In this essay, I am going to compare the theme of Byzantium in “Sailing to Byzantium” and “Byzantium”, a later version of the former poem. Both poems are similar because they are about escaping a secular world to join a kingdom of artistic permanence, but the greatest difference between the two is that “Sailing to Byzantium” is more focused on the voyage whereas “Byzantium” is a representation of an ideal state of existence. Since each poem is substantial enough to stand on its own as a work of art, I will first analyze “Sailing to Byzantium” and after that, “Byzantium”, making a comparison of the two poems. In discussion of William Butler Yeat’s “Sailing to Byzantium”, one will come across the theme of death and aging - and indeed growing old, the passage of time, and fear of death continue to be a great, universal concern to us human beings. The physical inevitability of death contrasted with the vitality of the “soul” is captured in the poem “Sailing to Byzantium”, which expresses the speaker’s wish to be immortalized “into the artifice of eternity”. “Sailing to Byzantium” paints the image of an aged man as worn and tattered, stagnant and tied down by the slow decay of the physical composition; a rather bleak and dreary image that is juxtaposed by the bursting vivacity of the soul. Nevertheless, the poem does reflect Yeats’ attitude in later life as he grows more concerned about the approach of death and whether or not he has led a meaningful life, reflected through his
The writers present differences in their opinions, approaches, proses and intentions making their narrations very distinct. Knight’s journal narration is a remembrance of her journey with the intention to entertain and she certainly did, even now her journal still entertains many Literature readers. It is clear that, she never had the intention to make it public, or make any monetary gain, which it make it remarkable interesting. In the other side, Bartram’s intention is to disclose information about the beauty and benefits of Nature for the good of humanity, or maybe monetary compensation. Moreover, these two author do not resemble on the way, they interact with people and nature; Knight’s attitude is impatient; Bartram is enthusiastic.
There is more to this story than just the interesting story of Paul and the drama that is his life. This critical analysis aims at uncovering some of the aspects of this piece of literature such as the style of writing, the genre, the narrator’s point of view, the
In this paper the short story by Olaudah Equiano Life of Olaudah Equiano and The Journal of Christopher Columbus by Christopher Columbus will be compared. I will go over various points such as descriptive details, emotional appeal, and word choice to find what the author's purpose is in these two different narratives. First I will analyze emotional appeal. The two narratives have different cover pictures, while these are not words they do give impressions.
In a time in European history, there was an era from the 5th to the 15th century known as the Middle Ages. The Middle Ages can often be referred to as the “Medieval period”, where buildings looked gloomy as they were made from gray cobblestone, and mankind was still in any idea of innovation, as they had no inspiration. Then during the 14th century, philosophy, art, and music were made exclusive, and became to some degree inspirational. Little did anyone know that was the beginning of a new era known as the Renaissance. Which was slowly but surely building a bridge which would lead the Middle Ages to the Modern Era.
In the poem “For That He Looked Not upon Her” written by George Gascoigne in 1573 there is a suffering and miserable attitude that is developed through the usage of literary devices such as the structure, diction, and imagery. First of all, the form or structure helps to convey the suffering and miserable attitude. This poem is a shakespearean sonnet that has an iambic pentameter and a heroic couplet at then end. The heroic couplet at the end reveals the final meaning of the poem, it is when the speaker tells the audience the source of his suffering. These sonnets typically have an attitude that is positive but because of the diction that is used that is what emphasizes on the negative attitude.
Beauty is something that all young forms of life take advantage of. Elders show the younger generation how they used to look at their age to prove that appreciate the best moments in life because nothing lasts forever. In Robert Frost’s lyric poem “Nothing Gold Can Stay” and Mary Oliver’s lyric poem “Lines Written in the Days of Growing Darkness”, both authors state that appreciate the best moment sin life because nothing lasts forever. The speaker of Oliver’s poem encourages us directly to “let us go on, cheerfully enough” (line 18), even though the reader has the idea that darkness is coming. On the other hand, Frosts poem suggest indirectly that although nothing lasts forever, the current objects beauty must fade away in order for the new
In this poem, a boy discovers the attractive nature of the ocean. He hears the ocean calling to him, “A word then (for I will conquer it,) …the sea, / Delaying not, hurrying not, / Whisper’d me through the night, and very plainly before daybreak, / Lisp’d to me the low and delicious word death, / And again death, death, death, death” (Whitman, 170-180). The ocean whispers death to the boy, yet he feels as though he can conquer death, and nature itself, so he I not afraid. Though the ocean represents death, it also represents freedom to this boy, and also for Edna. For Edna, death would free her from the expectations that weigh her down, and her soul could finally be free.
