Amidst the works of Twelfth Night by William Shakespeare and Some Like it Hot directed by Billy Wilder, the theme of deception is shared. Through the events that unfold, deception is forced unto the characters. Be it accidental or intentional, the characters of the works deceive one another and themselves with false appearances. Most conspicuously, the characters of the works deceive one another through false appearances. In both Twelfth Night and Some Like it Hot, characters are forced to disguise themselves as the opposite gender. Viola must disguise herself as a man in the former and Jerry and Joe disguise themselves as women in the latter. These false appearances are known to the audience however, they deceive the other characters within …show more content…
In Twelfth Night, Feste the Clown puts on the disguise of a priest, taking on the character of Sir Topas. He puts on the costume in order to trick Malvolio that he is a priest there to perform an exorcism, however the disguise is completely unnecessary because Malvolio can not see him. Wearing the costume deceives the Clown that he is Sir Topas, it allows him to play the character through speech confidently. This is similar to Jerry’s experience with the woman disguise in Some Like it Hot. After a long night of tango dancing with Osgood Fielding III, Jerry is engaged. When confronted by Joe, Jerry reviews his serious plan of going through with the marriage in order to collect alimony after the divorce. Jerry deceives himself with his false appearance, he becomes carried away. Both the Clown and Jerry deceive themselves through their disguises. Undisputedly, deception through appearance is prevalent throughout both Twelfth Night and Some Like it Hot. Deception is provided through false appearances such as the gender switching and disguises of Jerry, Joe, Viola, and the Clown. May it be accidental or intentional, appearances deceive the ones around and the ones providing the
While she is on the convent she creates a disguise using the clothing available to her. This not only allows for her to hide her femininity, but it also allows for her to create a masculine façade. Throughout these two decades of living as a man, Catalina cultivates a masculine persona, and by the time this book comes to an end there are no traditional female characteristics obvious in her nature. During her time disguised as a man, De Erauso tests her disguise by going back to the convent where her mother and father are. No one at the convent recognizes her, which in turn boosts her confidence.
A particularly effective element of the production was the use of costume. The costumes exposed the time period, transporting the audience back to 1981, immediately involving me in the story. Costume represented the social class the characters belonged to. Mr and Mrs Lyons were rich and had a high social status, their costume established their character; Mr. Lyons was wearing a suit and Mrs. Lyons wore tights and uniform.
The issue that I will emphasis is the idea of disguise in general and the physical disguise as a female disguised as a male . The changes in both appearance and attitude will put the characters in a challengeable situation to make different identity in order to create different atmospheres with different meanings to make the plot more interesting and favorable for the
Through the use of the theme of deception through appearance, the film Some Like it Hot is a natural descendant of Shakespeare's Twelfth Night. In both works, characters change their appearance to deceive others into thinking they are a completely different person. The three types of deception that occur in both stories are intentional deception, accidental deception, and self deception, all through the characters changing their appearance.
Deception comes in many forms and can be seen in all kind of ways but mainly when someone purposely causes someone to believe something that isn 't true to gain a personal advantage. Many authors use this tactic in their plays books and other literary work like in the play Hamlet by William Shakespeare, the author uses the technique of deception to mislead Claudius, Gertrude, himself, Ophelia and his friends Rosencrantz and Guildenstern to spare their feelings and to carry out a crime. Hamlet uses deception throughout the novel, but one way is to distract everyone from his true intention which is to gather information against Claudius to prove he killed his father. Shakespeare contributes all this back into his work by making each character in the play enact on some form of deceit to uncover the obscure truth.
William Shakespeare’s play Twelfth Night has been made into several film versions. The versions include the Globe Theatre version directed by Tim Carroll in 2012. Another version by Trevor Nunn was made in 1996, and a third version called She’s The Man made in 2006 was directed by Andy Fickman. A comparison of the media skills, characters, and the setting in the various versions of Twelfth Night and She’s The Man shows that
Deception is an essential element in any tragedy. Its' affects on the lives of the characters could be destructive or benign. In William Shakespeare's The Tragedy of Hamlet, Prince of Denmark deceit proves to be the very foundation of the play. Shakespeare builds on this idea of deceit between the characters, from the very beginning. The deceit that is practiced is imposed on others as well as self inflicted ultimately leading to a tragic ending.
