Death.
To some the topic is taboo, something to avoid talking about, to be feared. Others are indifferent, celebrate it even. Regardless of one’s perspective on it, one constant of death is its inevitability. An analysis of two works, Golding’s Lord of the Flies and Beowulf, provides insight into the discrepancies between the treatment and depiction of death among different groups. These distinctions are emphasized by the moods conveyed through the respective works and the sequence of events. Death in Beowulf is portrayed as solemn and meaningful; comparatively, the deaths of 3 boys in Lord of the Flies seem insignificant and easily forgotten.
The characters from Lord of the Flies illustrate a sense of callous detachment towards the subject
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Unlike the nonchalant attitude towards death assumed by the characters within Lord of the Flies, death within Beowulf is something of value. For example, Beowulf’s death, much like that of many kings and warriors before him, is honored and grieved over by many: a proper funeral is held, a memorial is built to remember him by, and gifts and treasures are dedicated to him. These actions demonstrate the respect the Geats had for the dead. Moreover, although defeating monsters is accepted, killing one’s own kinsmen is a great crime. Unferth killed members of his own family, an act for which he will “suffer damnation in the depths of hell,” according to Beowulf (589). This belief further highlights the fact that a much greater importance is placed on death within Beowulf than Lord of the Flies, in which the boys on the island thought little of killing their own …show more content…
The characters from each of the stories believe that whoever kills the enemy will save them and be a hero. However, killing one’s own comrades has different consequences. In Golding’s novel, Simon and Piggy are killed mindlessly and without remorse. Most of the characters remain unfazed by the deaths in the book; there is a casual regard towards the subject. Conversely, death in Beowulf is something somber yet meaningful. Cultural differences show their influence in many aspects of our lives, including the perception of death, as demonstrated through Lord of the Flies and
In the book death is often interpreted as a time to
Death plays a bigger role in life than life itself. When people die, people cry, and while people cry, a clear moment of lucidity occurs. Death is what makes every moment worth living and is told through stories of books and movies with symbols both subtle and blunt. Night, for example, is an autobiographical novel recalling Eliezer’s experience through concentration camps while The Book Thief is a historical fiction film where Liesel is a bystander who participates in activities symbolizing war. History is intertwined death.
Beowulf had more than one character archetype, the second one being a mentor. His ability to be valued, and showing his men what to accomplish to become somewhat like him is shown throughout the whole poem, as written “ The Geats stayed, sat sadly, watching, imagining they saw their lord but not believing they would ever see him again” ( L. 559-561). His men have been mentored by Beowulf for a long time, typically they’ve grown to think like him. Knowing how their leader is, they don’t give up on him nor put themselves into the situation of believing that Beowulf could have perished. Of course, Beowulf mentored them well into thinking and letting them know that the fight never is over.
¨i'm 23 now,but will i live to see 24/the way things are going i don't know¨(25-26). The way the narrator has chosen to live his life does not ensure a long lasting life so he has to live his todays like if their was no tomorrow. God can take his life within a blink of an eye which represents the idea of god will decide if you wake up the next day to see another day tick by. Beowulf demonstrates the same concept as the narrator, Beowulf believes very strongly that god will decide if he will live to slay another monster he also believes that God is the one who elects the outcome of his his next battle.¨God must decide/who will be given to death's cold grip¨(255,256).Both the narrator and Beowulf know that their life is not decided by anyone besides god, in their minds the idea of death is always present the narrator knows that his life is going to end its just a mater of when God decides to take it on the flip side Beowulf is also aware that he will dye its just a matter of time. To both characters the idea of how they go down is important in the case of beowulf he belives since he will die it is important that he dies in a courageous maner like fighting beast twice his size, the narrator belives it is important that he goes down protecting and standing up for his own small gangster
The safest way to protect mortality from monsters’ wrath is to sacrifice those around. Beowulf vows to fight Grendel sans weapons, but for Beowulf to successfully achieve the takedown he needs to live up to his honorable name, Grendel’s focus must be on someone other than the warrior. When the time comes for Grendel to terrorize Heorot, Beowulf allows the creature to “[grab] and [maul] a man on his bench… And [gorges] on him in lumps, leaving the body utterly lifeless, eaten up” (17-18). Who is Beowulf to value his life over one of his comrades?
