Drama Dattani Essay

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Dattani makes the reader reflect on the conflict between man and destiny and will and tradition. The focus is on the struggle of man against man and society and man. Man’s growing disillusionment with the world and society is reflected. The struggle among the people, conflict internal and external, conflict social and psychological, conflict between individual and society and conflict in the community are graphically portrayed.
Dattani focuss on contemporary society and reality in the fast changing world. He is a “playwright on contemporary urban India and his plays are topical dramas. The questions he addresses in his plays are those of gender, sex, religion, communal tension, feminine identity, same-sex marriage, and above all, gay and lesbian …show more content…

What is most notable about Dattani’s dramatic art is that the stage for him is but a complex multidimensional area in which vital issues of life placed in time which can be viewed and reassessed. Deep moral undertones are reflected in his plays. With understanding and sympathy he deals with his characters. He is a genuine artist in love with his art. He does not promote direct didacticism through theatre. To him theatre is the medium of reflection of what one observes. He exclaims “Theatre to me is a reflection of what you observe. To do anything more would be to become didactic and then it ceases to be …show more content…

Character-contrasts work well. He is able to delve deep into the unconscious levels of community thinking and brings a lot of objectivity and balance to his analysis of the problems that bedevil us. (Sharma) Angeli Multani’s tribute to Dattani’s craft for using the language of his characters is noteworthy. To quote, “Looking at the history of Indian drama in English, Mahesh Dattani stands out as perhaps the one of very few (if not the only),and certainly, one of the most commercially successful Indian English playwrights” (Multani 12). Dattani’s theatrical art is characterized by a fine combination of ‘feeling and form’. No wonder he has emerged as the dramatist of the international

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