Analysis Of T. S. Eliot's 'Portrait Of A Lady'
“Portrait of a Lady” written by T.S. Eliot was published in 1915 and it`s famous because it totally revises and changes the genre of the typical Victorian poem. Eliot mixes monologue with a quoted speech, uses free verse and strictly refuses to romanticize the female subject. Later Ezra Pound and Charles Williams tried to use all his techniques to show Eliot`s originality in their own works. The poem is not a visual image of an individual but rather a portrait of relationship between a male and a female. The female is a upper class lady, while the male is a younger man relates their communication mostly to himself. The poem consists of three sections and each section is taking place in different seasons; starting from winter to autumn. The …show more content…
Because of her perception the young man tries to stay dishonest and not to let her understand how disturbed he is. In the last part of the third section, he pictures the young lady`s death and comes up with the question whether she will still plague him even after her death. “Portrait of a Lady” in Eliot’s style is a step from romantic to postromantic. In the tone of the language there is much more objectivity and sarcasm, and an overall sense of disenchantment. One may say that the rhythm is iambic pentameter, but neither rhyme nor rhythm follows any traditional pattern. Rather they create an awkward tone, which transfers the scenes influentially due to the features it has from ordinary speech and extracts the special moments of memory due to it`s musical features …show more content…
It is used in order to show the movement of feelings and passions between the male and the female. In “Portrait of a Lady” the rivalry taking place among the female and the young man is shown true the musical instruments. So, Eliot understands and keeps the correlation between music but also detects that it is not melodious. On the one hand the female is characterized by late-Romantic expressive music, on the other hand, the male proclaims that there is a huge distance between them and calls her a “dull tom-tom” and a “capricious monotone” and their dialog as “a broken violin.” This conflict gives the chance to distinguish Eliot`s poetry from Victorian
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