/Words without thoughts never to heaven go” (3.3). Hamlet’s flaws are shown through other contrasting characters that always act and show no restraint like Hamlet does. One of these foil characters is Laertes who wants revenge for his father’s, Polonius, death. Laertes tells Claudius that he is so determined for revenge that, “To cut his throat I’ the church” (4.7), which directly contrasts Hamlet. Hamlet was not willing to act and cut Claudius’s throat in the church, but Laertes is so willing to kill him in the church if that’s what it
This stress put on him is what essentially created his tragic flaw. Hamlets tragic flaw is his indecisiveness to make decisions. This trait is demonstrated through the entire play and causes Hamlet to his own demise. When Hamlet has immediate suspicious of his fathers murder and later proof, he delays the murder, which is puzzling because the play is about revenge, and one would expect him to have done it earlier as he had ample amount of opportunities to do so. His indecisiveness has puzzled many.
When Hamlet discovered that it was King Claudius that had killed his father, Hamlet maps out a process in which he would go about the death of Claudius. He ponders and thinks of the repercussions that may arise in every situation. At times, he inadvertently lets his emotions get the best of him. For example, his plan of revealing Claudius’s guilt through the observation of the self-reflecting play called “Mousetrap” works as Hamlet had intended. However, Hamlet’s impatience overcomes his control, allowing Claudius to realize the motives of Hamlet.
William Shakespeare’s Hamlet intricately weaves in a dualistic the theme of cowardice and bravery in the spiralling plot revolving around the palpable effects of King Hamlet’s death. The young prince, distraught by the recent death of his beloved father as well as his mother’s hasty marriage to his uncle, oscillates between decisions “to be or not to be.”*to act or not to act- Throughout the majority of the play, Prince Hamlet fails to take action, hence remaining in a state of neither being or not being. Hamlet’s emotional state, in turmoil due to grief and rage, further deteriorates after the unanticipated appearance of the Ghost of King Hamlet in the first Act. After hearing the Ghost’s story in which the present king, Claudius, is King
Hamlet’s madness is a product of the death of his father, which supplements the claim that fathers can impact their sons in a destructive manner. Because of his vulnerability, Hamlet was liable to do almost anything to avenge his father’s death. However, his father did not show that same loyalty. In fact, “There is no ‘I love you’ on the lips of old King Hamlet. There is no fatherly concern for his son’s life” (Word Press par.
When his father dies, Hamlet is incredibly grief-stricken and returns to Denmark from Germany to attend the funeral. Soon after, he sees the ghost of his father, who tells him to seek revenge and murder King Claudius. This alone makes Hamlet wonder if he is truly sane or merely hallucinating, and marks the start of his intense psychological journey through his own mind. When the ghost of his father tells him to seek revenge for him, Hamlet later remarks to himself, 2 “Yea, from the table of my memory; I’ll wipe away all trivial fond records, All saws of books, all forms, all pressures past; And
Hamlet then goes on to say, “who would fardels bear,To grunt and sweat under a weary life” (3;18;84-85) and is asking the question of how anyone would want to continue their life in his situation. Due to the Ghost coming back and telling Hamlet that the death of his father was not an accident, Hamlet is now responsible for killing King Claudius. Killing a King is not easy and the longer Hamlet takes to actually complete the task, the more Hamlet is driving himself into actual madness. That madness only being created from the extraordinary amount of stress that Hamlet is under. The madness, the stress,
Hamlet’s father's ghost appears and ask to avenge his death. Hamlet is torn between killing his uncle or not because it is a sin. Dealing with all this, Hamlet contemplates suicide. Hamlet's choice of diction reveals his tone of uncertainty toward life and death. Hamlet begins with “The slings and arrows of outrageous fortune”(III.i).
King Hamlet comes to Hamlet as a ghost to tell him to kill Claudius, but it takes Hamlet the whole play to finally fulfill his father’s wish since he fears the consequences of murdering the king of Denmark. This affects Hamlet’s mental health and relationship with his mother as he considers committing suicide as well as blaming his mother to help him recover from his father’s death. Through Hamlet’s anger towards his uncle, depression, and blame towards his mother in conflict with his fears of killing his uncle, having God mad at him, and hurting his mother, Shakespeare explains that people often desire revenge, but feel too fearful to fulfill it. Claudius becomes king after killing Hamlet’s father and marrying his brother’s wife, establishing Hamlet’s negative attitude towards him throughout the play. The king also talks condescendingly towards Hamlet in multiple instances, making Hamlet more angry that his relative does not
Hamlet remembers his father and mother as being happy with one another and cannot fathom how things turned out the way they did. The sickness in the garden are growing with “seed” and Hamlet describes it as “rank and gross in nature.” The garden that Hamlet remembers did not have sickness and was beautiful, but now it has become ill with weeds, “rank,” “gross,” and swamp-like. Later, in Act three, Hamlet has discovered what his uncle has done and plots revenge. He talks to his mother and tells her to, “Repent what’s past, avoid what is to come, / And do not spread the compost on the weeds /To make them ranker” (3.4, 171-173). Hamlet is essentially calling his