Cultural Studies Approach The short story “The Hand” shows the emotional ride of a new bride addressing the feelings of her new life and new husband. The initial approach of a first time reader may find this story confusing, as they sit inside the mind of the bride. Further breaking down the reading through a critical reading strategy allows the story to be viewed in a specific way, thus making it easier to understand. Looking at the short story “The Hand”, the characters desires, behaviors, and emotions can be analyzed through a cultural studies lens. The desires of the wife, before she notices her husband’s hand, can reflect the culture in this time period of the story, 1924. The 1920’s were a time of social unrest for women, and “flappers” …show more content…
She morphs from having an adoring attitude and abandons it for disgust. As she feels her husband move in his sleep, she suddenly thinks “it’s as if I were lying on some animal” (Colette 283). Focusing the lens of culture on this strange behavior can be found to represent the fast changing behavior of the time. Known as “the lost generation” and “the roaring twenties” according to the article “American Culture in the Twenties” from Khan Academy, these nicknames were attributed to the fast changing attitudes and carelessness of the post war era. People at this time behaved differently than what was accustomed, so it is not surprising when this wife begins to question her strange actions. The application of a cultural strategy when referencing the behaviors of the wife and the times show that they were fast moving, and often occurred with little thought taken into …show more content…
Throughout all of time, the 1920’s included, people make bad decisions and regret them. It appears that the emotions of the woman are reversing, and she now sees her husband as something much less than the handsome man from the beginning. The hand to her now represents the “...beginning her life of duplicity, of resignation, and of a lovely, delicate diplomacy…” (Colette 284). She has lost confidence in her decision to be happy with this man, and now second guesses if her life will be good or not. Many woman at this time felt similar. They were beginning to feel a captivity in marriage, and shied away from those ideas. The woman in our story comes to realize that she has become bound to this man, and is expected to fulfill her tasks as a wife. As a 1920’s woman, it also seems that she is realizing that this lifestyle may not be for her. The high’s and low’s of her emotions, when looked at culturally, can be viewed as those of a woman trying to find where she fits in a fast changing
How is the separation of lovers and its consequences presented in the extract? This extract of Flora Macdonald Mayors ' novel, 'The rectors daughter ', develops the theme of hedonism being extingished by the misfortune of unrequited love, through the perspective of a middle aged woman of the 1920 's. Mary Jocelyn, the stories narrator, aims to persue the man of her desires, however his absence of affection is prominant in this extract when we discover his devotion to another woman. This extract is significant to the era, as newly upcoming 'flapper girls ' encouraged a future of female independence and open sexuality, but this segment leaves connotations that not all women took this lifestyle by storm, and still remained unsatisfied as a woman when unaccompanied by a husband, as shown through Mary 's characterisation in the text. Throughout the excerpt, the consequences faced by the separation of lovers is evident to leave a negative effect on the person on the receaving end.
During the 19th century, women were overshadowed by the men of their household, therefore they had no sense of independence nor dominance. In Mary Freeman’s short story, “The Revolt of Mother,” the author presents Sarah Penn, a woman who takes a stand against her husband. In the beginning, the reader learns that Sarah is a hardworking mother and wife. She maintains the household work and meets her children needs. She is suddenly confused of her husband’s actions concerning their future.
The idea of marriage and what was considered an ideal union has drastically evolved. Marriage has only become an option in our civilization it’s no longer a social requirement, neither a priority for a female or male to get marry. In “The Yellow Wallpaper” Charlotte Perkins Gilman illustrates a controlling and dysfunctional relationship that also relates to “The Story of an Hour” where Kate Chopin also reveals a dysfunctional and unhappy marriage. When paired together, both pieces of writing portrait the other side of marriage where everything is not just a happy ending and it’s shown as incarceration and loss of freedom. Also, both writing take place in the nineteenth century, a time period when marriage was considered the right thing to do
A Husband’s Control: Women Must Defer to Her Husband in All Matters of Marriage and Obedience As the narrator introduces her story “The Yellow Wallpaper” by Charlotte Perkins Gilman, the reader goes back in where a women is considered fragile in her mind and naïve to the world around them. The narrative depicts a woman’s strife while personally suffering “nervous depression” (376) and how such a malady happened to be treated by her attending physician, whom is also her husband by the name of John. In 1899, polite society dictated and observed propriety at all times therefore, wives and unmarried ladies were expected to defer to their husband or the oldest living male family member within the residence.
