Suffering In Seamus Heaney's Poems
share the theme of suffering and being ignored by selfish society, for example, the ploughman/ship in ‘MDBA ‘, the victims in ‘Glasgow’ and the victims of war in ‘War photographer’.
‘MDBA’ illustrates people’s lack of interest in miraculous events (birth of Christ) or even human suffering (the fall of Icarus) due to society’s selfish nature. Society views events and suffering as irrelevant.
‘MDBA’ is written in free form; has an irregular rhyme scheme, enjambment and colloquial language creating a conversational feel. This illustrates the mindset of Auden when viewing the gallery. ‘MDBA’ is split into two stanzas. Firstly, he talks about life and secondly, he analyses the ‘Fall of Icarus’, (painting by Pieter Brueghel) and how society (ploughman and ship’s crew) miss the suffering of Icarus as he plunges to his death. The narrator is
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He encourages people to desire the love he shows throughout the poem. Shakespeare creates permanence by writing this sonnet.
The final poem, ‘Digging’ by Seamus Heaney links to Sonnet 116 as both writers creates permanence by writing. Heaney creates the idea of re-presentation in the form of metaphorically digging up memories and the actual digging of his forefather’s work.
‘Digging’ creates permanence for the workingmen that will otherwise be forgotten through word of mouth. He is doing this not only for him but also for his forefathers and future generations.
‘Digging’ consists of nine stanzas that vary in length; there is no rhyming structure or pattern and has enjambment.
‘Digging’ starts with the simile ‘the squat pen rests, snug as a gun,’ shows how powerful and deadly the pen is in Heaney’s hand. Heaney is motioning a powerful movement by writing. Heaney has taken the words used to describe these memories and has written a permanent poem which will not be forgotten by the future generations to
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