Experiencing death affects your mental state vastly, and with this mental alteration, your physical and imaginary world falls behind it. In Tim O’Brien's The Things They Carried, there is a lot of death, including his first love and an old Vietnamese man. These deaths caused many different emotions for O’Brien, including vivid dreams and an almost dead but alive state. O’Brien experiences a lot of death, and this death caused him to almost hallucinate and have very vivid dreams. After O’Brien sees Linda dead, he tells us about how he would dream about Linda, and he starts to think about Linda when she was alive. He would make “up elaborate stories to bring Linda alive in [his] sleep”(O’Brien 230). O’Brien was only young when Linda died, and …show more content…
When O’Brien first joined his platoon, they raided a village, and in that village was a dead old man that they had found. When the platoon passes by the old man “they just grabbed the old man's hand and offered a few words and moved away” (O’Brien 214). By shaking the old mans hand they personify him, making him seem alive, although he is clearly dead. By making him feel like an alive person they are coping with the fact that he was dead because if they thought about everyone being dead when they kill, they would go insane. The way they are talking to him and personifying him is in a way a sort of celebration of life. By talking to a dead person, they are showing how life is created by interaction and thought instead of breathing or still. When O’Brien is asked to go introduce himself to the old man, he refuses despite all the heckling. He later feels “sickness inside [himself], but it wasn't the old man's corpse so much, it was that awesome act of greeting the dead” (O’Brien 215). O’Brien believes that greeting the old man was a sick thing to do, yet he wanted to see Linda and greet her. O’Brien believes greeting the old man was sick because they were the enemy, yet they were being civil once they were dead. In a way, not greeting the old man was a way of showing loyalty and responsibility. At the same time to keep your sanity it is
They didn’t disturb the body, they just grabbed the old man’s hand and offered a few words and moved away” (O’Brien 214). In the end, O’Brien admitted to being afraid to do the same as the other men. It “like a funeral without the sadness,” holds a disrespect for the dead (O’Brien 215). Later in the chapter, O’Brien admits that during the war, he had many encounters with death, both by allies and enemies. He had to “climbed a tree and threw down what was left of Curt Lemon… watched Kiowa sink into the muck… policed up the enemy KIAs” (O’Brien 229).
The Lives of the Dead. In October of 2012 I visited the Vietnam Memorial in Washington DC. I walked down the ramp examining the wall and the list of names on it. As we searched for the name of a friend of my Grandfather, an army veteran that served with him in Vietnam.
O’Brien then adds, “the way your eyes focus on a tiny white pebble or a blade of grass and how you start thinking, Oh man, that’s the last thing I’ll ever see, that pebble, that blade of grass, which makes you want to cry” (182). This statement encompasses the ultimate reality of facing death on the battlefield. People might even ask themselves what sort of heroic death they are departing with, and whether they are truly proud of their sacrifice in that moment of departure. The truth is, soldiers are not thinking about their country when they’re being shot at, they’re thinking about everybody they know, especially themselves and their fellow infantry mates fighting viciously beside them; and that is the main idea that O’Brien cleverly articulates as the tone of all the firefights they encounter in the
In war, soldiers and civilians will experience the loss of friends and families. In Tim O’Brien’s work, The Things They Carried, the reader is introduced to soldiers fighting in the Vietnam war who lose their comrades’ loves due to mishaps. These soldiers in combat, along with civilians, learn to accept or become numb towards death by understanding the situation they are in and by finding comfort in oblivion. Early in the plot, the reader is made aware of how the soldiers comprehend their allies’ deaths. According to the author, when Lieutenant Cross’ team was contemplating about who is to enter the tunnel, “Lee Strunk drew the number 17” then he laughed (O’Brien 10).
The things they carried Tim O’brien had strong feelings about the war. He despised it and protested against it but that still didn’t stop him from being drafted into it. He felt depressed and isolated after being drafted. O’brien tried to get out of it but failed. Tim hated war, he understood that sometimes there needed to be one but, he did not feel that way about the vietnam war.
