In Perfume by Patrick Süskind, the protagonist Grenouille lives his life discriminated against for two uncontrollable aspects of him: his superior olfactory abilities and lack of bodily odor. Throughout the span of his life, Grenouille obsesses over refining his abilities and creating his master perfume until the little humanity he’d had withers away. He goes great lengths to misuse his powers for his own benefit, killing harmless animals and humans in his quest for greatness, along with controlling masses of people in his quest for power. Grenouille is dehumanized by his power of scent, misusing his abilities for his own gain and stripping others of what makes them human. Süskind utilizes the motif of scent as a parallel to how public leaders in today’s society abuse their power and how dehumanizing it can be. Because of Grenouille’s superior olfactory senses, he’s dehumanized from birth to death. Even shortly after birth, he’s already considered “possessed by the devil” (10) and that he was a “strange, cold creature … a hostile animal…” (17) by people who should care for a …show more content…
Before that, Grenouille once more considers himself divine amongst humans, shown with how “a nod of his head and [humans] would all renounce their God and worship him, Grenouille the Great” (240). With how little humanity remained in Grenouille, he only briefly enjoyed his triumph before reaching the epiphany of just how much he found humans deplorable. This outcome provides curious food for thought: would Grenouille have ended up so wicked without the aid of his extraordinary nose? His odorless body and invasive nose had always deterred others from him, and certainly caused others to avoid loving him. In the end, Grenouille lived all of his life never truly being loved because of the power he’d been gifted at
He takes the lives of Clerval and Elizabeth; both innocent victims. We see grief, sorrow, hate, and anger emphasized from the monster throughout the book from his reaction to society degrading him. The monster intensely desires to be a part of society and if the only way he can participate in society is to indulge in evil, then he will. Thus, the being truly becomes the monster that society had feared from the
The first major aspect that leads to the Creature’s fall from grace is appearance. Victor works tirelessly in academia because he believes to have found the solution to generate life. Once Victor succeeds, the Creature’s demonic appearance mortifies him. Victor describes his work with disdaining imagery, stating, “I had gazed on him while unfinished; he was ugly then; but when those muscles and joints were rendered capable of motivation, it became a thing such as even Dante could have conceived" (Shelley 36). Although Victor successfully creates what would be his greatest academic achievement, he abandons his creation, showing that the Creature's ugliness is a prevailing factor for his isolation from civilization.
Dat To The stages of human life in “Beowulf” “Beowulf” is an adventure about a hero named Beowulf, who fights monsters to protect his people and his kingdom. The battle between Beowulf and the three ferocious monsters represents the fight between humans and their difficulties in life. All three vicious monsters symbolize different stages of human life such as, controlling jealousy in early age, dealing with morality in middle age, and facing death in the end. Grendel, a descendant of Cain, exemplifies a horrible image of an outcast or loner from Herot society.
“Gardner explores many philosophical themes within its stream-of-consciousness narrative, and the novel may best be seen not as the clash of hero and monster, but as a clash of visions — the creative artistic vision of the Shaper, who sees the world as ordered and meaningful, and the nihilistic vision of the Dragon, who sees the world as disordered and meaningless.” Describing the philosophical class of beliefs between Grendel, the reason for his acceptance of nihilism can be easily understood. The Shaper kept Grendel from accepting nihilism. Once the Shaper died so did any hope for a positive outlook on life from
In the novel Grendel by John Gardner, written in 1971, there are numerous concepts of the human nature portrayed and discussed. With the progression of the novel, the humans become develop to be described as increasingly careless, vicious and futile. Starting with Grendel 's first encounter with the humans to the death of the protagonist, Gardner illustrates an unusual view of the humans and their interactions with one another. Grendel begins as a creature similar to the people he observes, with many shared characteristics and thoughts, even though not all of the their actions are understood. His lasting wish is to be accepted into their society, as they accompany each other and he suffers of loneliness.
