Feminism is one of the critical and theoretical studies that are reshaping literary studies. Many feminist theories have been developed in different places and different periods of time. Each of these theories and studies criticize the way that the economic, political or traditional systems deal with women’s rights. Some of the feminist perspectives protest against the distinction and discrimination against women in modern society (Johnson 57). In this paper I will concentrate on how some feminist theories approach objectification by reviewing many different definitions of objectification; second I will explain the wrong thing about objectification and then what is ok about to see if they all those feminist critics agree about the idea of …show more content…
In 1995, Martha Nussbaum describes seven ways that are included to deal with women as an object. For instance “instrumentality” which illustrates how women are treated as a tool when somebody uses it as needed or “denial autonomy” which means the dealing with a woman as dependent who doesn’t have a “self-determination” (Papdaki 1) After that Some feminists focus on the way of dealing and treating with women as an object and the main concern is on sexual objectification. This theory is definitely explaining the sexual side as one of the means of women’s exploitation. The sexual exploitation can be described in different means, for instance pornography is discussed by many feminist critics like Catharine MacKinnon and Andrea Dworkin who are affected by studying the Immanuel Kant’s “conception of objectification” ( Papdaki 1). Kant, in his definition of objectification, is discussing sexuality when he focuses on the ethical side. He argues that any sexual relationship outside the “monogamous marriage,” will be considered as “an object of appetite.” This study has different considerations and one of them concentrates on pornography which is the way of dealing with a group of women as a tool for men’s desire (Kant …show more content…
Tamar Saguy, Diane M. Quinn, John F. Dovidio and Felicia Pratto, for instance make an experiment to know the influence of women’s sexual objectification on “women’s behavior in social interactions” (178). The critics’ present research is focusing exactly on “the consequential impact of objectification” (178). The result of the test explains that women, who are subjected to the test, reduce their presence in society when they spend a “little time talking and particularly with men” (178). The sexual objectification happens when woman is only considered by her physical body and appearance as it is shown in social media. Saguy, M. Quinn, Dovidio and Pratto review a research that had happened in the past which discovers the negative impact of women’s sexual objectification on women’s psychological “well-being.” This objectification will lead society appreciates women’s desirable bodies in different social activities such as “marriage opportunity, popularity and economic benefits” (178). Another impact of objectification particularly in mix sexual objectification is that women may consider themselves as a “stereotypically female” (179). This explains that women will talk less not because they present themselves as an object but because they want to keep their femininity and to be more acceptable. So this theory proves another negative impact of women’s objectification as explained to be called
Individuals go through a process, called socialization, by which they internalize the values, beliefs, and norms of a given society and learn to function as members of that society (Conley 118). In the essay, “Out-of-body Image” by Caroline Heldman the reader is exposed to a contemporary problem that women face in the modern world of consumerism. Heldman is effective in making her call to action in regards to the problem of self-objectification that has emerged through mass media by targeting women through an amalgamation of logical, ethical, and emotional appeals. Heldman’s purpose in writing the essay was to not only inform the reader of the current predicament that women face, but to make an effective call to action in which women
explores the theme of feminism by giving forth to female vulnerability and patriarchal control. The objectification and sexualization of Connie highlight the oppressive nature of a patriarchal society, reinforcing the notion that women exist primarily for the male gaze and
Rather than being seen as a woman, society sees her as an object for
The news broadcasted, printed, or diffused about celebrities and their lives and routines attract the attentions audience. In her article, “For the record,” Jenifer Anniston feels offended by the scrutiny and the objectivity of the media that puts the lives of celebrities and young women in danger. The objectification that celebrities are exposed to is dangerous and insane, while the scrutiny of how they look is a bad example for young women. The objectification that women are exposed to is bad, it is important to not to treat women more as objects than human beings.
Images of women have been used to sell products and send subliminal messages since we could remember. Today, it has become apparent that the way these women are photographed and used for advertisements is creating a concept that women are just objects. Over the past few centuries the objectifying of women has only increased. When television was first invented in the 1950’s families would come together and spend time watching their favorite shows. One thing the shows on TV during the 50’s has in common in are the stereotypical gender roles with no sexuality application.
America is often perceived as a country that values human rights. But on many occasions, this has been invalidated through the objectification of people of all genders, races, and backgrounds. Objectification is the act of treating a person as though they are not human but much rather an object or thing. For instance, Frederick Douglass’s aunt Hester in Narrative of the Life of a Slave by Frederick Douglass and Curley’s wife in Of Mice and Men by John Steinbeck. Objectification has caused human suffering, not just in the past but today as well.