And as a writer now, I want to save Linda’s life. Not her body-her life. She died, of course” (O’Brien 222). As a fourth grader, he knew that Linda was going to die, but could not bring himself to accept it. He wanted to spend more time with the person he loved.
When people have to deal with death loss they can form bad habits out of it like not keeping good hygiene or they could stop doing activities they once enjoyed. The death loss stage could even be worse especially if it’s a really close loved one that died. In the “Things They Carried”, O’Brien had to deal with death loss even though it was a completely random person he still had to deal with death loss because it just stayed on his conscience for killing a man he didn’t consider an
There are many ways people cope with the loss of someone. Some people go through the 5 stages of grief and others try to embrace the sad loss of someone and see good come out of it. Tim O’Brien wrote “The Lives of The Dead” in order to preserve the memories of the dead by telling the stories of their lives. When O’Brien brings up specific people there is a story behind it because this is his way of coping with the loss of them. For example, throughout the whole story he was in Vietnam.
Expressing his disbelief when Linda died, as a writer he recalls that “In Vietnam, too, we had ways of making the dead seem not quite so dead. Shaking hands, that was one way” (O’Brien 225). This tactic helps the soldiers think about the aliveness of the dead, which in a way helps them avoid blaming somebody for the death. Because they are serving in a war, there is no such thing as safety and having something that can pull someone back, such as emotional trauma, is something to avoid. Limiting this weight of emotional agony at this point during the war helps prevent the trauma of that death in future instances.
O’Briens intended audience is people who have an interest in war, and uses mortality and death, along with morality to help the audience get a deeper understanding of what could possibly occur at war. First, O’Brien discusses how mortality and death greatly affected many of the men around him. In the chapter ” In the Field” Kiowa is gone and there is nothing they could do to save him. The
O’Brien talks about the death of a young man with skinny wrists, skinny ankles, and a star-shaped hole in his eye. He gives him life by making him into a story, so that way he could be distracted by the fact that the young boy won’t be able to read it. He wrote this chapter to express his remorse, guilt, and shame for the boy that lost his life in front of O’Brien’s eyes, whether the death was by his hand or not. Although the title of this chapter, The Man I Killed, is about a man who died, it is unclear if O'Brien killed anyone in the war. Remorse can be described as a distressing emotion experienced by someone who regrets their actions which they have
After she died that had a huge effect on Obrien and he had a hard time getting over her death because he could not find a coping method. Linda’s role was so important because it encouraged Obrien to find a coping method for the empty hole he had in his heart that he was feeling .Linda forces Obrien to use his writing to cope with her death, by telling stories with the memories he had with her, keeping her name
Death was inevitable in war, and in this war, nearly 2 million people died. In the chapter “The Lives of the Dead” it talks about how Dave Jensen was using his dark humor and poking fun at a dead old man whose arm was blown off. Kiowa, instead wouldn’t join in on the joke because of his strong faith and his morals towards respecting elders. O’Brien also reflects back on when he first experienced the mourning of death. O’Brien’s way of mourning now is the complete opposite of how he did in the past, due to the
In “Ambush”, where O’Brien killed a lone Vietnamese soldier, we get a glimpse of how O’Brien reacts to the experiences he undergoes during the war. O’Brien gives a grisly description of the dead man’s corpse, showing just how deeply the memory is etched into his brain. O’Brien also speaks of how, years later, he “hasn’t finished sorting it out” (O’Brien 128). Despite so much time passing, he is still incapable of forgiving himself for the things he did during the war. Further, this isn’t the only experience that O’Brien isn’t able to get past.
Obrien keeps the deceased characters Linda, Kiowa, Ted Lavender, Curt and Timmy alive, through his memories, dreams and stories. In Tim O’Brien’s “Lives of the Dead,” the loss of innocence and the power of literacy are both prevalent themes. Symbols are often used in a story to mean more than its literary meaning; Linda’s red cap, in “Lives of the Dead,” is a symbol of innocence’s. Linda’s innocence affected neither her illness nor death. Linda was O’Brien’s childhood girlfriend; when she first found out she was sick and had cancer, she began to wear a red cap, every day.