Dark Matter is a spoken word duo created by the poets and activists Alok Vaid-Menon and Janani Balasubramanian. The duo is well known for writing and performing their spoken word poetry on topics relating to race and gender identity but they also write about regular things that go on in their lives that can be relatable to any population. In a solo performance done by Vaid-Menon called “Reincarnation,” they address the subject matter of being transgender and the relationship between them and their father. In the performance, Vaid-Menon uses their physical body in order to help emphasize the emotion in the spoken word poetry by using hand motions and facial expressions to not only communicate the feeling verbally but to also show the emotion physically. The physical delivery of a spoken word poem is just as significant as the verbal delivery of the poem because sometimes actions speak louder than words and the poet is able to accentuate the emotion and meaning of the poem. The poem “Reincarnation” begins with a short narrative that Vaid-Menon gives their audience about their father. They immediately give the audience a bad impression of their father by associating him with being an “evil man.” In the narration, Vaid-Menon essentially compares their father to a person on drugs and from their …show more content…
In the first half of the poem, Espinoza uses the moon to represent a transgender person because she wants to express the importance of respecting trans people but more specifically concentrating on trans women. Later in the poem, Espinoza writes, “We should be talking about the ways that blood/ is similar to the part of outer space between the earth and the moon/ but we’re busy drawing it instead” (Espinoza 19-21). She is trying to illustrate that trans people are still people because they are just as human as any non-trans
So, wellcome to the first chapter of Ruthless Reincarnator (is this a good name? sounds weird). Anyhow. I 'm making a patreon.
He had tried to ignore what the other patients had told him, as he slowly began gaining these thoughts himself as he began losing his humanity. Because of these horrible experiences, he began to think of only himself, and began thinking of how much less of a burden it would be if his father was no longer with
He states in this poem that those things make up who we are, and that these things are too difficult to let go for a fate that we don't know and scientists can't prove. It would be easier to stay behind and stick to the habits that keep us happy rether than accepting our own deaths and having to take on our own sadness. Lingering around as yourself would even be preferred to inhabiting an animal or object and living a lifetime as that. The poem opens with a Middle Ages' lore of having to block the holes of objects and sht the mouths of animals when someone dies so that person won't inhabit that object or creature, but immediately
In her essays, Elena Passarello explores how the voice can be able to define human beings, refine them, as well as its ability to connect people to each other. Also, it is a masterpiece that easily explains and breaks down the relationship between a song and a birdsong. Elena is inspired by her acting background to writing the book and collection of essays which result in a nice blend of personal narration and reportage. Elena carefully sets to find out what is the true feeling of making an utterance and what it really means to study the concept of human vocalization.
From the title of the poem it can be analyzed that mornings which are a sign of beginning of a new day begins with discussion of nightmares. The word ‘nightmares’ is sensed to be used to express pain
As Lev and Kolya embark on their mission, they are faced with uncertainty and danger at every turn. However, the moon serves as a reminder of new beginnings and hope for a better future. As Lev notes, “The moon was a symbol of what we could become” (Benioff 194). The moon symbolizes the importance of embracing the unknown and the possibility of transformation; the moon also serves as a symbol of the cyclical nature of life and the inevitability of change. As the novel progresses, the moon’s changing phases mirror the evolving nature of the war and the characters’ experiences.
It’s said that Thomas was an alcoholic and it was deemed that the cause of his death was because of the obsession and also it was accentuated with the grief he felt for his father approaching death. The form of the poem is elegy whereby Thomas used the poem by expressing his grief for his father’s impending death. It is vital to know the poet state of mind in order to relate or understand the poem. Therefore, descriptive language used by the poet should be focused to further know the poet’s is trying to impose.
Compared to the father’s internal craziness, the description of the mother is far more reserved and composed – a contrast of movement and stillness. While the father has a mind vibrating “like a plucked string”, the mother “lies there in the dark” and “counts the minutes as they pass” (12). While he expresses his passion with a cycle of “exhilaration, exhaustion, frustration”, she tries to suppress her disappointment and sadness by “[pressing] her forehead to the glass” (16). While the mother sincerely and dearly desires the companionship at home, the father “finds himself listless, irritable” in the face of serenity and “absence of imminent disaster” (7). The whole tone of the description for the father is vibrant, accompanied by a lot of metaphors of him, the sky, or the balloon.
The conflicting interests of the mother and the father result in a situation where one must make a sacrifice in order to preserve the connection in the family. The flat depressed tone of the poem reflects the mother’s unhappiness and frustration about having to constantly
He explains his guilt that “burns like acid in [his] veins” as the leftover feelings from his childhood remain “as though [he] were still concealing the family shame” (744). This descriptive language showcases how deeply and painfully this trauma has been within in as he has made his own life for himself. He saves this for the end of his essay so that he does not pull too much of the audience’s sympathy from other people who made need it “more.” He introduces the topic of physical violence by writing that “[his] own father never beat [them]” (740)—a curious phrase as he goes on to say that the image was so vivid in his mind that it felt tangible and real. There is an emphasis on the absence of physical violence, but also an admittance of how the threat of such can be just as painful and imprint such images on the brain for years to come.
She addresses her father as “daddy” like a little kid, speaks in a child-like abrupt manner, and begins the poem with “you do not do/you do not do/ anymore black shoe,” lines that resemble the old nursery rhyme “There is an old woman who lived in a shoe”. However, this is not a happy child, but one with frustration and unresolved conflicts with her father, as she calls him “evil” and a “bastard”. Furthermore, the way an adult woman completely turns into her childhood self suggests an obsession and a fixation within the past, a phenomenon commonly associated with psychological deficiencies stemming from unsolved childhood issues. These observations correspond to how the speaker metaphorically refers to her father as a “black shoe” that she had to live in, showing her inability to overcome the shadow of her late father. Thus, by addressing him directly instead of referring to him in the past tense, the speaker confronts her obsession and tries to escape the
The negative tone in the poem is further analyzed through the verses that explain the consequences of a sexual relation without love. For example, the verse that states “…wet as the/children at birth whose mothers are going to/give them away” () is explaining the irresponsibility of those people who decide to partake in a sexual relation without love. They are so caught up in the moment and looking for pleasure, that they do not think of the consequences. They could accidently conceive a child, not be ready for it, and make a haste decision without thinking. That one night of irresponsibility could affect the person for the rest of their life.
Paraphrase: This poem has a first person point of view and shows a sequence of events in which the sinister acting narrator takes form in different events and time periods around the world. He or she introduces themselves as a prolific character throughout history. This person or thing says that it was present in events like World War ll and the Kennedy assassination, as well as many other tragic events. The character asks multiple times if the reader knows who he portrays based off his clues and that he or she will take your soul. He or she also stresses that all these sinister things that have taken place cannot just end up as attributes to the devil but that the fault lies in us.
Imagine your mother is dead to you and under the title of “mother”, she is an empty void like the craters in the moon. The poem Moon written by Kathleen Jamie in 2012 emphasises the relationship between the speaker and the speaker’s mother. Jamie uses metaphor, imagery and symbolism to demonstrate the speaker’s and the speaker’s mother’s troubled relationship. The moon is an extended metaphor for the speaker’s mother. The speaker and mother has a rocky relationship, to the extent the speaker say that the moon is “not [the speaker’s] mother.”
The poem 's content points not to just a single memory, but an entire sexual affair from the speaker’s youth—chronicling the erotic encounters that would eventually lead to his lover’s “footfall light” and both of them “silent as a stone”. Thus the memory is also clouded by the nature of erotic