His violent nature grew so much that he became crazy with the need to kill the humans. Therefore, Grendel’s actions reflect that his existence has drifted away from its partially civilized nature and into the barbaric. Grendel had no choice in becoming more beast than human because external forces constantly push him towards that fate. Whether it was the dragon, the actions of the humans, or Grendel’s own unconscious tendencies, he never really had the opportunity to make a choice, human or beast. What Grendel said and thought always clashed with the situations he encountered until there was simply no possibility of becoming the good in the way
The creature’s mental knowledge is very small-minded and intolerant, causing his understanding of justice to be exceedingly narrow. The monster’s isolation from society is forced by its fate. Nobody could with handle the hideous looks given by the creature 's appearance, this made it nearly impossible for the creature to have any interaction with any sort of human. To illustrate, the creation said while reciting his tale to Victor “And what was I?
The creatures first encounter with a human being only proves how humane it is, despite his horrid appearance as the old man is delighted with him "I am blind, and cannot judge of your countenance but there is something in your words which persuades me that you are sincere". However, the younger citizens of the cottage enter and the creature is back to square one as they immediately react defensively against it- conveying how the creature will never be accepted with such distorted appearance since it is immediately identified as inhumane and
(Ch.8) and without the acceptance he yearned for, he became bitter and resentful, acting out ruthlessly. The monster was completely misunderstood and at no stage a welcome guest. In spite of his benevolent and kind spirit, he was beaten up and even shot at. No one was willing to attempt to understand him except for Agathe who was blind, but even that was short lived as Felix was quick to attack the creature. Although labelled as a horrifying monster, nothing but his exterior fit this description, until he was discriminated by society.
Once the creature begins to go out on his own and learn about life and society, during his first interaction with other people he learns that he will be immediately judged based on how he looks. To start, when Frankenstein first sees the creature, he quickly runs away without any interaction and exclaims “no mortal could support the horror of that countenance” (Shelley 36). This interaction made the monster realize that even his creator could not avoid the habits of the society he lived in, and immediately ran away from him in fear because he didn’t believe he was attractive. Then after that, the creature still has enough hope to go into a village and meet other people, but he is immediately met with children that “shrieked” and one woman who “fainted” just at the sight of him (Shelley 74). In every situation where the creature attempts to interact with others, he is shunned immediately, before even being able to say a word.
An eye for an eye or the law of retaliation is the principle most people live their lives by. For the characters in Frankenstein, this concept is apparent as the main character, Victor, creates a monster and instantly abandons him which sets off the chain of events revolving around revenge. However, as Gandhi once stated, “an eye for an eye only ends up making the whole world blind” (Gandhi). Throughout the novel, the creature and Victor engage in a recurring cycle of vengeance, but these acts of revenge are bittersweet as in the end it destroys both of them. In the novel Frankenstein, Mary Shelley reveals how revenge consumes and destroys those who surrender to it.
The Green Knight and Grendel are two characters that represent the face of evil and horror. Grendel is the typical monster. He is massive and malicious. On the other hand, the Green Knight is innovative and capable of living decapitated. Both being similar in the fact that they are meant to portray the same type of character (antagonist), they are different in the way they challenge the protagonists and how they grow as characters.
Frankenstein Literary Criticism Frankenstein, or the Modern Prometheus, is filled with motifs of Nature and companionship. During the Romantic period or movement, when the novel Frankenstein was written, nature was a huge part of romanticism. Nature was perceived as pure, peaceful, and almost motherly. As we read the novel through Victor Frankenstein 's perspective, we the readers can see how romanticized-nature is perceived as by those who find comfort in nature. This novel also contains, in addition to romantic elements, heavy-filled gothic scenes and descriptions.
He mistreats his wife and was aware of it. He takes advantage of his superiority. Garcin openly admits that he believes that "[He 's] here because [he] treated [his] wife abominably... for five years" (Sartre 24). He expands on this further, claiming that "night after night [he] came home blind drunk, stinking of wine and women" (Sartre 25). Instead of lightening tension in this relationship, like in hell, he creates it.
A memorable and heavenly man aroma filled the air. The smell of cherry, wintergreen, apple, and butternut flavoured pipe and tobacco smoke mixed with the scent of hair tonics, pomades, oils, and neck powders. These aromas became ingrained in the wood and every cranny of the shop. The moment a man stepped inside, he was enveloped in the warm and welcoming familiarity. He was immediately able to relax, and as soon as the hot lather hit his face, his cares would simply melt away.”