The topic I have chosen is "The difference between Haute Couture and Ready to wear fashion" I chose this topic because there is a lot of confusion on the two. Haute Couture is a French phrase for High fashion (Thomas) it is of the highest quality and expensive fabrics and garments for highest price and wealthiest customers. “Later in the 19th century Englishman Charles Worth who is regarded now as the father of modern Haute Couture first put his name on the label of clothes”(Thomas). There is an organization called The Chambre Syndicale De La Confection ET De La Couture Pour Dames ET Fillettes which was founded in 1868 by Charles Worth and his sons. The purpose of The Chambre Syndicale De La Confection ET De La Couture Pour Dames ET Fillettes …show more content…
The Chambre Syndicale De La Couture rules are that in order for a designer to be added into the label of Haute Couture they must produce 50 new and original designs with day and evening wear for each collection. They must show 2 collections a year and have at least 20 full time employees in a workshop (Thomas). Because of the strict regulations by the Chambre only a few design houses can use the exclusive Haute Couture label. Haute couture is made to fit each client perfectly, has attention to detail, and takes many hours to create. The fabrics available to the couture house would be very luxurious and include the latest novelty fabrics and expensive silks, fine wools, cashmeres, cottons, linens, leather, suede, other skins or furs. A Haute couture design can range from about £10,000 for a simple blouse to £40,000 and often beyond that figure. A Chanel couture suit for example in 2002 might have cost £20,000. By mid-2004 an evening frock cost …show more content…
The manual labor needed to produce a garment this way takes between 100-150 hours for a suit and up to 1000 hours for an embellished evening dress. When a customer decides to order a Haute Couture garment she needs to first make an appointment with the design house prior to any visit to Paris. Once given an appointment the client is looked after by a vendeuse, an important saleswoman responsible for customers, their orders and supervision of their fittings. When a customer comes to a haute couture designer house they are helped through all stages of the fitting process to ensure that they are getting exactly what they want and that their design is not duplicated. Haute Couture designs aren’t as common any more as they use to be when they first were introduced because other designers began to make ready to wear designs and people were beginning to prefer that over the expensive time consuming designs of haute couture. Haute couture still has a place in the marketplace, because celebrities and people of the rich and famous with money are willing to pay an endless amount of money to obtain that one piece of unique handmade one-of-a-kind
In Australia, there are over 5000 fashion labels and more than 2000 companies exporting. One of the most influential Australian fashion designers is Carla Zampatti. In 1960, she started her brand with only a small collection that was launched two years later. Carla’s first boutique opened in 1973 and in the 1990’s the Australian Fashion Industry named her “Fashion Designer of the Year”. After multiple achievements and high honors, in 2015, Zampatti celebrated the milestone “50 Years of Fashion”.
She disliked the present fashions and decided to reopen her couture saying that “Dressing women is not a man’s job. They dress them badly because they scorn them”. Many in France did not like her new material, however, it was a success in America and
Tailored clothes were also designed with much more aesthetic detail such as pictures being “embroidered by hand” (Source 2. 5) which meant clothes took hours upon hours to finish. These fancy clothes were a symbol of wealth because only the rich could afford to have these clothes custom made for them. Lower or middle class people often had their own family members making clothes for them because they could not afford to have a tailor. Most clothes made by lower to middle class people were only made of “one or two pieces of cloth” (Source 2. 4) in order to conserve cloth for other clothing. As time when on tailoring changed from making fancy designs to making clothes that fit the body well and looked good.
