Emilia knows that Othello believes that Desdemona has cheated on him with Cassio, but the interesting factor is that Emilia knows that is not true as she arguably knows Desdemona the most out of all the characters. Desdemona's isolation prior to her death is “ attributable to the onlookers' nonintervention” (Vanita 343). Emilia was aware of the abuse that Othello put upon Desdemona even though she knew the accusations against her were false “For if she be not honest, chaste and true,/ There’s no man happy; the purest of their wives/ Is foul slander” (Shakespeare 4.2.18-20) but still leaves Desdemona in isolation with Othello, even though she was aware of what he believed. When Othello confronts Desdemona with the claims of cheating Othello commands Emilia to “Leave Procreants alone and shut the door;/ Cough or cry “hem”
Do people often get accused of doing the right thing? Or is it always being accused of the wrong? In the play Othello by Shakespeare Desdemona is being accused of cheating on her newly wedded husband Othello. When she has been nothing but loyal to him, even loyal to him over her own father. Iago feed’s Othello these lies at times of vulnerability, and drops all these hints slowly.
The scarlet letter ‘A’ did not stand for “adultery” anymore. It stood for “able.” “The letter was the symbol of her calling. Such helpfulness was found in her, —so much power to do, and power to sympathize, —that many people refused to interpret the scarlet A by its original signification. They said that it meant Able; so strong was Hester Prynne, with a woman's strength.”
shakespeare shows how macbeth and lady macbeth's characters pivot round the two-fold structure: lady macbeth exults in evil till the middle point of the play, and her husband is fearful of the damnable consequences. After the cold-hearted assassination of banquo these positions are reversed. the two-fold structure should not surprise us when we reflect upon the essential nature of this play: it is about good versus evil, and foul being fair. these oppositions and contrasts run through the whole
Juliet told lies to keep her love for Romeo a secret. Juliet tells a lie to Lady Capulet, “Indeed, I never shall be satisfied. With Romeo, till I behold him—dead—.” Juliet is telling Lady Capulet that she is grieving the death of Tybalt not the banishment of Romeo. Lady Capulet thinks that Juliet hates the Montagues as much as she does. Constantly lying was one of the factors that lead to their
Juliet also portrays tragic flaw, as she is very impetuous and impulsive when making decisions, leading to her demise. Therefore, an influential theme found in Shakespeare’s Romeo and Juliet is that a simple mistake caused by a tragic flaw can lead to tragedy. Romeo, the protagonist of Romeo and Juliet, faces death because of a simple flaw. Romeo is a Montague, enemy of Juliet’s family, the Capulets. Initially, Romeo is madly in love with Rosaline, but after meeting Juliet at the party, falls deeply in love with her.
The Unfortunate Victims of Fate The teenage brain on love has proven to be a lethal addiction. In William Shakespeare’s tragedy, Romeo and Juliet, two star crossed lovers suffer from the consequences of their families’ blood thirsty feud. After falling for each other at a gathering, Romeo and Juliet are attached and seem inseparable, as displayed by their impulsive and thoughtless behavior throughout the play. Despite their efforts to escape the wrath of their quarreling families, The Capulets and The Montagues, the dread between the two houses proves too strong, as both lovers’ lives come to an end. With the tool of language and irony, Shakespeare highlights a set amount of characters who contributed to making this play come to a tragic halt.
Romeo thinks that his blurred sense of reality due to romanticism has let Mercutio die to Tybalt. Romeo furiously states, “[His] very friend, hath got this mortal hurt / In [his] behalf. [His] reputation stained / With Tybalt’s slander…” (III.1.115-117).
Queen Gertrude is emphasizing how painful and hurtful it is to hear what Hamlet has to say. She is pained and tormented by Hamlet’s view on her marriage to her late husband’s brother. Oxymoron has also been used when Hamlet says. “I must be cruel, only to the kind”. This shows that he was kind to Polonius in killing him though it was a cruel act.
‘Oh, please let’s get out.’” and Jay is left feeling hurt and betrayed, when in fact all that should have mattered to Jay is that Daisy loves him now (142). Obsession is present in Ophelia and Hamlet’s in a different way than in Jay and Daisy’s. Hamlet’s obsession with revenge ultimately leads to the death of Ophelia. By allowing Ophelia to believe that Hamlet is insane and killing Ophelia’s father, Polonius, without thinking, Hamlet’s obsession with revenge causes not only the downfall of Ophelia and Hamlet’s relationship, but also causes the emotional downfall of Ophelia, which leads to her untimely death.
In this quote, Proctor is saying that the accusations of people that are practicing witchcraft are false. He is saying this because the woman being accused has a good reputation. Hale argued back that even the Devil was good before he fell from heaven, and that he had a good reputation with God. Your nature could change with your actions.
Calpurnia is displayed as a better mother figure than Aunt Alexandra in the story. Calpurnia’s presence in the Finch home is clearly enjoyed by the kids. When Aunt Alexandra wanted Calpurnia out of the house, Atticus calmly explained that the children love her and she is unexpendable in the Finch house. Calpurnia also takes care of them and explains various things that the children do not understand like a good mother would do. Often times in the book, Aunt Alexandra is inferred to be an inferior mother figure to Calpurnia.
It Says I Say And So “Zounds, sir, you're robbed. For shame, put on your gown!
Shakespeare’s Othello, an early 17th century play, is a widely renowned work that is still studied in a psychological aspect worldwide today. The eponym of the play had ambivalent feelings for Desdemona, his wife, that were prevalent in the sense that he’d gone to extreme lengths, such as; abusing her, mistreating her, and ultimately murdering her. This was all due to his inner conflict of his love, yet intense hatred for Desdemona. All of his unsureness about Desdemona, though, was due to his true flaw- insecurity in himself. He had internal feuds about whether he, a black man in 16th century Venice, was a satisfactory husband for a noble white woman.
Iago plan to destroy Othello evolves when he notices Desdemona's assertive behavior towards her father. Iago realizes this characteristic because Iago's wife, Emilia, is a cynical character that is similar to Desdemona's assertiveness. He is already accustomed to his own idea that women are objects because he is crude and disdainful towards his wife. In act II, scene I, Iago publicly questions Emilia's virtue and loyalty by Desdemona. " Sir, would she give you so much of her lips /