Rear window Alfred Hitchcock quoted in the film's rear window, “Maybe one day she’ll find her happiness.” (stella) “yeah and some man will lose his.” (Jeff). The characters in the rear window reflect a realistic view on marriage. Do you agree? Hitchcock refers that realistic marriage is demonstrated throughout the film. The director has expressed different perspectives of marriage. The scene was set in Greenwich village in 1954, which is located in New York with gloomy apartments spotted in the area.The audience was set through a window to see different perspectives of marriage, through the protagonist's binoculars, (jefferies). Hitchcock refers to Mr and Mrs Thorwald, Lisa and Jeff, which defines marriage aspects. Hitchcock is using these …show more content…
Hitchcock presents a marriage as ‘insecurities’ which can bring to a person or their life. A realistic marriage is presented by Hitchcock by showing relations between characters and their behavior. Mr and Mrs Thorwald are identified as having a damaged relationship. Hitchcock showed Mr Thorwald an aggressive man who hated his wife because of her constant nagging. Mr Thorwald became tired of the arguments she created. In the beginning of the movie the audience was shown through the eyes of Jeff to witness the way Mr Thorwald was taking care of his sick wife, by leaving a tray of food.“Why would a man leave his apartment three times on a rainy night with a suitcase and come back three times?” (Jeff) “He likes the way his wife welcomes him home.”( stella.) After seeing Mr Thorwald leave his apartment in a dewy, muddy weather Jeff became even more suspicious. Few days later Hitchcock scripted that Thorwald should end his wife's life by cutting her body parts and burying in …show more content…
The camera was placed on a low angle showing Stella massaging Jeff since she was his caretaker. Jeff and Lisa had a one sided love, because of Jeff's choices, the quote he stated was him talking about how Lisa is too good for him because he wanted someone who is simple and elegant. Lisa wanted to marry Jeff as soon as possible but Jeff was unsure about her. Lisa was seen wearing very old fashioned clothes, she was always dressed up, wearing all her rich,shiny jewelry, with combed hair. She was very stylishish but compared to the end of the movie she was wearing simple clothes with more bright colors. The reason for this is because Lisa achieved something towards the end by conquering Mr Thorwald's wife's ring as a proof to show to the police. She was able to impress Jeff by risking her life even though Jeff had disagreed, but Lisa wanted to prove him wrong about his choices. Lisa had always put effort in their relationship by making dinners, staying at his house and caring for him, and keeping herself clean and tidy for him but seemed to fail. Later in the movie Jeff had explained everything to Lisa saying that he is suspicious about Mr Thorwald and his wife but Lisa didn't agree and would tell him to stop spying on his neighbors. Looking at the background
In her piece, she utilizes emotion and first hand experiences to make the audience identify with the situation, enabling them to make comparisons between Edelman’s marriage and their own. Hope Edelman recognizes that the emotion she writes with helps her female audience identify with her; therefore, making the examples she uses seem more
This just scratches the surface of what quintessential scenes and moments Mike Lupica is so adroit at describing. He already developed Jeff as a character throughout the story many times, but in this scene, it was like I could see how he was
In the film Rear Window by Alfred Hitchcock, the relationship between LB Jeffries and Lisa Fremont transitions from a relationship with only Lisa believing that it will work to a relationship where LB reciprocates the beliefs of Lisa. Initially in the story, it is apparent to the viewers that Jeffries is tentative and does not believe that Lisa and he will work as shown by his tentativeness to marry Lisa when conversing with Stella. As Jeffries makes mention that Lisa is “Too Perfect.” (Rear Window White Script, P20) and implies Lisa is too caught up in high society to be with him as he is always traveling for work and has little money. These lines reveal that he views Lisa as someone who enjoys the finer things in life which he believes he
Throughout these three marriages, Janie faces and overcomes various challenges while gaining more knowledge about love and romance. Janie’s relationship with her first husband,
As he sits there looking out the window for countless hours he is no longer interested in just his personal life but those around him. When observing even closer I realized that there is an explanation to the obsession Jeff has with looking out of the window. It is not directly stated in the film but when looking at the sorrroundings Jeff is surrounded by only the courtyard and a small alley way hince the reason why Jeff choices to take particular interests in looking at his neighbors. The lack of scenery and things to do makes me believe that Jeff is feeling trapped. The binoculars no longer act as just a viewing defice but a symbol for
Cecilia tells Rachel it was not Connor but her husband who murdered her. John Paul confesses to Rachel but Rachel says that she will not press charges which would take John Paul away from his daughters, since Polly needs her family's support during the injury she is facing. Cecilia feels that what has happened to Polly has punished John Paul for what he did. Will goes to see Tess and she decides to give their marriage one more chance. She tells him that they have a few months, until Christmas, to try to make things
Ashley McCormack A Woman’s worth “Rear Window” and “The Birds” are two films directed by Alfred Hitchcock. Many aspects of these two films correlate and display the occurring themes and motifs presented in films directed by Alfred Hitchcock. However there is one theme that sets the rest apart; blonde women. The blonde women in both of these films are essential in executing the story line.