Textile designers are influenced by a huge variety of inspirations, which can be reflected in the fabric decoration and fabric colouration used in their designs. For example, Collette Dinnigan’s choices of fabric decoration and colouration techniques are persuaded by feminity, Indian culture, as well as classic designs such as Yves Saint Laurent and Christian Dior. This can be seen in the pastel colour palette, soft embroidered embellishments and textural manipulations of her wedding dresses and formal wear garments, which are often heavily beaded using Indian techniques, similar to Dior. Dinnigan’s designs feature printed fabrics motivated by floral motifs and feminine colours, which also influence her application of floral lace fabrics, embroidery
The secret club of couture is a club that has events for example fashion week and if you are not a member you will not know what is going on. The club members describe couture as a virus because once you own couture it is like an addiction. Haute couture in French is "high dressmaking” which is fashion that is made for a specific customer and it is often time consuming, has special stitching done and expensive materials is used. Elite can be described as group that is superior to the rest of the society which most members of couture form part of. In order to be part of the “secret club” there are specific standards that you have to achieve.
This seems quite odd as the concept of luxury is tied to rarity and exclusivity. This has put a question mark on the sustainability in the growth of Louis Vuitton, for how long it will be maintained. But it is to be noted that the growth in revenue due to more
An individual pursuing their happiness can result in others becoming discouraged. Whether it’s family or friends, the disappointment of cherished people can bring immeasurable discomfort. The short story, Clothes, written by Chitra Banerjee Divakaruni, reinforces the idea that the cost of pursuing individual happiness is the risk of disappointing and not meeting the expectations of others. Divakaruni explicitly uses the characterization of Sumita to illustrate her transition from daughter, to wife, to woman, which in turn brings new responsibilities but also new opportunities. This is seen in the text as the viewer follows Sumita across multiple settings where each new setting provides enlightenment for Sumita and allows her to become her own
Today’s topic is going to be about fashion affecting society. Every person has different opinions on how this works. First of all fashion trends is making people go insane. Literally not everyone but some are getting wrong ideas. Parents are complaining on why their kids are not focusing in school.
They employ the most popular models and celebrities. They are also in constant partnership with the most popular fashion magazines like Vogue, Prestige, Glamour, Elle and Elit. The marketing strategy of the N˚5 Fragrance is unchanged and was kept simple in the past 90 years. Celebrity culture proved to be successful in advertising this product: they started off in the 1950’s with Marylin Monroe with the statement: "What do I wear in bed? Why, Chanel No. 5..." (Vogue, 2011).
This was the medium constant development of high quality apparel, with attributes of customers’ feedback, to refine the clothing standard. 4.1.2 Product
In order to explicitly analysis the clothing industry, emphasis must be laid on Textile
Continuing the trend of thinking of aristocratic women in the French Revolution as “fashion victims,” Kimberly Chrisman-Campbell’s recent work, Fashion Victims: Dress at the Court of Louis XVI and Marie-Antoinette, as its title suggests, details dress at court through the analysis of memoirs, the fashion press, and material culture. Chrisman-Campbell discusses dress for court presentation, mourning, and marriage in addition to foreign influences on French fashion, such as the American Revolution, anglomania, and orientalism. Her titular “fashion victims” include aristocratic figures like Marie-Antoinette, who Chrisman-Campbell acknowledges as “history’s definitive fashion victim . . . accused of single-handedly bringing down the French monarchy through her frivolity and her enormous expenditure on her clothing.”
These elements have helped Chanel to maintain their position in the luxury market. For example, Chanel’s jewelry is made from diamonds and white gold of 18 carat. Its bags are high class, fashionable and ready-to-wear. Its makeup line and fragrances are only sold in the most elegant and luxurious stores around the world. Chanel will never look as something cheap that anyone could wear, this makes the brand much more
What is “streetwear”? Ask 20 different people on the street what streetwear actually means, and there will be 20 different answers. The name streetwear is a vast label of clothing style and can be difficult to explain even by those who claim they wear it. In a nutshell streetwear is street fashion. Alek Eror from Highsnobsociety.com discusses why the term streetwear taints high fashion itself.
This will reduce the cost of production while also keep the quality of the product intact. The less costly products will help broaden the consumer group. On the other hand, for the high income bracket, produce absolute artisan-made products which will be exclusive and hence also cater to the class and position conscious customers since they will be using the artisan made products and hence the limited edition ones. Louis Vuitton is focusing mainly on women. It should launch product lines for other consumer segments too, like for men and