Abstract
The present study is intended to illustrate the analogous concepts in two great American literary works, The Scarlet Letter a novel by Nathaniel Hawthorne, and "A Rose for Emily" a short story by William Faulkner with the help of deconstruction.
Deconstruction is Jacque Derrida’s inventive strategy, which aims to subvert the traditional ideas and methodologies related to language and textual interpretations and put into question the entire history of Western metaphysics from Plato to the present time such as believing in “logocenterism” and “binary oppositions”. The fundamental concern of this study is to practice the elements of deconstruction in similar concepts of these literary works. In The Scarlet Letter, the letter A is the
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Emerging late in 1960’s as a new strategy for textual analysis, deconstruction captivated the concentration of critical theories. What is deconstruction? In A Handbook to Literary Research deconstruction is defined as "a form of textual practice derived from the work of the French philosopher Jacques Derrida which aims to demonstrate the inherent instability of both language and meaning" (131). Derrida began formulating his theories on deconstruction by critiquing Ferdinand de Saussure’s Course in General Linguistics. The ideas of Saussure concerning language formed the theories of structuralism from which Derrida borrowed as a key for his deconstruction method. Saussure claimed that the linguistic sign is composed of two parts: the signifier (spoken or written constituent) and the signified (the meaning and concept). Borrowing Saussure, Derrida believed that the relationship between the signifier and the signified is arbitrary and conventional. He also asserted that both the signifier and the signified can be known through their relationships and differences from other signifiers …show more content…
Hester changes from a prostitute to a nun. She reaches from the nadir of wretchedness to the highest point of reverence. So we can conclude that there is no final meaning for a word in a text.
The unstable relationship between the signifier and the signified is apparent in these statements. Hawthorne himself mentions Hester’s role as a powerful and able woman and praises her strength rather than to remind her sin.
According to Derrida Western metaphysics has made some terms that function as "centers": reason, origin, truth, humanity, and etc. These centers can serve as the basis for all thoughts and actions. Each operates as a self sufficient and self originating concept. But Derrida's target was to reverse these centers. He believed that we can reverse the elements of any hierarchy and "decenter" the privileged center, creating a new hierarchy. This means that every center can be decentralized. So according to him, this decenterism at the end of the day leads to the view that there is no center at all.
The concepts of decenterism are illustrated by Hester Prynne. The novel begins with a description of the people of Boston
Hester's True Side In committing an act of adultery, Hester Prynne, the primary character in The Scarlet Letter by Nathaniel Hawthorne, finds herself a victim of harsh judgement and ridicule by her Puritan community. She becomes isolated as a result of this scandalous behavior and becomes emotionally involved in a love triangle between her husband and her lover, Arthur Dimmesdale, who is the town minister. As a result of her shameful history, the townspeople attempt to destroy and embarrass her by socially neglecting her and labeling her as an outcast and loner. Though the people of the community pursue several attempts to shame her, Hester Prynne's beauty, selflessness, and strength help her overcome this rejection from the townspeople and
The fictional world is full of chaos, as people tend to prefer unstable theories to countless philosophies. Specifically, there is a literary shift from linearity and order to randomness and fragmentation. Consequently, Postmodernist writers understand that their works are subject to interpretation; however, they believe that the flexibility of understanding in texts is the basis for the development of innovative ideas in society. Moreover, Kurt Dinan writes in a nonlinear, flexible fashion by writing with a component of Mystery. Subsequently, the reader can make different predictions on what will occur throughout Don’t Get Caught, and the ability to predict and analyze uniquely is one of the principal ideals of Postmodernist literature.
As Hawthorne and Moore did, writers use diction to convey an important theme. Hawthorne started Hester off as a young woman standing on a scaffold with a baby and a scarlet A on her breast, as the plot went on Hester created her own second chance and began to redeem her sin and was now seen as “kind. . . helpful. . . to. .
By comparing the audience's perception of Hester to the outward openness and accepting nature of Hester; Hawthorne support his notion that women or in this case a sinner like Hester were held to a higher standard than that of men, which explained why the majority of the outrage and scrutiny from the audience was focused on Hester rather than her counterpart,
During the course of this past week and a half, I have been wearing the letter I chose to represent me. My results I received were very weak and almost unresponsive. But didn’t I wear it all day for a week? Yes, people tend to mind their own business while walking in-between classes.
Hester is described as being a part of the light, which juxtaposes previous descriptions of the Puritans who are dark, somber, and extremely separated from the light. After Hester takes off the letter, she is not the only thing that changes. In reflective of Hester’s actions, “...forth burst the sunlight, pouring a flood into the obscure forest”(186). The sunlight is illuminating and overcoming the darker forest. Similarly, Hester overcame her struggles against Puritan oppression.
