Eventually, Pentheus becomes crazy with a need to know the details of the women’s actions. “The more terrible the things you tell me about those Bacchic women, the worse I'll move against the one who taught them all their devious tricks” (13). His anger, his delusion, and his violence is fueled by the continuing actions of the Bacchae. He’s only able to continue on his rampage if the Bacchae continue express their femininity and he’s told about their actions - it becomes an addiction. Finally, when Dionysus suggests he go see for himself what the women are doing, Pentheus involves himself with the femininity of the Bacchae. His wrath and his violent behavior, induced by the women, continue to grow through the play. Euripides desired to show …show more content…
Dionysus’s character, both in regards to the audience and the other characters in the play, clearly appears emasculate. He’s walking this very thin line between man and woman that he’s perceived to do as a Greek God, and the onlooker recognizes that. Euripides portrayal of Dionysus’s emasculated presence and divine control as changing the women from the obedient housewife to the wild woman-creatures that are a danger to Pentheus’s society ultimately signals to the audience that feminine individuals ought to be feared. Pentheus declares that Dionysus “corrupts our women with a new disease, and thus infects our bed” (6). Throughout the play, Dionysus’s actions and power uniquely continue to plight Thebes; he’s not a hero, he’s not some amazing force of empowerment, and he’s not looking out for the best interest of the women he has possessed. He’s an angry God. Euripides says the audience ought to fear Dionysus’s wrath because he will possess all of the women and murder the king. However, the king was not a hero either. His murderous anger at Dionysus, the stranger who stole his women, only subsided when offered the chance to watch the women do “those things [he] should not look upon, so
Dionysus was the greek god of wine, theatre, fertility and celebrations. His father was Zeus, god of the sky and all olympians, and his mother was the princess of Theban, Semele. She was a mortal, making Dionysus the only god born of a mortal parent. Before he was born Semele was tricked by Zeus jealous ex wife, Hera, to have Zeus swear on the river styx to make a promise to Semele. Semele asked to see Zeus in his true form, though Zeus already knew what she would ask of him.
I am Pentheus, your own son, the child you bore to Echion! Pity me, spare me, Mother… But she [Pentheus’ mother] was foaming from the mouth, and her crazed eyes rolled with frenzy. She was mad, stark mad, possessed by Bacchus” (Euripides, 1118-1124). This quote shows the great power that this madness had on the women.
Dionysus accentuates in his first foundational dialogue that he is hurting Agave for not embracing Dionysus as a god, born of Zeus. In its place, Agave believes in the propaganda that he is a simple human, born of a male and female. In this view, Agave and her son Pentheus make the mistake of rejecting Dionysus. For this purpose, Dionysus has compelled Agave and all the womenfolk of Thebe making them escape to the mount where they walk about in a frenzy, trying the apparel of the proper Dionysian believers. Agave’s aberrations send her in her insanity to assassinate her own child, and so she turns out to be the target of the same deity she worships in her insanity to revere Dionysus.
Soon after Kalypso gives Odysseus permission to leave, she tries to convince him that he should stay. She tells him that she is better than his current wife and she is not any “less desirable than she is” (5.220). This lures Odysseus in and he agrees with her saying that “death and old age being unknown to [her], while [Penelope] must die” (5.227). During this scene, Kalypso is using her beauty, sexual appearance, and immortality to lure in Odysseus. This image of women constantly succeeds in attracting men.
The respectable male characters such as Odysseus treat women well, but mostly for their appearance and marriage potential. Near the beginning, after washing up on the island of the Pheaecians, he meets a girl and says, “Mistress: please: are you divine, or mortal? If one of those who dwell in the wide heaven, you are the most near to Artemis, I should say,” (8). To
This may also present to us that the women in this play are quite strong and independent despite the times this play is set in, Hermia's father Egeus treats Hermia as though she is his property and that she has no freedom of choice Egeus threats his daughter by death or to become a nun which shows some state of
In the book The Odyssey, the main character, Odysseus, is a man who is loved and respected by many. In the beginning of the book, we learn that Odysseus has left on a journey and, since it has been many years since his departure, many people assume that he has passed. On his journey, he portrays his many traits, not all of them being good ones either. Some of his good traits include his cunning, bravery, and hard work ethic. On the other hand, his negative traits are his excessive pride, immense curiosity, and rather large temper.
