Dangerous Liaisons is an American-British film, directed by Stephen Frears, released in 1988. It is adapted from Christopher Hampton's play, itself adapted from Pierre Choderlos de Laclos's famous epistolary novel Les Liaisons Dangereuses. He has won three Oscars, including Christopher Hampton's Best Adaptation Screenplay. The film and the play change the original ending of the novel, in which Madame de Merteuil remains alone forever disfigured by her illness. In scene 43, the Marquise de Merteuil, jealous of Valmont's love of Tourvel, tells him the story of a man who, for fear of ridicule, had left his mistress, by saying: "It's not my fault." In the revolving staircase of the hotel, a recurring symbol of the machinations of libertines, she suggests to Valmont the scenario of the breakup. The sequence of the rupture does not exist in the novel: the letter 141 quotes the text of the anecdote, Valmont content to send the letter to Tourvel and to be surprised at her ack of reaction. Stephen Frears makes this sequence a …show more content…
It traces his life by comparing the author to her famous novel Dangerous Liaisons. The success of the scandal that has hosted Dangerous Liaisons is undoubtedly for many the ambiguity of the character of Laclos. How could a career officer, a good father and a good husband, write this burning epistolary novel? How could a man apparently so discreet have been in the turmoil of the Revolution, and take a not insignificant role? From there to deduce that Laclos was an embittered and revanchist, perhaps doubled by a redoubtable libertine, there was only one step, which was sometimes crossed very quickly, too much perhaps. According to Philip Thody “Laclos himself, unlike Valmont, was a very minor nobleman, whose dislike of the top aristocracy of the day may well have stemmed from the slowness with which, as a professional soldier, he obtained promotion in the artillery in the ancien
Straight Outta Compton is a 2015 drama film that was directed by Felix Gary Gary and produced by original N.W.A members Ice Cube and Dr. Dre, as well as many others. In 1987, five young men put their anger and frustration about life through music in one of the most dangerous places in America, Compton, California. Straight Outta Compton tells a story of how these young men stood up to authorities who tried to keep them down. In doing so, they formed the most dangerous group called N.W.A. They use their music to expose the truth about life growing up in the projects.
The 40-Year-Old Virgin is a 2005 comedy film directed by Judd Apatow and stars Steve Carell as Andy Stitzer, the titular character who has retained his innocence throughout his entire life. When his co-workers learn about his lack of experience, they make it their personal goal to help Andy “do the deed.” This film was not only responsible for launching Steve Carell to star-status, but it was also the directorial debut of Judd Apatow who later went on to direct other successful comedy films. Andy Stitzer is a grown man who works in a stockroom at tech store SmartTech and spends his free time collecting action figures, and playing video games. His coworkers David (Paul Rudd), Jay (Romany Malco), and Cal (Seth Rogen) don’t really know him,
The film “Gentleman’s Agreement” portrays Jews as second class citizens during a time period in America where bigotry is prevalent and the harsh discrimination against Jews has lessened their own pride and dignity while no one stands up for them. A surprising theme illustrated throughout the film was how the Jews themselves had a lack of respect or pride for themselves, such as when Professor Fred Lieberman wondered, “why the Jews among them still go on calling themselves Jews”. This passage is one of many showing how the Jews in this film have been mentally beaten down through hatred and racism, leaving many with less pride and dignity. Another good example of this is when Phil tells his Jewish friend Dave Goldberg that he’s pretending to be a Jew for his paper and Dave responds “Why, you crazy fool!”.
12 Years A Slave Do you care about human rights? Do you feel like injustice, racism and oppression has been and still is a huge issue in America? And most importantly, do you care about the cruel and brutal history of slavery and the consequences it has had for the future generations of African Americans? If the answer is yes to all of the above, then it is an absolute necessity for you to watch the movie 12 Years A Slave!
The 1995 film adaptation of Sense and Sensibility, directed by Ang Lee and originally written by Jane Austen, has timeless elements in its composition. Starring Emma Thompson, also the screenwriter, and Kate Winslet as Elinor and Marianne Dashwood, the movie tells of two heroines and their struggle between balancing idealism and reality. As young, female adolescents of the 1800s, they are responsible for finding husbands that can support them financially; and following their father’s death and loss of money, this becomes even more emphasized. But, they come to struggle when having to choose between what their hearts crave, and what their minds know is best. Elinor’s ideal partner is the initially dull Edward Ferrars, who is discovered to be secretly engaged
Topic 1: Film genres Through the 1995 film “Clueless”, written and directed by Amy Heckerling, the idea that film genres are located in industry and texts and audiences is clearly shown. “Clueless” is an American typical romantic comedy. This film can be seen as a hybrid genre as it include different characteristics of two film genres. In this movie, elements of humour and romance are both illustrated by its generic formulas and story content. The film talked about the heroine Cher goes through her perplexed teenage and finally realizes she is interested in Josh, her stepbrother.