Nathaniel Hawthorne, a famous American author from the antebellum period, notices the emphasis on individual freedoms in the works by Ralph Waldo Emerson and other Transcendentalists during his residency in the Brook Farm’s community. In response to these ideas, Hawthorne writes The Scarlet Letter, a historical novel about Hester Prynne and Arthur Dimmesdale’s lives as they go through ignominy, penance, and deprecation from their Puritan community to express their strong love for each other. Their love, even though it is true, is not considered as holy nor pure because of Hester past marriage to Roger Chillingworth, and thus Hester gained the Scarlet Letter for being an adulterer. Hawthorne utilizes biblical allusions, such as the stories of
Chapters 5-11 __________1. Hester chooses to stay in Boston even though she is permitted to leave. __________2. The cottage she moves into is located by the sea.
This shows that the symbol on Hester’s chest began to have a more powerful effect, but of a different kind. Her view of herself, along with the town and even life itself began to change. Light and dark references appear throughout the novel in the quotes dealing with Roger Chillingworth, Pearl, and Hester Prynne, and these references hint towards a larger conflict between good and evil. The references for both light and dark play a crucial role in the novel, and the characters would not be the same without them. The development of the characters’ behaviors and the development of the story come from the changes seen within the references.
This shows that Hester does not necessarily need to worry about what the people of Boston think of her or how she needs to redeem herself in order to fit back into the society. When Hawthorne says “The angel and apostle of the coming revelation must be a woman, indeed, but lofty, pure, and beautiful; and wise, moreover, not through dusky grief, but the ethereal medium of joy; and showing how sacred love should make us happy, by the truest test of a life successful to such an end!” he is showing how there is no way for Hester to change her society. She should have love and joy, but instead she is faced with guilt, which leads to her downfall. Along with this, Hawthorne demonstrates how the people of Boston are actually the sinners while Hester and Dimmesdale represent the Angel and the Saint of the city.
What is deconstruction in literature? According to Merriam Webster, a deconstructionist literary criticism is a “philosophical or critical method which asserts that meanings, metaphysical constructs, and hierarchical are always rendered unstable by their dependence on ultimately arbitrary signifiers” (Merriam). In other words, a deconstructionist literary criticism looks at the book as a whole and deconstructs the pieces of the novel and how they may seem unstable when compared to the whole meaning. This mindset is exhibited in that of The Metamorphosis by Franz Kafka. Franz Kafka leaves many aspects of the novel unexplained and he includes details that are unstable to the meaning of the novel as a whole.
Symbolism Within The Scarlet Letter Hawthorne created symbolism throughout The Scarlet Letter in order to develop the theme throughout Hester’s life. Hester is portrayed as a sheltered soul, shunned from society due to her adulterous acts. The red A and her daughter, Pearl, are symbols of Hester’s shame which she bares proudly despite society's harsh judgements. Hawthorne is able to use symbolism to develop themes, characters, and analogies in the Scarlet Letter.
Hawthorne uses symbolism throughout the Scarlet letter to display the sin and indecency people see Hester as. The detail represents ,the deep beauty Hester has inside although most people do not see her as a beutiful women. The deep red is a representation of adultery which shows her being an oncast from society. The symbol of the letter “A” is repetitive throughout the novel and grows with Hester and overcomes this with time as people start to see her as a person again and not just a adulterer. Hester acknowledges her sin in her puritan faith but swears to secrecy on the father of Pearl.
The townspeople “[began] to look upon the scarlet letter as a token, not of that one sin, for which she had borne so long and dreary a penance, but of her many good deeds since.” This quote exemplifies how sin is not a death sentence for Hester. Through hard work and charity it allowed the rigid Puritan society to see her as something different, and as someone who would not let society define who she was. Hester, thus, was not only able to change herself, but also the image in which society viewed her by working hard to benefit the public. Likewise, the scarlet letter which was supposed to represent sin was instead “fantastically embroidered with gold thread, upon her bosom.”
The Scarlet Letter, a novel written by Nathaniel Hawthorne in 1850, functions as an evaluation of Puritan ideas, customs, and culture during the 17th century. Through this evaluation, we can get a good idea of what core values and beliefs the Puritans possessed, as well as the actions they take in cases of adversity brought about by “sinners”. Some Puritan virtues created stark divisions between groups of people, some of which led to discrimination under certain circumstances. One of the most prominent of these is the treatment and standards of men and women, a concept that surfaced during some of the major points in The Scarlet Letter. The divisions that were created by Puritan standards of men and women played a great role in shaping the plot of The Scarlet Letter, determining the fate of many of the characters.