The subject matter of this work of art is representational to Dia de Muertos(Day of the Dead), or All Soul's and All Saint’s Day . The art is an acrylic painting of a woman that has paint on her face in celebration of the Mexican holiday that commemorates life and honors the deceased. It was painted with acrylic paint on a canvas that is approximately 20 inches wide by 30 inches in length. The first thing you sense when you see the artwork is the buoyant colors of happiness but the contradicting depressed facial expression and body position.Although the holiday is supposed to celebrate life, there is a time when you also recall the memories of the loved ones that have passed. The artist did a great job portraying the contradicting feelings of the woman through the use of the elements of art, like color and the principles of with variety and emphasis. The first thing you notice when approaching the painting is the variety of colors that significantly distribute to the meaning of the painting. The woman has a bright and colorful background with light blue, red, and yellow, which influences the happiness of the holiday. However, the second thing you notice is her body position and facial expression that provides a conflicting impression. Her face is covered in paint, like …show more content…
Possibly, it was because the yearning of her loved one was so great that she wanted to be with him/her. I gathered that through making her arms as skeleton, she would be accepting of her death, if that meant she could be with her loved one. The woman dress is torn making it look as if someone had done it while tearing out her heart. This aspect of the painting puts emphasis on the terrible feeling she has inside. Another way color was included in this work was how the inside of her chest is dark, which helps form the sense of emptiness within the
The appealing factor of this paintings comes from its message and juxtaposition of colours and stroke
In order to properly remember loved ones, the families of Mexico prepare feasts, decorations, and memorials. In the documentary, Dia De Los Muertos, the families of the deceased, find a sense of spirituality and calming while preparing a loved one’s favorite foods. One of the most folk
The short story, The Yellow Wallpaper, written by Charlotte Perkins Gilman, is a brilliant piece of fictional literature. The tale involves a mentally ill woman who is kept in a hideous, yellow room under the orders of her husband, John, who is a physician. The ill woman is conflicted due to the fact that the horrifying yellow wallpaper in the room is trapping a woman who she must help escape, but the sick woman is aware that she must get better in order to leave the terrifying, yellow room. The setting and personification applied in the short story, The Yellow Wallpaper, allows readers to develop an understanding of the sickness of the main character faces.
Written by Gabriel Garcia Márquez in 1958 as part of Los Funerales de la Mamá Grande, Un Día de Éstos is a short story addressing a vast theme; that of power and how it is balanced. By constructing the narrative primarily around the two characters of Don Aurelio Escovar, an unqualified dentist, and the mayor who is suffering of toothache, Márquez uses their reactions towards each other to guide the reader into understanding how easy it is to become vulnerable, notwithstanding their social class. CHARACTERISATION The theme of power is explored through the characterisations of the two men in the story and it could be said that this done primarily through continuous contrasts between them. To start with, the vocabulary that surrounds Escovar
El Dia de los Muertos (the Day of the Dead), a Mexican celebration, is a day to celebrate, remember and prepare special foods in honor of those who have departed. On this day in Mexico, the streets near the cemeteries are filled with decorations of papel picado, flowers, candy Calaveras, and parades. It is believed that the spirit of the dead visit their families on October 31 leave on November 2. In order to celebrate, the families make altars and place ofrendas of food such as pan de muertos baked in shapes of skulls and figures, candles, incense, yellow marigolds known as cempazuchitl (also spelled zempasuchil) and most importantly a photo of the departed soul are placed on the altar.
There was a focus point which is Saint Francis. Although the painting mainly consist of black and tan colors, the slight bright colors to balance of the black. This help bring out the details, such as the blessing on hands and the kneeling of people. Yet, the details were not too big that it would be too much to handle. This helps get the message across to the audience, like myself.
The painting is oil on canvas and contains an extensive amount of contrast. For example, the bright vermillion blanket against the dull eggshell colored door. The disparity between the colors used is prominent. Additionally, the fusion of ornate patterns and simplistic solids is evident. The tablecloth is a geometric mixture of cream and periwinkle.
