Cultural Themes In Monsoon Wedding

Love, Trust, and Family Renowned film critic Roger Ebert has praised Mira Nair’s Monsoon Wedding for the way that it “leaps national boundaries and celebrates universal human nature.” Indeed, despite the many differences that seem to divide people, there are also aspects of life that are present in the lives of everyone that can be used to relate and understand those with a different background. Throughout the story, the creators allow their audience to relate to a traditional Indian family through the emotions they share with the characters and the way that they deal with issues involving, love, trust, and family while still understanding the many differences between traditional American culture and the culture of those within the film.

In an article authored by Urvashi Agarwal on the role of females in Indian culture, she even points out the difference in emotions between the birth of a girl and boy: “sohras – the joyous songs of celebration sung at the birth of a child in the Hindi-speaking belt – are almost never sung for newborn daughters. Indeed, many sohras express the mother’s relief that this has not been the case and her worst fears have been proven to be unfounded” (Agarawal). This indifference towards females acts a specific example that shows undoubtedly that they are seen below men in the Indian hierarchy. In most conflicts involving an Indian family, it is safe to say that there is a presumption that the person higher up in social status, or in the case of Monsoon Wedding, the older and male Tej, would have the benefit of the doubt over a young girl like Ria. In addition, Lalit and the family were tremendously indebted to Tej, as he not only offers to pay for Ria’s entire American college education, but for the wedding as well. These observations involving the Indian social system and the debts owed to Tej by the family are important in helping the audience understand the context of the choice that Lalit makes to trust Ria