Many people praise and mourn about different things, mostly stuff they like very dearly. Except that mourning is being sad over something they lost that meant alot to one. In the poem “One Art” Elizabeth Bishop evokes praise, mockery and mourning, by using language that shows a carefree tone and a passionate mood. She also fulfills her purpose by utalyzing repetition in her structure.
In the poem’s beginning, scenes of vibrant colors are immediately contrasted with death or decay, “leaf blooms [then] burns red”. This opposition between two completely polar ideas, constructs a sentiment of conflict in their work as a whole. In fact, the juxtaposition relates the speaker’s internal conflict. Without these sentiments, the poem would not be able to fully develop its focus on the speaker’s internal dilemma, as the juxtaposition directly works to jar the reader with conflict. Furthermore, the juxtaposition of the specific concepts of life and death supports the poem’s theme about risk taking.
In this case, we learn that Ancient Greeks used the idea of fate in order to explain the occurrences of their everyday lives. This idea of decisions and fate contributes to the higher meaning of the text by highlighting the contrasting decisions made by two main characters, and also by giving the audience a valuable lesson in
M. Synge’s well-known tragedy Riders to the Sea, the sea also plays a great role throughout the work as a background, as a living character, as a force of nature, as an agent of destiny. Like the sea of “The Open Boat” it is also dark, mysterious, and powerful. That is why the characters do not know its moods. It has been presented as both kind and cruel. It is kind as it provides livelihood to the inhabitants of the island.
In William Cullen Bryant’s “Thanatopsis,” Bryant speaks of death, saying that it is just a part of nature, as if he is trying to tell us that we should not be afraid of dying. When analyzing Bryant’s “Thanatopsis”; I find that there are many different ways that Bryant’s poem can be interpreted, and I can see that the shift, attitude, connotation, and meter are all big factors in his poem. Bryant’s “Thanatopsis,” is very much about death, and how it is closely related with nature. In the beginning Bryant acts as if death is something scary and sad, “…last bitter hour come like a blight…” (line 9) and “… the all beholding sun shall see no more…” (line 18), then towards the end he changes, acting as if he has come to peace with it, and accepted that everyone will die, “Yet not to thine eternal resting-place shalt thou retire alone…” (lines 31-32) and “… like one who wraps the drapery of his couch about him, and lies down to pleasant dreams.”
The poem “Miniver Cheevy,” is about a man who spends his days wishing that he had been born in a different era than the one he spends his days in. Looking back on the olden days Miniver Cheevy feels that the olden days were much better than modern times and the poem goes on to show his love for the past. However, instead of doing something about his love and curiosity for the past he chooses to reminisce about the past and drink his misery away. Throughout this paper I will discuss the poem’s central purpose and its attitude towards its subject matter, and how the author uses allusion to reinforce the poems central purpose and attitude. First, I will begin with the poem central purpose or theme.
Besides the author and the reader, there is the ‘I’ of the lyrical hero or of the fictitious storyteller and the ‘you’ or ‘thou’ of the alleged addressee of dramatic monologues, supplications and epistles. Empson said that: „The machinations of ambiguity are among the very roots of poetry”(Surdulescu, Stefanescu, 30). The ambiguous intellectual attitude deconstructs both the heroic commitement to a cause in tragedy and the didactic confinement to a class in comedy; its unstable allegiance permits Keats’s exemplary poet (the „camelion poet”, more of an ideal projection than a description of Keats actual practice) to derive equal delight conceiving a lago or an Imogen. This perplexing situation is achieved through a histrionic strategy of „showing how”, rather than „telling about it” (Stefanescu, 173 ).
Scanning through his past several years, he returns to his mother’s death and analyzes her choice to seek a lover at the end of her life. While before he thought it was strange and even somewhat aggravating, he realizes now, being so close to death, that people will enter a desperate search for meaning when their time left is fleeting. But at the same time, he reasons potentially as a coping mechanism, there is no difference whether he dies by execution later that day or in 40 years because he will be dying all the same. Together, these two realizations, though somewhat contradictory, create his bridge to Existentialism. By establishing these two points, he can allow himself to, “open up to the gentle indifference of the world - finding it so much like himself”(122), and apply whatever meaning he wants to life in order to make it as rich and enjoyable as desired, rather than drifting along as a pitiful being waiting for some greater power to guide him along.