Even the woman’s frame and posture seem to follow the lines created by the railings of the viewing box. The railings are also implied lines, the first thing our eyes go to is the woman, and then we follow the railings to the man who has his gaze set on the woman. The man’s gaze gives us implied lines that lead us back to the main focus of the painting, the woman. The artist also uses light and dark to guide our eyes to the important parts of the artwork. Most of the artwork is dark, while the woman and the man looking at her are in the light.
The painter, rather than letting the composer inside her house, tells him—after it is implied that they are about to have sex—that she “[has] had a double mastectomy.” It is strange that she stops him at the door, instead of explaining while they are in the bed or at least inside her house, which could mean that other men were appalled by her not having any breast. He rejects her and the next morning on her door step he receives a “small blue bowl,” and inside of it there are “rose petals … on top” while the remainder of the bowl is filled with “dead bees.” This bowl serves as the primary symbol within Haas’ work and represents both the shallowness of the composer, and also likely how behind outward appearances, or what the world can see, there is ugliness in all of us whether physical or within our
I gained some insight from this piece of artwork. I chose to start with this video due to my background knowledge on the Virgin of Guadalupe. However, I obtained so much more knowledge after viewing this. The thing that was most striking to me was when Juan Diego presented his cloak to the bishop, not only did the requested roses fall, but also the image of the Virgin of Guadalupe. Next, I observed the Sun Stone documentary.
She seems to be wearing all royal clothing while also looking downward in a prayer stance. Behind her, there seems to be sun shining as she is holding her stance. The imagery in of this painting holds more meaning towards the ancestors of the people who witnessed The Virgin of Guadalupe. The sun and moon were both gods at the time of Aztec civilization. They held so much power to that civilization which could be shown in this picture to mean that they are now subservient to the new priestess, which means they are under God.
Known for his defining role in the Mexican Mural Movement, Diego Rivera sought to create paintings that depicted the Mexican renaissance and socialist ideas of Mexican politics. After some time studying in Europe, Rivera was influenced by Italian renaissance artist Giotto to paint using fresco techniques (famsf.org). “Two Women and a Child” serves as an example of the theme he portrays in many of his paintings. While the fresco technique was predominantly used during the Italian renaissance, Rivera revitalized this ideal by including it in his painting of “Two Women and a Child”. Rivera’s use of techniques in Two Woman and a Child provide viewers with an understanding of the strength, pride, and perseverance Mexico had during the Mexican Renaissance.
For instance, the item at top left shows the anatomy and the complexity of being pregnant (Self Portrait as a Tehuana, Autorretrato como Tenhuana, Frida). The baby boy in the middle of the painting symbolizes the baby Deigo she thought she would never have (Self Portrait as a Tehuana, Autorretrato como Tenhuana, Frida). The snail shows how slow and agonizing the miscarriage was (Self Portrait as a Tehuana, Autorretrato como Tenhuana, Frida). The machine in the bottom left was used to symbolize the cold machines they used on her at the hospital (Self Portrait as a Tehuana, Autorretrato como Tenhuana, Frida).
Bullfighting Bullfighting is a spectacle that is practiced mainly in European countries such as Spain,Portugal, and France as well as Latin American countries, such as Mexico. During this event the bulls fought in a bullring, mainly known as “arena” which is an especial open central circular amphitheatre that during the spectacle would be surrounded by a lot of people. Even do the spectacle of bullfighting has existed in one form or another since ancient days, throw the years the discussion about this topic has increased because there are people speaking in name of the animal rights accusing the bullfighting as a blood sport , an barbarous event that promote violence but on the other hand as I said before its ancient tradition, symbol of the culture of several countries, and there are people standing for what they call art.
The portrait represents the beauty of the time period. It holds simplistic colors with detailed shading. The artwork is very intriguing to me. I love the detail in the background, there are tiny brushstrokes that makes up the mountains and sky. Also, I find the shading of the mouth and eyes very interesting.