‘Twelve Angry Men’ written by Reginald Rose, is based on the story of a jury who have to come together to determine the fate of a young boy accused to have murdered his own father. Initially, eleven of the jurors vote not guilty with one of the juror being uncertain of the evidence put before them. As the men argue over the different pieces of evidence, the insanity begins to make sense and the decision becomes clearer as they vote several other times. Rose creates drama and tension in the jury room, clearly exploring through the many issues of prejudice, integrity and compassion, in gaining true justice towards the accused victim. These aspects have been revealed through three character who are Juror 10, Juror 8 and Juror 3.
INTRODUCTION “We conclude that in the field of public education the doctrine of ‘separate but equal’ has no place.” -Chief Justice Earl Warren Separate But Equal, directed by George Stevens Jr, is an American made-for-television movie that is based on the landmark Brown v. Board of Directors case of the U.S. Supreme court which established that segregation of primary schools based on race, as dictated by the ‘Separate but Equal’ doctrine, was unconstitutional based on the reinterpretation of the 14th amendment and thus, put an end to state-sponsored segregation in the US. Aims and Objectives:
O Brother Where Art Thou? is a film that will take you on a perilous journey with Ulysses Everett McGill and his simpleminded cohorts. This film may be set amidst the early 1930’s Great Depression era, but it still has a Homer’s Odyssey feel to it. Down in the dusty and highly racial south, Everett recruits a couple of dimwitted convicts, Pete Hogwallop and Delmar O’Donnell, to help him retrieve his lost treasure and make it back home before his wife marries another suitor.
Boyhood embodies coming of age where the director Richard Linklater with Mason Junior, Olivia (Mason’s mother), Mason senior (Mason’s father and Olivia’s ex-husband), Samantha (Mason’s sister) builds an emotional saga which enumerates individual emotions and relationships. Linklater made film history by shooting the motion picture for 4-5 days (consistently) for the traverse of 12 years just to draw out the progression of time. Boyhood is an intimate movie which covers relationships between children and parents, adolescence, and child psychology, and further exemplifies the development of a six year old boy to an eighteen year old man, where the characters go through a series of emotional and physical changes, Mason’s voice drops, he grows taller, his parents grow older, you can feel the adolescence oozing out of the two
It can be quite easy to make assumptions about one’s character upon first glance or first encounter, but often these first assumptions are not a direct representation of a person’s true disposition. In the short story, “The Diary of a Madman” by Guy de Maupassant, an esteemed magistrate is being remembered for the model citizen he was, having lived a life that no one could subject to criticism. However, a notary uncovered his diary in a drawer in his home, in which he entailed his tendencies and cravings for murder that no one had expected of him. Within this text, the author uses the character of the magistrate to convey the theme that one’s true character cannot be decided from external appearance or actions. From the beginning of the text, it is made evident that this man was revered as the most well-respected judge in all of France.
The Intern is a movie based About The Fit, a new fashion company, Jules Ostin (played by Anne Hathaway) is the founder and CEO of this company. Ben Whittaker (Robert De Niro) joins this company as a senior intern. Ben is retired, a widower and seventy-years-old. After multiple interviews Ben is hired and is assigned to work with Jules, and almost immediately told by Jules that she doesn’t need him. After patiently waiting for Jules to ask him to do something Ben takes initiative and decides to help others around the office.
Gender roles and stereotypes are commonly known throughout society and continuously demonstrated as film as well. Through the work of director Judd Apatow, we can compare these stereotypes to the portrayal of gender in Knocked Up and identify how this film pokes fun at gender stereotypes. As we watch this film and follow the story line of Allison and Ben, we can see how Apatow reversed the gender roles of the two lead characters, Ben and Allison and how this effected the films meaning. In romantic, geek centered comedies such as “Knocked Up”, the roles of men and women are often reversed.
In the film 12 Years a Slave the editor, Joe Walker, makes use of a couple of techniques and styles that adds to the film in its own way. Long shots – Joe kept the long shots as long as he thought was necessary to add to the subject matter and the feeling he wanted to bind with the story. At the end of the film there’s this extremely long shot where Solomon is practically staring at the camera for about a minute and a half. The timing of that shot is so perfect because it’s not too short so you don’t have enough time to think about what just happened or too much time to overthink the situation. Closer to the end of the shot he lets the sound fade slowly and rapidly gives you a wakeup call when the next shot starts off where Solomon and the rest of the slaves are busy working in the field.
Adversity in “The Intouchables” “My true disability is not having to be in a wheel chair. It’s having to be without her.” (The Intouchables). Lines like that are just a piece of the great undertaking directors Olivier Nakache and Eric Toledano took when they decided to be part of The Intouchables.