In contrast to Hrothgar lamenting his dear friend, Beowulf proclaims, “It is always better to avenge dear ones than to indulge in mourning” (1384-1385). Beowulf praises the idea that the best way to react to death is not by wallowing in grief, but instead trying to punish the killer for his wrong; it is more of an effective method to accept a loved one’s death when his murder is slain. His loyalty to the Danes is projected through his conviction of getting revenge for the sake of the one who died. Grendel’s mom has proven to be very vicious, nevertheless Beowulf ascertains he should pursue a brawl anyways. Beowulf is willing to put his life on the line to avenge a life for the nation he cares about and protects.
Mankind exists today because its predecessors were able to fight starvation, weather precarious climates, and outrun vicious animals and foes. Nowadays, survival is a game, whether it is proven through reality shows filmed in exotic locales or simply a video game blown up on a big screen television. To live is to survive, so it is easy to see why the survival instinct presents itself countless forms of media, dating all the way from ancient times to Old English to modern day. Beowulf, an epic poem from the 700s, exhibits the need for the survival instinct and displays the lengths mankind will go to keep himself safe. The survival instinct exposes itself as an archetypal trait in all humans, as characters will put others in harm’s way in place of themselves in hopes of
Although Beowulf has all of these qualities he completes such traitorous, dangerous feats for all of the wrong reasons. From these tasks, Beowulf expects everlasting glory, fame, and above all immortality. Elements such as friendship, loyalty, generosity and bravery were quintessential in Anglo-Saxon society. The most important being loyalty, without it the whole system would crumble. As the whole Anglo-Saxon “government” ran on the loyalty to each other, if there was no more loyalty between each other there would be no culture.
Death. An idea that permeates human thought. Symbolically embodied by the fictitious character Hrothgar from Beowulf as, “...an archer who draws a deadly bow,” (Beowulf 1744), its nature, its finality, strikes fear in the hearts of those who have yet to accept it, for it is a final inevitability escaped by no human. The idea that there is nothing afterwards has undoubtedly crept into the minds of even the most devoutly religious persons to walk the Earth. Consequently, any reprieve from the concept is welcome with open arms by scores; the nature of solutions embraced, however, vary culturally and individually.
It 's easy to flee a battle, but it 's hard to stay knowing death is a definitive factor. Beowulf shows that he is willing to die for his glory and to protect the Danes in every battle he faces. Against Grendel, Grendels mother, and the dragon. During his battle with
Beowulf attempted to comfort Hrothgar and the warriors by exclaiming, “Let your sorrow end! It is better for us all to avenge our friends, not mourn them forever”. He then aims to convince Hrothgar that “for the glory of his name, fame after death is the noblest of goals”. Beowulf believes it is worth dying for a good
Everyone has a perspective on good and evil; the battle line between good and even runs through the heart. “Beowulf” illuminates characters that come from dark and deep backgrounds that construct their dauntless actions. In the heroic tale “Beowulf,” the author’s tones strongly demonstrates themes of loyalty, honor, and courage. Raffel’s tones remotely displays the act of loyalty within multiple characters. “Hail to these who will rise to God, drop off their dead bodies” (101).
He has true honor and respectfully distributes treasure and gifts to those whom he believes rightfully deserves them. Beowulf’s loyalty to the Danes helps shed light on his true character. He expresses that he believes he may die in battle between Grendel, but that does not dissuade him from fighting the beast. Another example is when Hygelac dies, Beowulf is asked to take the throne. In doing so, that would mean the the son of Hygelac would be stripped of his own inheritance, which is dishonorable in Beowulf’s eyes, and thus he declines the offer.
Fear has the ability to manipulate people into believing there is danger when there is not, causing them to make rash decisions. These decisions can result in a disobedience to one’s cultural beliefs, as seen in Lord of the Flies and Beowulf. Even though the characters from Lord of the Flies and Beowulf come from cultures built around nobility and loyalty, fear tears them apart from the society they had worked hard to achieve. Although the boys from Lord of the Flies tried to keep their culture’s morals, the fear of the unknown caused the children to betray their Culture.
“You would, would you? Fatty!’ Ralph made a step forward and Jack smacked Piggy’s head.” This is just one of the many instances cruelty has played a crucial role in the novel Lord of the Flies, by William Golding. Peppered with symbolism and motifs, cruelty proves to be the most essential to major themes.