Aeschylus’ purpose in portraying his characters this way was to show that unlike his characters, men should be strong and powerful while women should be weak. Throughout the Oresteia, acts of vengeance show the true message that Aeschylus was trying to send to his readers. Women should not be the powerful ones, but men should be. Two characters that exemplify this are Clytemnestra and Aegisthus.
Women’s power in the play contrasts the real women life’s conditions in Greece in 500/400 b.C. This sudden empowering of the female characters is the main reason why I have chosen to examine this comedy. The analysis will be focused on the figure of the women in the play and the contentious ideology of the author.
Since Teiresias has been sexually active with members of both the male and female gender, as he was turned into a woman for seven years as a punishment due to him striking two serpents that were mating in the woods. During an argument between Jupiter and Juno about which gender enjoys sex the most, Tiresias jumps in and agrees with Jupiter that women do, which led to Juno making Tiresias blind. However as can be seen throughout this story, good deeds are repaid in another form, this time it was through Jupiter given Tiresias supernatural foresight, which allowed him to predict that Narcissus would live a long life as long as he didn’t fall in love with himself, which he later did. This too however is not directly expressed; however, we can see it through the perspective of a third-party which is a common theme throughout
To accomplish this analyzation I have structured this paper into an intro paragraph, four body paragraphs, and a conclusion paragraph. The first body paragraph explains how Penelope’s forced marriage with Odysseus supports the patriarchy. The second paragraph analyzes Penelope’s character, and how the story diminishes her character to make men seem more powerful. The third paragraph dives into the relationship with the suitors and Penelope. I analyze how Penelope uses her situation to her advantage, and how that undermines the patriarchy.
Oedipus the King: A Feminist Criticism Gender plays a fundamental role in the lives of people, and forever remains an indelible divisor throughout all societies (Gregory 216). When it comes to patriarchal societies, gender becomes a sensitive issue, with the feminine sex always in a constant battle to gain equal privileges as their masculine counterparts. In the ancient Greek tragedy “Oedipus Rex”, the playwright assertively upholds the patriarchal bias that was characteristic of Athens’s Golden age (Smith and Ferstman 33). Clearly, the play Oedipus Rex is built on a candidly staunch masculine outline, but in a way, the outcome of events is not as obvious as an ordinary chauvinistic play would make it. Thus, in unravelling the controversial
The crisis of identity is a very significant turning point in the development in this play. It effectively creates sympathy in the audience through the change in character’s speech style and the act of an “other” in the play conforming to what society demands of him. The first character I would like to bring up is our protagonist, Othello. Being the main protagonist, which most of the play revolves around, a lot of attention is given to him by the audience which makes the crisis of his identity the most significant.
The male characters in this play often feel uncomfortable when their female counterparts break gendered stereotypes. This is the same feeling that drove Theseus to war with the Amazons. An equally important woman is Hermia: Theseus and her father have in mind Demetrius for Hermia’s groom, yet she still refuses even after a small threat from Theseus, “Be advised, fair maid. To you, your father should be as a god” (1.1.47-48). Here in patriarchal Athens, fathers are the head households and hold influence over near-all decisions.
In Greek literature, the chorus is typically a group of men that represents the majority of the population of the city that describe and comment on what happens through song and dance. However, in “Medea”, Euripides makes the chorus a group of Women. He does this to portray the views of the majority of women during this time. The chorus believes that women should not be treated any lower than men, that men treat women like they aren’t even human. In the first choral ode, the chorus talks about the hardships of women.