In a woman’s case, being objectified promotes violence, harassment, and lack of control that is often reflected in relationships. When depicting another as a sex object, how can a relationship have value or exist at all when men
From a sociological standpoint, today’s media’s sexualization of females is spreading like wildfire, and making this type of perception into a norm—the idea that women should feel the need to act “sexy” in order to attract
Michel Foucault’s The History of Sexuality(1976), indicate that the history of sexuality is the history of oppression .The relationship of sex oppression always as power, knowledge and sex. Sex becomes an object to be oppress because it is unproductive in a capitalism society. The bourgeoisie not allow the workers use energy on sex, since workers’ energy is for production.
Roxane Gay once proclaimed, “Rape culture is a culture where we are inundated, in different ways, by the idea that male aggression and violence towards women is acceptable and often inevitable.” Imagine being attacked, stripped of your identity, and being forced into and blamed for actions you did not give consent to. This is considered normal for many women who experience the appalling act of sexual assault and its effects brought upon through the media’s depiction of rape culture. In The Scarlet Letter, a novel written by Nathaniel Hawthorne, the protagonist named Hester Prynne is objectified for her act of adultery and forced to wear a scarlet letter “A” on her bosom for all of eternity. The letter “A” serves as a symbol which outcasts Hester
The objectification of women contains the act of ignoring the personal and intellectual capacities and potentialities of a female; and reducing a women’s value/worth or role in society to that of an instrument for the sexual pleasure that she can produce in minds of another. The representation of women using sexualized images that have increased significantly in the amount and also the severity of the images that’s been used explicitly throughout the 20th century. Advertisement generally represent women as sexual objects, subordinated to men, and even as objects of sexual violence, and such advertisements contribute to discrimination against women in the workplace, and normalize attitudes which results in sexual harassment and even violence
Moreover, this restriction on expressing sexuality encourages passive behavior amongst women. In addition, linking a woman’s ethics to her body reinforces the double standard related to sexuality between men and women. Ultimately, being sexual is “stigmatized in women, but encouraged in men” (Heldman, Part 2). This double standard, combined with the expectations of passivity, reinforces the concept of rape culture. Women are expected to refrain from sex in order to embody purity and thus, are defined by what they do not do.
This form of objectification is often used as a means to appeal to men's sexual desires in order to promote and attract consumers, because marketers still latch onto the old “sex sells”, or so it would seem (Rowland, 2016). Music videos, magazines, fashion commercials, are all channels through which women are exploited and put out to be headless objects isolated for their bodies solely for sexual pleasure and viewing purposes. Rowland explains that although this charade may allure and trap most men, this is not the case for women. Emma Rooney cites in The Effects of Sexual Objectification on Women's Mental Health, “the sexual objectification of women is a driving and perpetuating component of gender oppression, systemic sexism, sexual harassment, and violence against women”. Jessica Vanlenti writes in ‘Worldwide sexism…Women’, that researchers from The University of Missouri-Kanas and Georgia State found these forms of objectification to be linked to women’s psychological distress, and are leading causes of suicide among young adolescent women.
Women’s Body The Figuration of the female body is well described in both Woman at Point Zero by Nawal El-Saadawi and Margaret Atwood’s The Handmaid’s Tale. Both novels show that the women bodies are not their own and controlled by others which it turned into an object in order to survive. In this paper, I would like to argue how the objectification of the female bodies in both novels resulted in their oppression and sufferings. Moreover, what is the definition of the figuration of a body to both Offred and Firdaus? And is there a way out to survive this tragedy in both novels?
Margaret Atwood has seamlessly woven a tapestry of feminist elements - mainly regarding gender oppression - within her works. With that, using two of Atwood’s texts, The Handmaid’s Tale and The Year of The Flood, as the foundation for our literary research, we will be focusing on the commodification of the female flesh in both similar dystopian contexts. Commodification refers to the action or process of treating an object, or a person, as a raw material or product that can be bought and sold, or even treated as an object of which sovereignty can be held over by one. In both works, women are victimized and treated as sexual beings whose bodies and physical expressions can be freely used by the men who have power over them against their will. The two texts illustrate how society brings about the oppression of women and this exacerbates the commodification of women.