As I looked through my window I saw the hideous monster with a terrifying grin on his face. He was here to check on my progress of his friend to be. I was horrified and questioned my promise I made to him. I thought to myself, How could I possibly make another one of these gruesome creatures, the first of which already killed two people and had learned my language? The one question I had was what else was this abomination capable of? This question constantly vexed me and ultimately forced me to continue my work for this monster. I was frightened that this monster may go on a rampage and kill everything I hold dear. The only thing I had left to put on this new female monster was the arms. I went back to my lab and gathered the remaining pieces …show more content…
I went into the tent where all the sick children were and I was horrified by how many there were. Twenty children all had pus oozing out the there face from warts and look like they were on their last breath. I set to work thinking of all the possible diseases and how I put the monster together. I picked the monster with the least amount of warts and tried scraping all the pus and popping the warts but that did nothing but make it worse. I spent days trying to cure them and I was sure my family was worried. When I walked outside to get some fresh air I saw my family tied to a post. I immediately asked what happened and the monsters said they were stalking them. I was now completely outraged. How dare they do this to my family? I will get my revenge. When they came to I went to them and explained the situation and that I had a plan to get out, fight. When the sun fell and the moon rose we started our attack we went hut to hut lighting them on fire and when they were all lit ablaze we heard the most terrifying noise a scream only a true monster would have we turned and saw the mother. She came tearing through the forest after us killing one of us when she caught one. When it was just me and Elizabeth left we came to a dead end and the mother knew as she was right behind
Works Cited Enstein, Vicki F. "Frakenstien" Vicki F. Enstein. 8 Mar. 2005. Web. 19 Jan. 2016. Higgins, Nicholas.
Monsters are often classified based upon their appearance and inhumane characteristics. In the book Frankenstein, by Mary Shelley, Victor Frankenstein tears apart graveyards for the formation of a new being, which is brought to life with electricity. Frankenstein was fascinated with life itself and wanted to create this being through the dead with the use of science. After multiple years of suturing this new being together Victor succeeded in bringing this creature to life. Although realizing what he had just created Victor is repulsed by this new being and calls him a Monster.
Byron 139) These characters often show a sexually provoked reversion to a beast which is testament to the fact that New Woman were also considered degenerations. Monsters are often a product and symbol of a transformation from identity to sexual identity through failed repression as well as attempting to escape the human condition
In Mary Shelley’s novel, Frankenstein, Frankenstein’s Monster experiences a sense of self-actualization after coming to terms with his “monster” identity. In chapter 13, after Frankenstein’s Monster learns about human history and social norms, he conducted a self-analysis of his current self. He stated, “I possessed no money, no friends, no kind of property. I was, besides, endued with a figure hideously deformed and loathsome”. Moreover, when he “looked around, he saw and heard of none like [himself].
Kyle Lyon Professor Ed Steck AWR 201 F3 14 April 2015 Annotated Bibliography Shelley, Mary. Frankenstein. Ed. Hunter, Paul J. Norton Critical Edition.
The monster is not respected despite his efforts and faces discrimination. Both creations were set up for failure by their creators and were not expected to be successful. They were utilized by their creators in an effort to achieve a new scientific breakthrough and prove their original hypothesis. Due to their inhumane origins they will never, despite any progress they make towards becoming more human, be considered human or successful creations by their
The knocking stopped suddenly although it’s echos were still in the house. “I’m sorry” The words resounded through the room, giving off an eerie atmosphere. Mrs.White slowly turned around, a mix of both fear and desperation in her eyes. “You didn’t” she whispered, as tears threatened to fall.
First, the creature reveals emotions of his “Accursed creator! Why did you form a monster so hideous that even you turned from me in disgust. God in pity,
Frankenstein’s Monster as a Tragic Hero Aristotle once said that "A man doesn 't become a hero until he can see the root of his own downfall" (Carlson). In Frankenstein, many argue that Victor Frankenstein himself is indeed the tragic hero of the novel. I believe that the creation of Victor Frankenstein (the monster) is the actual tragic hero. There are several components to being a tragic hero, two of the most important are their tragic flaw, and the component of a tragedy or a tragic ending to the story. Mary Shelley’s Frankenstein is without a doubt tragic through many characters in different ways, but in my eyes, the creature is the character that sticks out with the most characteristics of a tragic hero.
In 1818 Mary Shelley wrote Frankenstein, a novel that follows Victor Frankenstein, an ambitious man on his journey to defy the natural sciences. In Volume I of the novel, Victor discusses his childhood, mentioning how wonderful and amazing it was because of how his family sheltered him from the bad in the world. “The innocent and helpless creature bestowed on them by heaven, whom to bring up to good, and whose future lot it was in their hands to direct to happiness or misery, according as they fulfilled their duties towards me” (35). When Victor brings up his childhood, he suggests that parents play a strong in how their kids turn out, either "to happiness or misery" (35). In particular the main character was sheltered as a child to achieve this “happiness” leading to Victor never developing a coping mechanism to the evil in the world.
The creature, Victor Frankenstein’s creation, had to suffer and tolerate life without care, love, or identity. The creature was never given a name because Victor didn’t want his monster to become more human-like. It can reinforce that the creature is property, and not a human being that is loved and cared for. Names are important for everyone because it is the easiest way to have self-identity. The creature never received a Christian name throughout the story.
In Frankenstein, by Mary Shelley, Victor Frankenstein spends two whole years toiling to create a being which is comprised of the body parts of various dead corpses, for the purposes of science. Finally, he creates the “monster”, who commits a multitude of crimes, resulting in the deaths of many innocent people. These horrific murders raise many questions concerning who is to be held accountable. Victor walked away from the situation he created instead of facing his actions. If he had chosen to stay this could have prevented the heinous crimes committed by the monster as a result of Victor’s mental and emotional Neglect.
When writing any piece of fiction, an author 's choice of narrative voice has a huge impact on how readers experience the story. From the slightly less personal yet versatile third-person to the narrow, limited view of first-person, the narrative voice literally provides the voice of literature. It affects which characters the reader really connects with, the opinions that influence them, the knowledge they have, and numerous other aspects. While most authors stick with only one tense, Mary Shelley challenged that standard in Frankenstein. In Frankenstein, Shelley changes her narrative voice numerous times in order to fully develop all aspects of the story through Walton 's letters, Frankenstein 's story, the Monster 's story, and also the
The fictional horror novel of Mary Shelley’s Frankenstein is driven by the accentuation of humanity’s flaws. Even at the very mention of her work an archetypal monster fills one’s imagination, coupled with visions of a crazed scientist to boot. Opening her novel with Robert Walton, the conduit of the story, he also serves as a character to parallel the protagonist’s in many ways. As the ‘protagonist’ of the story, Victor Frankenstein, takes on the mantle of the deluded scientist, his nameless creation becomes the embodiment of a truly abandoned child – one left to fend for itself against the harsh reality posed by society. On the other hand, Walton also serves as a foil to Victor – he is not compulsive enough to risk what would be almost