Critical Analysis Of The Mirror And The Lamp By M. H. Abram
Critical analysis of M.H. Abram’s ‘Orientation of critical theories’
Akhyai Jyoti Mahanta
Integrated MA 5th Semester
Roll no – EGI13002
INTRODUCTION
M.H. Abrams’ essay ‘Orientation of critical theories’, which is the introductory chapter of his book The Mirror and the Lamp: Romantic theory and critical orientation (1953), is a roadway to study the historical development of critical theory and reinterpret the romantic perception of the theories. The author prepares the essay in a simple diagrammatic pattern to facilitate the discussion of various kinds of critical theory and their practical implementation.
ANALYSIS
The chapter begins with the relation of aesthetics of art to the artist which is the central focus of modern criticism up to
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It imitates only to please and teach the audience as it is the motive of every ‘right poet’. It gives importance to the possible impact it creates than the existing beliefs. According to this theory a poet is above a historian or a philosopher as unlike them the poet is more concerned with the moral and social effect it achieves. Here Sydney seems to be influenced by the distinction of history and poetry in …show more content…
Many of the characteristics of pragmatic theory originate in the classical theory of rhetoric. Richard McKeon states, “‘Horace’s criticism”, who is a great classical practitioner of rhetorical application, “is directed in the main to instruct the poet how to keep his audience in their seats until the end, how to induce cheers and applause, how to please a Roman audience, and by the same token, how to please all audience and win immortality.” The Renaissance critic like Sidney considers the pleasure giving and teaching objectives of Horace’s Art Poetica as the means of creating a moral effect, which is their chief purpose. Richard Hard in his Dissertation of the Idea of Universal Poetry (1766) comments that a universal poetry is that art whose end is the maximum possible pleasure. For this Hard evolves three essential properties: figurative language, fiction and
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