In the increasingly transnational world in which “Fin-de-Siecle Splendor” was written, fashion represents globalization. In “Splendor”, Mia reflects on her feelings toward other cities. “This is her homeland: a city-confederacy of Taipei, Milan, Paris, London, Tokyo, and New York” (Zhu 457). The cities named are widely considered to be the fashion capitals of the world, with the exception of Taipei. Fashion connects these cities to each other, and creates Mia’s connection to them. Mia has probably never been to any of the cities except for Taipei, but fashion connects her with the world beyond Taiwan. Mia’s connection with the world at large through fashion reflects the way society became more and more globalized and interdependent.
Christ with the Symbols of the Passion is a work by Italian painter Lavinia Fontana, its medium is oil on panel and it was executed on 1576. In this piece we see, what seems to be, Christ after he was brought down from the cross. He is sitting at the center of the piece with multiple angels besides him. The color palette seems dark and obscure as well as the overall mood of the piece. He is surrounded by symbols that are significant to the process of His crucifixion such as the cross, the crown of thorns, a whip, and is also surrounded by three angels. This painting is an accurate representation of Italian Mannerist style, and has all the characteristics that defines it as so.
Guanajuato, Mexico is where it all began. Its where my family cultivated their Mexican traditions. It is a place that is known, for the colonial cities, especially San Miguel de Allende. San Miguel de Allende is located in the eastern part of Guanajuato in a hilly area. An area that at the moment you get there you fall in love with the: architecture, food, art, monuments and the infinite amount of things. It is a place where you can travel to and experience a unique trip.
Starting at a young age my family had stressed the importance of embracing my Italian heritage. My father, mother and grandfather each contributed in showing me that in order to honor our Italian heritage you must demonstrate three qualities as a young man. My father is responsible for teaching me respect and how to give every individual you meet total and complete respect. Similarly my mother is responsible for teaching me love, how to love and how to spread love throughout the world. As for my grandfather, he taught me what courage is and how to always be courageous. Honoring my Italian heritage by demonstrating these qualities not only will make me a valued member of society, but will also help drive my future successes in the world of business.
In the Baroque era patronage is the most common way for an artists to get work. Patronage is the act of someone with a great deal of wealth giving their financial support to an artist to commission them to make a painting, a sculpture, a play or a piece of music. Since the Patrons hire the artists to not just make them beautiful art, but make them something that symbolizes their status and wealth, certain themes arise in these works of art. These are ones of ornamentation, grandeur, theatrical elements, and the notion that there is action happening beyond the frame. Artists like Bernini and Rembrandt are prime examples of how patronage affects their art, whilst still being part of the baroque era. These Baroque elements are so engrained in the system of patronage that even outside the Baroque era when an artist is commissioned through the patronage system their work can’t help but take on these and other baroque elements.
History is comprised of so many figures and personalities who have made their mark – positively and negatively. Some people have made such a profound impact that their names become immemorial. Such is the case Benito Mussolini, the Italian dictator during the Second World War. His domestic and foreign policies at a time of war and turmoil that followed made him a name worthy of history books, even if these paint him in the negative light. His fascist focus and how he utilized this to manipulate Italians and the world, conveying the message that Italy no longer relies on class warfare and everyone is on an equal footing was appalling and amazing at the same time. He used the outright lie to make people rally around him, and once he got their
Italy is countries which over the years have been ruled by powerful kings, elected official and a senate full of wealthy aristocrats. In 1922, Benito Mussolini was appointed prime minister of Italy by King Victor Emmanuel II. Since, Mussolini became prime minister he spent about twenty years uniting power and building Italian by taking over as many other European country as he could. Once Mussolini realized he was losing some of the territory he wanted to claim, he joined forces with Germany to help him. Unfortunately, not too long after he joined forces with Germany, Mussolini lost his own country to the Germans. Thereafter, the holocaust began.
Italian entrance to World War II with the Axis powers can best be described as a rash decision made by a fascist tyrant: Benito Mussolini. After Mussolini’s dismissal in July of 1943, American occupation of Italy continued in order to push German soldiers out of Italy. Even after Italian liberation in 1945, American occupation continued to aid in the implementation of a sound government and to continue establishment as allies (History). Between American and Italian people during occupation laid a barrier of hierarchy of American society and ignorance of the culture and history of Italy. Through the guidebooks given to American soldiers during occupation of Italy, American attempts to destroy this barrier can be seen through the progression
Marchese Emilio Pucci di Barsento was born on November 20, 1914 in Naples, Italy to one of Florence’s most illustrious families. He was raised in the lap of luxury. Became an avid skier and scholar, earning his PhD in Political Science and joining the Italian Olympic ski team in 1934. Pucci earned a skiing scholarship and attended university in the United States in 1935. He served several years as a pilot for the Italian Air Force, and returned to his home in Italy because of health issues that kept him from flying.
The Mall becomes a ‘utopia’ where time and space evaporate (Goss 1993) and creating the civic miracle of heightened safety, excessive cleanliness as well as a well-mannered populace, a process similar to Malcolm Voyce’s (2007) idea of ‘spatial purification’. The aesthetically laid sparkling Italian marble floor leaves a sense of slight consciousness with regard to the clinical and pristine nature of the surroundings. Perhaps, the wafting music of the grand piano (blocked from view by a crowd of onlookers surrounding the pianist) is meant to work as an antidote for the induced anxiety. The material and non-material presence of the mall forms its spatial representation and the conjured “image” plays a crucial role in determining the intended audience.
Much like the Olympians from ancient mythology, Renaissance artists are regarded as gods. They revolutionized the art world, reviving themes and styles derived from the Ancient Greeks and Romans. The style they created completely contrasted with that of its predecessor, International Gothic. But how did this “Rebirth” come about? There are many answers to this question, but much of it lies in patriotism and civic values, especially in sculpture. One of the best examples of this is in 15th century Florence, which was virtually the birthplace of the Renaissance. It is there that sculpture reached its culmination, as a result of pride in the city, its history, and its values.
New York is many cities in one. Most people think that New York has been explored in every corner and up to its smallest points but did you know that the big apple is filled with hidden gems and treasures that are yet to be explored.
Fashion can find expression and be coded by materially and visually in forms of color, shape, texture and branding, and must be created and spread inside cultural fields combining local and global systems.
Turkey the nation is situated in western Asia and Europe having its cultural associations to antique Roman, Greek, Persian, and Byzantine and with the empires of Ottoman. Cosmopolitan Istanbul, to be seen on the Bosporus Strait, is the abode of iconic Hagia Sophia.
Heraclitus once stated “the only thing that is constant, is change.”, nothing exemplifies fashion more than this statement. As a person that is constantly demanding herself to grow and change, fashion is the one thing that can keep up with me. It is the only constant in my life that I have a stable relationship with, due to its shape shifting nature which resembles mine. A part of change for me was always aspiring to be bigger, better, and bolder; I apply all of those concepts when it comes to fashion and design. In addition, fashion and creation were always a form of escapism for me as it didn’t cage me in ways; the freedom that came along with self-expression was a form of liberty I never knew I could experience. I was always a self-aware