Political cartoons allow cartoonists to graphically comment on controversial political issues and events in society. As an abundance of these cartoons are purposely illustrated in a humorous manner, their focal purpose is not only amuse but to ensure the impression conveyed by the cartoonist challenges the audiences’ perception on the issue presented. David Rowe’s cartoon, which appeared in the Australian Financial Review magazine on November 10th 2013, condemns the Tony Abbott government’s implementation of the military operation dubbed "Operation Sovereign Borders" on the “Stop the Boats" policy. This political movement has therefore, limits access to information relating to the issue to the public and media. Through the use of key satirical devices, particularly: caricature, symbolism, visual metaphors, analogy and captioning David Rowe has negatively displayed the Abbott Government’s apathetic attempt to drip feed Australians information of its asylum seeker stand-off with Indonesia. In David Rowe’s political cartoon ordinary aspects express extraordinary significance, to decisively convey his negative impression of the Abbott government. The relativity of the context to the cartoon is linked through the illustration of the infamous red budgie smugglers, relating Tony Abbott’s influence. In addition to the the bow on the trunks symbolising the ‘tying’ of parties to the issue; the conjunction of ‘garbage’, consisting of fish heads, symbolises both the Abbott government’s straining of information of border security and the ’Operation Sovereign Borders’ catching illegal immigrants. David Rowe incorporates Australians’ response to the issue in his political cartoon through the metaphorical symbolism to characterise Australians as …show more content…
The political cartoon’s dark mood is further evident through the decisive positioning of the political personalities as behind the fence symbolising concept of secrecy within the government who David Rowe has intentionally
The Deepwater Horizon oil spill, also referred to as the BP oil spill, occurred on April 20th, 2010, in the Gulf of Mexico, near the Mississippi River Delta. The oil spill was marked as one of the worst corporate inflicted ecological disaster in our nation’s history. Not only has the spill been polluting the Gulf with barrels of oil, it has been polluting politics with millions of political cartoons in regards to the spill. Illustrating the different reactions of the BP oil spill, Drew Sheneman created a political cartoon between a female figure and a Republican looking down at the after effects of the BP oil spill on the Gulf Coast. Sheneman’s political cartoon uses imagery, symbolism, and irony, to differentiate the woman and Republican’s different responses to the tragic oil spill.
As a whole, political cartoons can heavily influence society in multiple ways. The press has always expressed their views/opinions about politics in clever ways, and these cartoons are only one of
‘The Tampa Decision: Examining the Australian Government’s prerogative power to detain and expel unlawful non-citizens in 2001’ The executive power of the Commonwealth has largely been neglected, both by the High Court and by commentators, receiving scant attention in comparison with the Commonwealth 's legislative and judicial powers. However, it was just fourteen years ago, in 2001, when a Norwegian cargo vessel MV Tampa being denied entry into Australia after rescuing 438 asylum seekers sparked one of the most controversial yet illuminating civil cases in Australian legal history. The result was a civil suit (Ruddock vs Vadarlis 2001) in which the Federal Government successfully appealed the initial ruling to the Full Court of the Federal Court of Australia, where it was found that the government does indeed possess a prerogative power to prevent the entry of non-citizens into
Ray Lawrence’s socially provocative Australian film, Jindabyne(2006), presents a thought-provoking and contemporary outlook on racial prejudice, the dramatised moral dilemma of responsibility, and a confronting depiction of reconciliation. The film dramatises the struggle over Australia 's history, representing the past as deeply alienating, as it explores the complexity of the relationships between racially diverse characters in post-colonial Australia. Lawrence establishes the reconciliation of characters through sound, further examining the relationship between cultures and genders in conflict. Through symbols, Lawrence explores deceit, and the roles, perceptions and experiences of men and women within various relationships, demonstrating the unforgiving consequences of division and distrust. The film presents
We are told that Australia is the “blessed country”. A country where our most appealing asset is our multicultural community and diverse society. In our anthem, we sing: “for those who come across the seas, we’ve boundless plains to share”. Ironically, this line is in the second verse, which most people barely ever sing. Perhaps this reveals the true attitude Australia has towards asylum seekers.
In Australia, refugees and asylum seekers are treated like the enemy in a war: the target of a highly resourced, military-led “deterrence” strategy complete with arbitrary detainment, detention camps, guards to terrorise them, forced deportations and the violent suppression of those who protest. Australia is failing to meet the standards required when regarding the treatment of asylum seekers. It is fact that asylum seekers make up less than 3% of Australia’s annual immigration yet the idea is being distorted to that of which they will overpopulate a country that prides itself on being a multicultural society. I want to shed light on the misconception that asylum seekers are not ‘legal’ when in actual fact it is a human right to seek freedom.
