1. Introduction
The use of cultural activities, goods and services to enhance a city’s image, attract tourism, and promote economic development has be-come a prevailing trend not only in the renowned traditional cultural capitals of the world, but also in places not as well-known for their cultural backgrounds, such as Bilbao, Spain. Many cities have pur-sued the building of museums, cultural destinations, performing arts centers, galleries, and cultural districts, as part of wider urban devel-opment and revitalization strategies. The prevalence of cultural activ-ities in recent urban development programs makes it imperative for planners and policy makers to understand how they contribute to lo-cal economic development.
On the other hand,
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Cultural activities are considered as a significant catalyst for city development due to many reasons as it plays a role in urban tourist and visitor draws, and a significant factor in how individuals choose where to live and work. Many researchers have focused on the success of specific cul-tural projects in urban regeneration. The current literature lacks, however, a discussion of how local governments in Egypt could de-velop and implement cultural strategies. Many agree that culture is important, but to what extent do cultural activities become mecha-nisms for economic development? What types of cultural activities and programs can municipal governments support? Which are the in-tended goals and benefits of these activities? How do cities desig-nate places to pursuing cultural …show more content…
But it is important to identify the ap-proach in which these strategies have to be formulated according to the variables offered by the place. Grodach & Loukaitou‐Sideris (2007) have grouped cultural strategies into three models: Entrepre-neurial Strategies, Creative Class Strategies, and Progressive Strate-gies. Each strategy type is based on a normative set of characteristics including strategy goals, the types of cultural projects pursued, geo-graphic focus, and target audience. Entrepreneurial Strategies most clearly pursue a proactive, market-driven approach guided by purely economic objectives; Creative Class Strategies seek economic devel-opment through the provision of quality of life and recreational amenities; and Progressive Strategies follow a more grassroots and neighborhood-based approach to cultural development that seeks to respond more directly to the needs of local communities and arts
In the text “Contemporary Ethnic Geographies in America” informs us about ethnic enclaves in the United States in an article by Brian J. Godfrey. Chapter 3: New Ethnic Landscapes informs us about how a town can become an establishment such as a monument to one city. Ethnic Enclaves: Consolidation of Place-based Identities on page 67 explains the identities found within cultural landscaping and how its shape and effects reflect on the demographics of the city. Historical monuments and services also shape the ethnic enclaves of ones city. I will be analyzing San Francisco’s Chinatown ethnic enclaves
For example: In Chicago’s North Lawndale neighborhood, there is soon to be the development of a Back Lot with the hopes to attract tourist and create revenue. This is also in effort to utilize old factories and use them as film and production studios. Developments such as the “Eco Square” are also considering moving into Douglas park, another one of Chicago’s Westside communities. The “Eco Square” is a 419,000 housing development that is being built on the idea of green sufficiency and to house 150 residences over 5 acres of land. There is also a proposal that either the Hyde Park / Woodlawn area or Chicago’s UIC Flames campus might receive the presidential library.
Planning is transforming socially, but to achieve change it has to bring together, politicians, planners, and residents (Sandercock, 2004). Citizen’s opinions and rights should be taken into consideration. It is the number one rule in the planning process for participants. It says, “recognize the rights of citizens to participate in planning decisions” (Ethical, n.d.). Cities cannot progress unless they change their ways of doing things.
Introduction As the world’s population continues to migrate and live in urban areas, planners, engineers, and politicians have an important role to ensure that they are livable and sustainable. But what defines an urban area and what makes it so attractive? In my opinion, urban areas are places that consist of a variety of land uses and buildings, where services and amenities are easily accessible to the general public, and includes an established multimodal transportation network. Also, it should be a place where people can play, learn, work, and grow in a safe and collaborative manner.
Student Name: Shornaiter Richards Student Identification Number: AC1207313 Course Number & Title: AR300 Art History Assignment Number & Title: AR300C Assignment 08 Date of Submission: 26/08/2015 Assignment: Part A 1. Read the following article and analyze the expert’s opinion that art can be a generator of “identity” for a community, and examine what is meant by the statement that “public art ‘humanizes’ cities.” Haley, C. (2014, Mar 14).
Incorporating analysis’s from material provide in the Development and the City course at the University of Guelph, it is believed that a significant issues is the means to which governments invests in their people. Within cities, municipal governments are often more interested in modernizing than addressing the major structural concerns mentioned above. Furthermore, social inequalities do not just expand across cities, rather this is a problem that engulf the entire nation, which Boo also points to. This can especially be seen when
But, living in a multicultural city is by itself a very beneficial exercise not only on a personal level but also in terms of cultural exchange, economic exchange and generating new ideas. One experiences what is called cultural variety when living in a diverse area. He is somehow introduced to new kinds of foods, architectures, arts, music, festivals, religions, mythologies, writings and more of general day-to-day life. These new things would easily open one’s heart and mind to new places, new ideas and new people. According to (Wolfstone, 2010) nowadays all people around the world happily go out and eat Chinese food, use Japanese technology, drive German
The definition of the concept of Cultural Heritage has developed with history. At present, it doesn’t end at monuments and collection of objects. It also includes traditions or living expressions inherited from our ancestors and passed on to our descendants, such as oral traditions, performing arts, special practices, rituals, festive events, knowledge, and practices concerning nature and the universal knowledge & skill to produce traditional crafts. In general, cultural heritage consists of products and processes of a culture that are
Challenge of modernization and globalization in the UAE society Introduction The UAE is renowned for its rich cultural heritage heavily manipulated by Arab and Islamic traditions. UNESCO has particularly acknowledged the Emirate of Sharjah as a fascinating emirate that has single handedly taken measures in protecting the rich cultural heritage of the Arabs. A classic example is anchoring the Dubai Shopping Festival in cultural values that are local and traditional. It should be noted that the primary aim of the festival is to attract tourists from all over the world.