They themselves know these to be guises, yet they insist on presenting this as their truest form of self. This comes with a level of pretension that is either put on or a result of social class. Veronica is displaying very ostentatious behavior in the beginning. The play is set in her home and thus she is given the opportunity to even the playing field through intimidation. The mask she is wearing is one of culture and a refined lifestyle.
William Shakespeare’s works, written primarily from the late eighteen hundreds to the very early sixteen hundreds, have long been the subject of academic debates and analysis. Potent with double entendres, metaphors, and social commentary, it is easy to apply queer theory to Shakespeare’s plays, notably Twelfth Night, written in 1601. Though Twelfth Night’s ending pushes its characters into traditional heterosexual romances and binary gender roles to satisfy the genre and placate conservative Elizabethan audiences, the characters in the comedy defy tradition by exploring homosexual love and expression of gender. The most apparent homosexual themes are present in the relationship between Antonio and Sebastian.
The very act of cross-dressing itself was subversive, especially in Spain where costume was hugely important, not just on stage but in real life. Literary critic William Egginton notes in An Epistemology of the Stage, that when it came to costume the "Spanish public was extremely sensitive to such signifiers of class and could not, for example, tolerate or comprehend a scene in which the signs of social status presented by costume and speech would conflict". (402) With the audience so sensitive to costume details, what must they have thought about Rosaura 's male attire? Women dressing as men was a common device used by playwrights in the Golden Age (mujer vestida de hombre ) and one wonders was it merely because it was practical?
In Meyerson’s play, he uses Joe as a special vehicle for the play’s message about cross-dressing issue. Joe has showed some characteristics which can be assumed that he is prone to conduct cross-dressing. Cross-dressing is the act or practice of wearing clothes made for opposite sex (Merriam-Webster). It could happen in men and women.
The Shakespearean play, A Midsummer Night’s Dream, is still relevant and used widely as entertainment in contemporary theatre. There are a variety of wild elements in the play, including the characters. The characters are sometimes altered to fit the audience or era in which they play is being performed for, sometimes even switching genders. Puck is a servant to the king of the fairies, Oberon, and was originally written to be played as a man, but has been played as a female in recent productions. The American Players Theatre recently put on a performance of A Midsummer Night’s Dream, and Puck was portrayed much like the character on paper, however, many traits were taken further; a deeper understanding of the jokester was revealed throughout the portrayal by Cristina Panfilio.
Where they become more accustomed to being a woman and they even start to use being a woman to their advantage. Judith Butler argues that this movie is just a movies that is meant for entertaining . She also argues that by acting as woman the men confirm the existing gender roles.
In Twelfth Night, Viola and Olivia are the central characters to the play’s plot. Each are young women that take approaches to dealing with the people around them, which are mainly men. There is much trickery that goes on in Twelfth Night, but the ending is for the most part happy. Viola marries Orsino and Olivia marries Sebastian, but the events leading up to this are more or less chaotic. Ultimately, I argue that while Olivia uses her higher social status in order to maintain control of herself and others, Viola resorts to trickery in order to bring about her desires.
In the play Twelfth Night, through the depiction of Orsino’s and Viola’s desires for romantic love, Shakespeare portrays how adjustable and self-delusional human romantic attraction can be, especially when blinded by wants and needs. Viola, who puts on the appearance of a man, makes everybody think she is a male. Her disguise becomes a sexual confusion throughout the play for several characters, creating an odd love triangle where Viola loves Duke Orsino, who loves Oliva, which then on the other hand loves Viola, in disguise as Cesario. On the other hand, Malvolio dreams of marrying his beloved Olivia, and gaining authority over his superiors, like Sir Toby. Shakespeare uses disguise in the play to show several confusions and internal conflicts between the characters, proving how malleable and deluded some human attractions can be.