Critical Analysis Of The Metamorphosis

Gregor’s initial reaction to his transformation shows his preoccupation with work. His confusion over his radical transformation does not last long, quickly becoming concerned with work and disregarding that he woke up physically transformed into a monstrous vermin. Immediately after realizing he had transformed, Gregor explains, “Well, I haven’t given up hope completely; once I’ve gotten the money together to pay off my parents’ debt to [the boss] that will probably take another five to six years… But for the time being I’d better get up, since my train leaves at five” (4). The quick transition of Gregor’s thoughts from the initial shock to his economic duties reveals his ironic nonchalant attitude towards his nonsensical transformation and

In The Metamorphosis Gregor is affected in many ways by his transition into a cockroach, and in the end, all of the effects total up to changing who Gregor was. One of the first changes that we see after Gregor 's transformation is the rejection of him by his family members. Another change that we see throughout the story is society rejecting him. A final change that we encounter is the rejection of himself. Gregor was defined by what he thought of himself, and when everyone started to tell him what he was, his thoughts about himself changed.

1.Gregory doesn’t like his job because he is only doing it to help his parents get out of debt. In his terrible dreams he only thinks about the traveling salesman job that he hates.

Experiencing the tragic reality of war on ones own life. In the novel Johnny Got His Gun by Dalton Trumbo, Joe is a victim of the true reality of war and he is left forever changed by it physically, mentally, and spiritually. Through Joe, it is seen what the true price of war is. In “The Metamorphosis” by Kafka, we witness Gregor after he has experienced a physical change and because of this change the world around him becomes an unsupportive place to be.

Gregor Samsa’s transition from human to vermin was not the only shift that happened through the duration of Kafka’s The Metamorphosis. The novel is centered around Gregor who wakes up as a vermin, presumably a cockroach, which catalyses a series of emotionally traumatic experiences for him and his family, culminating in Gregor’s death. Yet the most significant change is, in fact, the gender role reversal seen both with Gregor and Grete, his sister, as Gregor becomes more effeminate and Grete becomes more emasculate, directly correlating with their societal and emotional transformation due to Gregor's physical change.

Adolescence is a happy time as there are no worries or responsibilities. You play with the boys, like one of the boys almost as if you were a boy. You play barbie with the girls and even play dress up as a bride. Only to find yourself many years later walking down the aisle in a dress that costs more than a house down payment. Your childhood friend then, did your ‘bridal makeup’ with her moms used lipstick that had that lipstick scent that only old lipsticks possessed. Now, you have a makeup artist who has the ability to transform you into a whole different person which is its own kind of scary. The start was childhood and the finish was adulthood, but what about the middle What about that turning point in our life that sparked this metamorphosis from little girl to a full grown woman. The gap between adolescence and adulthood is often misunderstood and forgotten, but yet it is such a vital point in our lives that stay with us the remainder of our lives.

Cruel actions lead to cruel endings. Gregor Samsa, the protagonist in Franz Kafka’s novella The Metamorphosis, is turned into a bug from the mental and emotional abuse by the hands of his own family. The cruelty in the Samsa household is apparent from the beginning of the storyline. Their neglect and lack of compassion for Gregor's condition immediately sets the dark and miserable mood of the novella. Gregor’s whole existence has been about caring for his family and making sacrifices for their well being. However, his family never realizes these sacrifices and takes Gregor for granted, ultimately leading to his painful demise. Gregors perpetual devotion to his harsh family represents the unconditional love one feels for their own flesh and blood no matter how wicked they may be.

Almost from the very beginning of Gregor’s metamorphosis, Mr. Samsa has been unwilling to accept Gregor as his son. Furthermore, Gregor’s transformation into an offensive form of an insect, constantly reminds Mr. Samsa of the grotesque, feeble, and pathetic aberration that he has fathered. Consequently, now that Gregor has genuinely revealed himself in all his audacious behavior, his cruel father is driven to destroy him. In his eyes, Gregor has become everything loathsome to him—scrawny, parasitic, and futile—not the kind of son this once successful and ambitious storekeeper could be proud of. Hence, as Mr. Samsa returns to his house in a position of strength and authority, he unfortunately witnesses the sight of his stricken wife down

Ironically, even though Gregor can no longer formulate words to speak to his family he still understands them clearly as they complain about him in front of him. Even he his new insect body he his made to feel less than he his. The inability to communicate with his family puts Gregor into a predicament where ultimately his life lies in their hands. Aichele and Walsh explains, “Indeed, one central theme of “The Metamorphosis.” like that of much of Kafka’s oeuvre, is the impossibility of understanding. For example, Gregor’s family is unable to understand him.” Besides Gregor’s physical appearance, it is the communication barrier between him and his family that imprisons him the most. Without the ability to tell them how he felt, it is easy for

Kafka also expands upon the importance of the individual by exploring Gregor’s disconnect between his mind and body. Gregor’s transformation completely alters his appearance to others, but it leaves his mind unchanged, creating a disunity between his body and his mind. When Gregor first gets out of his bed after

Kafka tells the story through Grete viewpoint to point out the obligation of gender equality. He shifts the story from Gregor’s perspective to Grete’s perspective. Gregor’s transformation forces Grete to fill the role left unattended by Gregor and creates her own point of view, whereas before she would mindlessly obey

When one rises, one must also fall. Humans are a power hungry species, always striving for control and dominance. However, that power is not always easily accessible, yet humans are determined to get access to that power no matter what or who has to be sacrificed. If one has that power, another is willing to commit anything to get a hold of that said power. In Section II of The Metamorphosis by Franz Kafka, Kafka demonstrates how the shift in power from one person to another affects everyone’s social standing. Kafka illustrates that when one exploits another’s weakness, they are able to gain a sense of empowerment, which leads to a false sense of security in the social hierarchy. This is illustrated through Grete and her occuring metamorphosis.

The story of Gregor Samsa’s transformation is sad when it comes to his family. There are his main family and his workmen and woman, that all tie into how Gregor is treated after his big transformation. He is told to the reader to be hideous and unrecognizable after he transforms. He keeps some of his humanity and self-worth, but that doesn’t stop his family from treating him differently.

Franz Kafka is a German novelist who wrote “The Metamorphosis.” In the story, he uses a third person point of view narrative. The novel uses absurdum, which exaggerates and dramatize the absurdity of modern life. The protagonist, Gregor Samsa, a traveling salesman, struggles with an external factor of transforming into an insect like creature. The transformation was not under his control and now struggles with a new identity. Once the sole provider for his family, he now becomes a burden. Internally, he is the same Gregor Samsa, but his physical appearance causes his family to alienate and mistreat him. The use of dehumanization is prevalent in the novel causing the protagonist to suffer with symptoms of depression. He is unable to be a positive contributor in society or for his family. The use of symbolism in the novel displays his isolation and humanity. The central conflict is resolved when his sister Grete, initially empathetic, comes to a realization that

Franz Kafka, heavily influenced by Ovid’s Metamorphoses, devises the character Gregor Samsa in order to portray a detailed experience of an individual’s metamorphosis. Kafka’s narration style differs greatly from Ovid’s, in that, the narration begins with a first person perspective and changes to a third person narration, which remains consistent to the end of the novel. Unlike the stories within the Metamorphoses, there is a clear contrast in the portrayal of Gregor’s transformation. Ovid and Kafka’s depiction of a metamorphosis incorporates the concept of identity in the individual’s transition, however Kafka emphasizes the family dynamic and the hostility Gregor feels. Gregor’s family’s inability to look past Gregor’s exterior appearance