Cruelty In Franz Kafka's Metamorphosis

Here Gregor is contemplating the impracticality of missing work, while completely ignoring the fact that he turned into a vermin. Gregor’s ignorance to his own personal problems highlights his dedication to pay off his family 's debts (pg 9), at the expense of his wellness. The overcast weather and the mention of his depressed mood creates a pessimistic mood which would feed into Gregor’s already gloomy outlook on life. His want to sleep and forget his problems shows a pressure that Gregor must always be under. His hardworking attitude doesn’t match up to his willingness to ignore his problems. The weight of working his parents ' debt off, must be constant and heavy enough for him to ignore his own responsibility for a few seconds of contemplation, even if he had shaken the thought off. He is so involved and alienated in his job and duty to his family, that his surroundings and

Gregor’s initial reaction to his transformation shows his preoccupation with work. His confusion over his radical transformation does not last long, quickly becoming concerned with work and disregarding that he woke up physically transformed into a monstrous vermin. Immediately after realizing he had transformed, Gregor explains, “Well, I haven’t given up hope completely; once I’ve gotten the money together to pay off my parents’ debt to [the boss] that will probably take another five to six years… But for the time being I’d better get up, since my train leaves at five” (4). The quick transition of Gregor’s thoughts from the initial shock to his economic duties reveals his ironic nonchalant attitude towards his nonsensical transformation and

The two novellas “The Metamorphosis,” and “The Death of Ivan Llych” both describe the stories of two men suffering from dramatic events in their lives. The two men both suffer from the feeling of alienation from their families. The two stories can be compared in many ways, and give insight into the way these two characters found peace in their deaths.

From the moment, Gregor wakes up he has transformed. But not just as a vermin. Gregor, as the breadwinner and dominant male figure of his household, is committed to his job of traveling salesman. In fact, he awakes as a vermin and is immediately concerned about work. He even ventures to say, “The business worries are far worse than they are on the actual premise at home” (Kafka 77), when he has just turned into a beetle, illustrating just how important his position in the family’s social hierarchy is. He is the breadwinner, while the rest of his family is practically leeching off of his work. But, due

To start, even before readers know he has become a creature, they are made aware that Gregor has a particular disdain for his life and his job. He might as well be a visitor to his own home due to his job as a travelling salesman. Already it becomes clear that Gregor is not has happy and stable as he could be, and to top it all off, Gregor is not even all that concerned with his new form (Klingenstein 1.) His reasoning behind this apathy is that he is still the provider for his family, thus not allowing him time to dwindle on his transformation. Gregor’s apathy towards his new form shows not only that he cares deeply for his family, but also that the initial stress caused by his transformation is nothing compared to what he endures in his day to day life. Gregor’s

Change occurs every day involuntarily. When people encounter change they are limited to only two points of views on it, negatively or positively. Some may react by panicking and going into denial whereas others may try to adapt to it and make the best out of the situation. It can affect one’s life drastically depending on the situation and how they portray it. In the movie “Rivers and Tides” and the story “Metamorphosis,” and the passage, “Simplexity”, change is initially portrayed as positive, but after a series of events it becomes overthrown by negativity. Overall, change is portrayed negatively by the authors.

What is deconstruction in literature? According to Merriam Webster, a deconstructionist literary criticism is a “philosophical or critical method which asserts that meanings, metaphysical constructs, and hierarchical are always rendered unstable by their dependence on ultimately arbitrary signifiers” (Merriam). In other words, a deconstructionist literary criticism looks at the book as a whole and deconstructs the pieces of the novel and how they may seem unstable when compared to the whole meaning. This mindset is exhibited in that of The Metamorphosis by Franz Kafka. Franz Kafka leaves many aspects of the novel unexplained and he includes details that are unstable to the meaning of the novel as a whole.

