Similarities Between The Dark Room And A Doll's House

It is assumed that R. K. Narayan has based his novel The Dark Room on the bases of the theme of Ibsen's A Doll's House. There are sure indicates acknowledge this presumption that make us to discover the similarities in the theme and the characters. Be that as it may, it is significantly different in its treatment and perspectives communicated in Indian setting, instead it implies the modern trend of feminism. Surprisingly it is noticed that both the writers were not prepared to be labelled with feministic, both were humanistic.
Ibsen has declared in his speech:
I am not a member of the Women’s Rights League. Whatever I have written has been without any conscious thought of making any propaganda. I have been more poet and less social philosopher

It is not with feministic goal both of them composed the narrative of Nora or, on the other hand Savitri and their revolting action. They watched it as a human issue. Having a place with various societies, in any case, they delineated it with various perspectives and style. Consequently we see, however Savitri from The Dark Room is called here as Nora's sister, she shows up an alternate woman with her Indian cultural background and in some different viewpoints. The analytical study of both these characters will help to examine critically the views of both the writer and it will toss light on why Ibsen's A Doll's House turned into a milestone in the dramatic literature of the world and mirroring its rebelling approach Nora's sisters born all over the world. It offered gratefully to the traditional and modern day viewers and readers. Then again, The Dark Room is not that much viable to make such a striking or inciting impact on the readers, rather it was reprimanded and looked down as a disappointment of the author who does not know women's liberation and has no specific ideological base. In spite of the fact that it is an imitative endeavour of R. K. Narayan its treatment or, on the other hand change of theme is not all that effectively

Nora is firm to her choice. Thus Ibsen in his culture and atmosphere in his way of life shows Nora as a strong and revolting, voicing against the age ached figment of women who were performing detached what's more, subordinate role in the family. Savitri does not reach to this stature however she revolts. R. K. Narayan does not mean to demonstrate a woman breaking family servitudes for her own freedom in Indian culture. Indeed, even after 60 years from Nora's call his courageous woman never got to be distinctly imitative to move others to react her revolt. Her defeat and being ordinary woman of the lot once again therefore makes The Dark Room no effect and it is disappointment of the novel and the writer that was pointed out and scrutinized by numerous faultfinders. "shows no radical change in the state of the Indian wife in the family even after a pass around 45 years she keeps on moaning as she experiences the unreasonable male animosity in various shapes and structures; here and there moaning deep down. In any case, in his normal Indian view and in agreement with his Indian good vision Narayan handles interestingly the present day topic of women's liberation appropriately fit to Indian social