Her obdurate rejection of the 1900’s misogyny, racism, and classism intrigues all those around her, sparking an obtuse hatred and fear among her neighbors. However, amidst the antipathy, love and camaraderie infuse itself into the town’s identity, “They began to cherish their husbands and wives, protect their children, repair their homes and in general band
kin make a man be decent if it aint in 'im" (Hurston). They all seemed to have plenty to say, but then the hot weather began to melt "their civic virtue" and a slice of melon became more important to each of them. In the 1920 's, divorces were much more taboo then they are today. I think on one hand, she was also afraid and most likely embarrassed what people might say or think.
“Like all other women I thought that there couldn’t be much improvement in the same old task of washing dishes.” This quote by Christine Frederick in 1912 speaks so much truth about the way women lived before the 1920s. Many women had believed that they were sought out to stay at home and be the regular housewife that the American people portrayed them to be. None of them probably believed that they would soon get the privilege to vote, have a job, or to even dress a little less modestly. They would soon come to the realization that their way of life would be changed when the 1920s came rushing in.
Even his wife Ruth is not living the life that she wants to live in. She is separated from her husband because of a worthless item that hides and covers the beauty of life from him. Rather than living in a fancy house, she’s living in a house that looks like "a prison than palace." Her depression is evolving over time even though she’s also a member of this wealthy family. She tries to prevent this from happening by trying to keep her son close to her all the time as what her father used to do with her, as said, “Her steady beam of love was unsettling, and she had never dropped those expressions of affection that had been so lovable in her childhood.”
In the nineteenth century, woman had no power over men in society. They were limited in their freedom, as their lives were controlled by their husbands. Some women did not mind this lifestyle, and remained obedient, while some rebelled and demanded their rights. “The Yellow Wallpaper” by Charlotte Perkins Gilman, and “The Birthmark” by Nathaniel Hawthorne, are short stories that exposes the lifestyle women lived in the nineteenth century. The protagonists from both stories, Jane and Georgiana, similarly lived a male dominated lifestyle.
Throughout her essay Brady used sarcasm and outlandish claims to incite a strong emotional reaction from her readers. I too was shocked by her requirements for a wife and the fact that women in that time period were expected to follow these requirements. Brady has done an excellent job of appealing to the readers using pathos while explaining how absurd the expectations of wives
In “The Flapper,” the poem describes what is like to be a flapper and how a flapper acted. This poem makes sure to highlight how women felt and why they wanted to be flappers. Both the novel and the poem talk about flappers and have similar themes, plots, and symbols about women during the ‘20s. Similar to the novel , the poem has a strong message about women and how they were thought of.
Judy Brady’s “I Want A Wife” is a revolutionary piece that attempted to reveal the unequal roles men and women held in society. She goes through her prose by listing all the responsibilities her wife must have and the ways to make her happy. Brady’s whole article is satirizing these roles and is, in general, very sarcastic in her tone. She mocks a society that has given women an impossible standard and she starts with the deprivation of her education then continues with the role her wife should play in domestic ways, and then finishes with the expectations the sexual aspects of their relationship. I believe that Brady’s underlying message was and still is important for the development of equality in our nation.
Chopin makes her strong statement in this quote from the story. Mrs. Mallard has no one to answer to but herself, and she feels liberated that her husband can no longer control her. During the late nineteenth century, women quite frequently had to suppress themselves to the will of their husbands, or to some other man who had a significant amount of control over their lives. Chopin successfully uses vivid imagery, point of view, and irony that gives a different view of marriage that is not typical of today.
Chopin uses women such as Calixta and Clarisse as examples of women gaining their freedom back within marriage. Calixta finds her freedom by having an affair with a man who isn’t her husband, while Clarisse takes a long vacation away from her husband to experience her freedom again. This allows for them to be less pressured from marriage. These women are breaking the boundaries of an ideal marriage, which allows them to no longer feel like their imprisoning themselves and to be open to more opportunities. Women of the nineteenth century have many expectations they live by.
Women in the 1890s were expected to work at home to keep their husbands comfortable and bear him children. Kate Chopin wrote most of her short stories during this time period. Her stories “A Respectable Woman” and “A Story of an Hour” show a female protagonist who want their freedom and control over their own lives. Her characters pushed the bounds of the roles that society gave them and showed the brutal reality of how women were treated in the 1890s. In “A Respectable Woman” the female protagonist Mrs. Baroda is married and lives on a plantation with her husband, who invites a friend to spend a week or two with them.