Dante's The Devine Comedy
The work identity:
-Many specialist like (Taha Hussain ) consider it as the first fiction novel in the Arabic literature.
-Others consider it as a play for the diversity of the scenes which it contains. Imaginary scenes specially that which pictures the other world, doom day, Hell and heaven.
-Epistle, play, or novel , whatever it could be it still have the elements of creativity and the writer was talented enough to give us such brilliant work .
As a critical work:
The writer criticizes different aspects on different levels like:
-Ideology: Al Ma’ari criticized the people beliefs of revival from death and Resurrection, He also criticized the way of thinking even about religious issues. He rejected claims of any divine revelation and his creed was that of a philosopher and ascetic, for whom reason provides a moral guide, and virtue is its own reward.
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Some critics say that Dante couldn’t read Al Ghufran, since it hadn’t be translated to any other European languages. And it didn’t take a noticeable space in Arabic literature debates till the beginning of twentieth century. Those critics claim that The Devine Comedy affected positively on Ressalat Al Ghfran, because before Dante’s work, Al Ma’ai’s was not well known for readers. They think that The devine Comedy has spotlighted Al Ghufran. Some of them think that we read Al Ghufran affected by The Devine Comedy. In other words, we wouldn’t show this much of appreciation towards Al Ghfran, if we didn’t read The Devine Comedy.
Taha Hussain ( The Arabic famous writer 1889-1973) said that Al Ghufran has affected John Milton ( English poet 1608-1674), in his poem Paradise Lost.
While, Nicholson R. Alleyne (English orientalist 1868-1945) and Carl Brockelman(German orientalist 1868-1956),they see a similarity between Al Ma’ari’s work and the Greek poet and writer Urpidos (480BC-406Bc). They see them a great untraditional thinker of their
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