively, rather than just himself. His role as a king has skewed his perception so much that his friends are his enemies and his murders become aimless. Macbeth’s elation from power is rendered by his worries of losing it, revealing his true self in the process. His concerns stem from jealousy and thoughts of his wrong deeds being exposed, which in turn motivate him to act against his closest friend.
His ultimate choice is choosing between trusting Desdemona or Iago. Iago’s influence on Othello is so great that he is transformed into a man that no one recognizes. His jealousy is terrifying because of the noble way he originally held himself. Othello does not even recognize the man he becomes and refers to himself as “he that was Othello” (“Othello.” Shakespeare A-Z 471). Othello’s jealous spirit drives him to murder his wife; he cannot stop his obsession with the alleged affair until she is harmed (“Othello.” Shakespeare for Students 663).
‘Oh, please let’s get out.’” and Jay is left feeling hurt and betrayed, when in fact all that should have mattered to Jay is that Daisy loves him now (142). Obsession is present in Ophelia and Hamlet’s in a different way than in Jay and Daisy’s. Hamlet’s obsession with revenge ultimately leads to the death of Ophelia. By allowing Ophelia to believe that Hamlet is insane and killing Ophelia’s father, Polonius, without thinking, Hamlet’s obsession with revenge causes not only the downfall of Ophelia and Hamlet’s relationship, but also causes the emotional downfall of Ophelia, which leads to her untimely death. The romantic relationships of Daisy and Tom in the novel and Claudius and Gertrude in the play exhibit the destructive effects of adultery.
•Edmond Dantès: Protagonist. Edmond’s unequivocal happiness is cut short when his enemies, who are blinded by their jealousy and self-bitterness, plot against him. Edmond’s gullibility and willingness to incoherently trust everyone around him precipitates his downfall. His destruction of character and desire for vengeance leads him to overstep moral boundaries. With the transformation of Edmond into the Count of Monte Cristo, he experiences a metaphorical death, the death of his virtuous self.
Epictetus’s way of philosophy is one that is purely Stoic, imploring that the solution to human finitude is one where humans can live life without showing feeling or complaining about pain and hardships towards unsavory situations. Each of his rules in his handbook offers advice in which the subject simply “deals” with disappointment, or rather, doesn’t expect something out of the scopes of reason and logic, so that, figuratively, when occurrences don’t go their way, they aren’t disappointed. This is because to Epictetus, all external events in life are pre-determined by fate, so it’s already out of our hands from the beginning. With a calm dispassion, or indifference, we approach our fate and accept it. This is shown in his rules in The Handbook,
Through the work, the creativity, and the self-exploration, he made himself an artist. Due to his self-expression and rejection of instruction, Paul finds his own style, his truth, and with that: peace. Paul isn 't perfect, but he knows who he is. If he ever feels confused, or in need of redemption, he can return to his art for the answers. Despite all of the bad sides of Paul, it could not be denied by any character that “he was beautiful” (Maclean 103).