Gregor has been changed into a giant bug where he is a not a pleasant eyesight to his family and isn't accepted by his father and mother but only his sister. As the novella begins,”he found himself transformed right there in his bed into some sort of monstrous insect”. This quote implies that we live in a pointless

Gregor’s isolation and loneliness begins to toy with his composure, he becomes unpredictable and frightening to his family. Although, Gregor’s slow transformation from man to bug eventually becomes beneficial to Gregor. For instance, Gregor’s bug-like appearance allows him to be released from his family's high expectations. As for his developing bug-like qualities helps him to register his inner anger he feels towards his father. Gregor now realizes his father shows no sympathy towards Gregor and instead punishes him for something he has no control over. Gregor began to resent his father for throwing household items at him, squashing him like a bug. Even his beloved sister Grete began irritating Gregor by removing all of his belonging from his room, leaving him with nothing. The cruelty performed on Gregor by his own family sends him into a dark pit of despair. With nothing to live for he began to slowly end his life, making one final sacrifice for the ones he loves

Franz Kafka is a German novelist who wrote “The Metamorphosis.” In the story, he uses a third person point of view narrative. The novel uses absurdum, which exaggerates and dramatize the absurdity of modern life. The protagonist, Gregor Samsa, a traveling salesman, struggles with an external factor of transforming into an insect like creature. The transformation was not under his control and now struggles with a new identity. Once the sole provider for his family, he now becomes a burden. Internally, he is the same Gregor Samsa, but his physical appearance causes his family to alienate and mistreat him. The use of dehumanization is prevalent in the novel causing the protagonist to suffer with symptoms of depression. He is unable to be a positive contributor in society or for his family. The use of symbolism in the novel displays his isolation and humanity. The central conflict is resolved when his sister Grete, initially empathetic, comes to a realization that

In The Metamorphosis Gregor is affected in many ways by his transition into a cockroach, and in the end, all of the effects total up to changing who Gregor was. One of the first changes that we see after Gregor 's transformation is the rejection of him by his family members. Another change that we see throughout the story is society rejecting him. A final change that we encounter is the rejection of himself. Gregor was defined by what he thought of himself, and when everyone started to tell him what he was, his thoughts about himself changed.

Neither Kafka nor Gregor followed the existentialist idea of freedom of choice in a person’s life. They both had a life they didn’t ask for and responsibilities they were forced to assume. This principle of lack of freedom is clearly shown by the unexpected transformation of Gregor, waking up as an insect and obtaining the freedom he lacked, emancipating himself of obligations, injustice and final duties. He is freed from the obligation to work to maintain his family and liberated himself from his tyrannical father. Although he turned into a horrible insect, the metamorphosis did not change the beauty of his soul.

Almost from the very beginning of Gregor’s metamorphosis, Mr. Samsa has been unwilling to accept Gregor as his son. Furthermore, Gregor’s transformation into an offensive form of an insect, constantly reminds Mr. Samsa of the grotesque, feeble, and pathetic aberration that he has fathered. Consequently, now that Gregor has genuinely revealed himself in all his audacious behavior, his cruel father is driven to destroy him. In his eyes, Gregor has become everything loathsome to him—scrawny, parasitic, and futile—not the kind of son this once successful and ambitious storekeeper could be proud of. Hence, as Mr. Samsa returns to his house in a position of strength and authority, he unfortunately witnesses the sight of his stricken wife down

Gregor has always believed that he was an insignificant “insect” and that his worth only came from his financial support to his family. He was always dehumanized by his boss who believed that he was a crook and a slacker. Gregor had to work in this environment for fifteen years without any real human contact except from his family. Although it does not state how Gregor’s relationship with his father is it can be implied from Gregor’s mistreatment that there was a strain on their relationship. So, Gregor being transformed into an insect would just be a reflection of his inner self.

In the Metamorphosis, Gregor, who has gone through a physical transformation which turns him into a vermin, has ignored his transformation and is worried about not being able to provide for his family. At the beginning of the story, the reader could see that Gregor’s primary role is to provide for his family, as he is the only one that works. The father, however, chooses not to and expects Gregor to fulfil this role, when Gregor doesn 't meet up to this expectation, the father is infuriated and is forced to begin working. This shows that the father has always been capable of providing for the family, but would rather not be disturber, and Grete working afterwards proves this. Afterwards, Grete, Gregor’s sister, starts providing for her family and realises that there is no need for Gregor, as he is no longer able to provide for the family, and is being a burden to the family. Lastly, as Gregor transforms physically, his family start to grow hatred and disappointment towards him, and try to alienate him. After Gregor’s transformation, the father has started providing for his family, and the author uses Gregor’s transformation to illustrate that the family prioritises their economical status, and when he is not able to provide, they alienate him.