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Dhruva Mistry Analysis

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FOLIO: ART INSIGHT: DHRUVA MISTRY
Heading: Dhruva Mistry: A Profile in Courage
Text: Sumati Gangopadhya
Photo: Dhruva Mistry
Intro: Vadodara-based artist Dhruva Mistry is a figure of creativity and resilience. His modest journey from a small village in Gujarat to creating an international footprint through his gifted workmanship is as vivid as his virtuosity. With contemporary pieces entrenched in Indian art, culture and history and innovation in exploring medium and material, he has shown astuteness in both his creative life and in rising above personal tragedy.
Body Text:
The artist Dhruva Mistry’s beginnings were quite humble, from the lush green, progressive region of Charotar, central Gujarat as the youngest of four children of Pramodray …show more content…

The element of gaze, dramatic poise, gestures and sensuous amplitude along with awe-inspiring monumentality marks many of Dhruva’s works. Another aspect of his sculptures is the many forms that are seen in configurations of pure abstraction and geometrical precision, especially seen in his stainless steel creations. Another feature that marks his work, like “Reclining Woman”, “Creature”, “Sitting Bull”, “Little Bird” and ‘The Object I and II have been created in many different styles and mediums such as sand and cement, plaster, fibreglass, bronze and stainless steel. Dhruva’s artistic expression also includes variation in colour to depict varied ‘Rasas’ and impart depth to the pictorial spaces as seen in the many versions of ‘Maya Medallions’ which are also dominated by a quiet lyricism. Wherein rich imagery of dream and desire are presented with sublime …show more content…

After an international coup de maître, he returned to Baroda in 1997 and joined the Faculty of Fine Arts as its Dean continuing until 2002. He then worked on creating digital prints, using a home computer during the turmoil in Gujarat in 2002. He created works titled “Expulsion of pain” after Pablo Picasso’s Guernica, reflecting pain, violence and death. He also made unique inkjet prints on paper and canvas from 2002 until 2007, participated in several solo and group exhibitions in several prestigious art galleries in both India and abroad.
It is a heartening fact that despite suffering a severe paralytic stroke in 2008, he went on to produce many projects after his partial recovery and was selected as the ‘Artist in Focus’ for the Harmony Show, sponsored by Harmony Foundation, Mumbai. Today, Dhruva Mistry’s works are in collections, in twenty-three countries, all over the world. The magnificently vast and versatile range of this creative genius affirms Constantine Brancusi ‘s assertion that an artist should ‘’Create like God, command like a king and work like a

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