Jefferies’ dread is further displayed in the introduction of Lisa. Despite the close up on her face accentuating her beauty and the lighting illuminating her face giving her an angel like appearance, the shadow first introduces her as a shadow looming over him. Her shadow
Alfred Hitchcock’s Rear Window has several themes. One major theme is relationships. The lead character, Jeff Jeffries, a photographer and committed bachelor, is involved in a relationship with Lisa Fremont, a model, although the relationship has some tension due to Jeff’s lack of commitment. When Jeff is confined to his apartment recovering from a broken leg, he begins spying through his rear window on his neighbors in a nearby apartment. Through her frequent visits, Lisa is drawn into this spying as well.
With Rear Window (1954), Alfred Hitchcock proved himself to be one of the best directors of suspense thrillers filled with mystery and humour. He himself called the film his most cinematic one because it was told only in visual terms (Morrow), but it was also a challenging “editing experiment” as the entire film was shot from one place, Jeff’s apartment that overlooked his backyard. The Film follows L.B. Jeffries “Jeff” (James Stewart), a photographer confined to a wheelchair in his apartment after breaking his leg at work. He spends his days watching his neighbours and eventually suspects that one of them killed his wife. His caretaker, his girlfriend Lisa and his detective friend, at first unconvinced of his suspicion, eventually join him in his voyeurism and help him to solve the crime.
What I found to be less easy to set down is the film's disturbing point of this doomed woman, the real wife. Even though we don’t really get to experience the real Madeleine I believe most I know I was left with this sense of sorrow for her that leaves the wanting justices that never comes. Hitchcock's story though not real it leaves something that runs deeper than one expects from this story. Hitchcock did say that his movie vertigo was was his most personal one that he had made.
By realizing the similarities between himself and the Piano man, Jefferies is able to empathize with the piano man’s frustration instead of laughing at his pain. Requiring everyone to understand the day-to-day lives of everyone else on earth is of course absurd, but recognizing the similar qualities shared among all people reminds
The killer is in the room and he only has a limited period of time to save himself from danger. The final scene of “Rear Window” is a fight against time. L.B Jeffries is stuck in a cast and he can not defend himself but Mr. Thorwald is in his room and ready to attack him. The police are also on their way to Jeffries room to arrest Thorwald. Jeffries does what he can to get more time so he uses his camera flash to blind Thorwald.
Behind Norman are paintings that illustrate women being attacked, this brings to the surface what Norman is plotting to do to Marion, once he has the opportunity. The setting Hitchcock has created further reinforces the idea of the duality of people, by displaying the duality of the characters Marion and Norman. Hitchcock in Psycho, presses the idea of duality in mankind with strong ironic and foreshadowing lines that evoke emotions in the viewers. Along with strong and recurring symbols, Hitchcock heightens the true nature one can hide and how one’s moral stance can change, this being due to the duality that resides in us. Mise en scene is important in Psycho additionally, as it further displays the idea Hitchcock is trying to press onto his audience, this being
In fact, there are many mysterious doors belonging to the opposite apartments which the destinations to are never discovered. This is a device used to create fear of the ‘unknown,’ but also heighten suspense. Therefore, our gaze may not be as omnipotent as had been discussed in the previous chapter. Given that the movie is diegetic, it is impossible for us to see everything as Jeff is human and needs his sleep just like the rest of us. He becomes a prisoner of his own gaze, fearful of what incriminating evidence he may miss during his unconscious hours.