There were many political cartoons created due to McCarthyism. In one political cartoon the committee on un-american activities is driving a car directly through a busy city causing people to dive left and right to get out of the way. The caption of this drawing is “It’s okay --- we’re hunting communists” (Document A). This political cartoon is accurate life during the Red Scare became chaotic.
This essay will look at the aspects or reasons as to how and why the coalition government has won the federal election that took place on the 7th of September 2013. There are many reasons why Tony Abbott has won victory against the Rudd and Gillard government and to gain hundreds of thousands of Australian citizen’s trust. Reasons include; Tony Abbott putting a stop to the boats entering the Australian land, the abolishment of carbon tax and the reduction of the cost of living, Abbott promising to recognize Aborigines as nations first people, and lastly Tony Abbott took advantage the distrust that has been happening between the Rudd and Gillard Government to his power by pin pointing their flaws and issues thus making the citizens of Australia think twice on whether they should really put their complete trust in an unstable government to run the country given the economic difficulties happening today around the world. This essay will ideally discuss in depth as to why the coalition won the 2013 federal election and factors that has persuaded the citizens of Australia to vote for the Abbott government.
In his cartoon, Darrin Bell is implying that anti-immigrant attitudes today are continuities of anti-immigrant attitudes in the past. Although reasons for wishing away immigrants have changed over time, anti-immigrant attitudes in America are still extremely prevalent. It appears that the United States has started realizing the potential and benefits these immigrants present, but continue to shift their thoughts in order to align them with their attitudes. Through the cartoon, he is suggesting that the immigrants are minding their own business and doing what they need to do in order to support themselves. They are causing no harm to Americans, contrary to the belief that they are stealing American jobs.
Australia has been labelled as the country of mateship, fair-go and tolerance, but the mistreatment of Asylum seekers in Australia denies these values. In our anthem we sing “For those who’ve come across the seas, we’ve boundless plains to share”. It ironic isn’t it? As when Asylum seekers arrive in Australia we do not offer a hand of mateship instead we use punitive matters such as sending them to mandatory detention, which shows how xenophobia is manifested in Australia (Ariyawansa,
The descriptive language, “cheap, exotic food” even tries to ridicule the cultural food which migrants were expected to prepare for the Australians. “Cheap, exotic food” is a connotation for unsatisfactory food. “Feed the mainstream”, hints that regardless of a migrant’s new identity, they were still considered as different from the majority. The quote, “We’ve given you opportunity for family reunion, equality, and status, though your colour could be wrong” uses racial imagery to create a picture in the audience’s mind of the “incorrect” coloured Australians. This statement maintains the concept of migrants never being able to be fully considered Australian.
Australia has developed an alcoholic culture that has been celebrated and generalized by many others. Beating Around the Bush Based on advertising and movies, Australia has been represented to be an outback country and has generalized its residents to be bushpeople. Throughout the 20th century, the image of ‘The Bushman’ gradually became the most popular portrayal of Australians. Society admired bushmen as they saw them as heroes that work hard and pioneered the land.
During the 1860’s, there was tremendous tension between immigrants and Americans in the United States. To portray this “tension”, a political cartoon that was drawn by an unknown cartoonist to depict that America’s culture was in danger. This political cartoon is called “The Great Fear of the Period That Uncle Sam May be Swallowed by Foreigners: The Problem Solved” and was published in San Francisco, California by White & Bauer. The central goal for publishing this cartoon was to bring fear among the Americans, and therefore blame the immigrants.
The nation (Australia) is constantly looking for a person/group of people to follow. The underprivileged are stuck in the midst and subsequently, they feel a sense of inequality. Noonuccal accentuates the auditory effect of the underprivileged, in an attempt to evoke a depressing or compassionate feeling towards them from the reader through the use of imagery in the ‘underprivileged call’. The use of personification in ‘unfriendly doors’ displays how the statesman can force the ‘unfriendly doors’ to groups of people in which he dislikes, which shows how mean and unfriendly Australians can be.
The political cartoon Forcing Slavery Down the Throat of a Freesoiler was a lithograph published by Harper’s Weekly, a periodical that published columns, cartoons, and stories relating to current events (McCollister). John L. Magee, an artist and lithographer that created many satirical political illustrations created the cartoon in 1856 during a time when political tensions between the proslavery and antislavery movement was reaching its peak, a presidential election that could define the future of the expansion of slavery was at the political front, and the diving views between two halves of the country were setting the precedent for a civil war. The cartoon lays is an attack on the Democratic party as it depicts a bearded “freesoiler” being