Genre: This photo is staged and has been manipulated digitally. Overall this has been done to capture the surrealism of the photo. ‘A 20th century movement of artists and writers who used fantastic images and incongruous juxtapositions in order to represent unconscious thoughts and dreams’ (Buckley, 2017 ). This photo is symmetrical and incorporates innovative features, this has occurred through playing with scale and trying to capture the symbols within the photo. The main symbol that is pulled out is ‘and we keep crushing it’ the relationship with nature, in particular trees and humans and how the photo has been manipulated digitally to play with the additional theme of the“hand of god”. Composition: This photo’s main focal point …show more content…
With the use of colours used your eyes move up through the arm the main ‘body’ of the photo and thorough the individual lines of the fingers. This creates a Naturalism approach to the photo. Symbols: This photo portrays a dominance that man kind tend to have towards nature, the symbols in this photo are the numerous trees and nature and the perspective that is given of, of the trees being rooted up and tied down, showing that there is no escape from humans. The words “and we keep crushing it” represent just this. We abuse our natural world. Overall, the hand tends to be playing a god like figure however, it is not god like. Formal Elements: There is a change in colour within the trees and plants throughout. The line within the picture is a natural intersection that creates line/shadow this is also reflective through the tone of green to grey; earth to sky. The shape within the photo is repetitive of organic shapes that all have a round aspect to them. The scale of the photo is the resemblance of the ‘hand of god’ the trees are smaller than the hand showing how easily nature is over powered. The depth of this image is white and black, this holds the viewers eye at the front giving the impression that the photo goes on
The meaning of the palm trees could be the nice sunny weather we get out here. The two guys fighting at the very top could be what he would like to do if he was in the olympics.
Then the eyes meets the mother figure, thinking intensely, possibly about the person taking the picture or thinking about how to start over and repair what is lost. Lastly, the eye moves to the background, where a middle aged man is busy, as if he is trying to find a way to clean up or restore the unfixable damage. The clothes and belongs strung across the wooden frame symbolize life; once put together and neat, but now messy and imparable.
The focus of this image is the two men in the center of the ring, Muhammad Ali and Sonny Liston. More specifically, the focus is on Ali with his gloved right hand bent up in front of his left shoulder. Ali’s hand is in this position as the image was captured milliseconds after he delivered the famous phantom punch which knocked Liston down to the mat. In the technical sense, some focus is on the middle ground (the location of the photographers shooting the event and official looking men watching) but the focus is mainly on the two boxers to show their importance. These photographers in the middle ground exhibit the popularity and historical significance of this fight as it was the first time Ali and Liston fought since Ali took the title of World Heavyweight Champion from Liston the year before.
The main affect the photographer uses is focal point. Focal point is used by many photographers to get the main point of their photo across to the viewers. At the very first glance my eyes went straight on Prefontaine. Everything around him is blurred and he’s the only object in the picture that is
Here, as in a photograph, a woman bent to pick three flowers. Still farther over, their images burned on wood in one titanic instant, a small boy, hands flung into the air; higher up, the image of a thrown ball, and
The bandage on the child’s head is a lot more white and bright than the rest of the whites in the photo which you to look at it. It suggest that the innocence in the child might be gone. Cecil Beaton used black and white with very little greys in the photo, which contrasts from the majority of his other photos which are mostly different shades of grey. He also uses many rectangles that create an optical illusion that the photo goes on forever and ever. In addition to how the subject of the photo is positioned, it makes the subject seem like they are all powerful or they are strict about everything.
The colors in the photo are cool tones and are triadic colors from each other, giving the photograph a calming feel to the viewer’s emotions. The general aspect of the curved lines on the Buddha face and clothes also makes the photograph easy to view for the viewer
In other words, McCloskey drew pictures of nature in such a way as to allow viewers see its beauty. For instance, the shadows created by the clouds seem so authentic that it allows the reader to appreciate them. This natural image is also viewed in McCloskey’s pictures
Many people who go into nature always see it as something beautiful and aesthetic, but they never see the other side to nature. Humankind’s connection with nature isn’t a real one. They always look at the bright side of nature but are blind to the true dark side of nature. JB MacKinnon’s article “False Idyll” (2012), reveals that nature is not just flowers in a field but can also be the survival of the fittest. He backs up his claim by talking about nature through anecdotes and expert’s research.
My initial thought of the piece was that she was creating a scene encompassing the changing of seasons and how they flow from one to another, parallel to that of a stream. Patiently, over time, this piece’s identity began to morph into a more complex ideology. The theme that Sakoto Fujikasa is expressing through her piece is to show how the encompassment of life is comprised of the various emotions we express and sense.
These photographers and filmmakers are significant for the blending of science and art that criticized culture and ideology. As we shall see later in this book, photos (and media) with a purpose live on and documentarians continue to emulate many of these stylistic techniques practicing the science of ecology of the
By the power of photography, the natural image of a world that we neither know nor can know, nature at last does more than imitate art: she imitates the
The Focal Point of the painting would be the three people at the table but mainly the woman and man sitting across from each other. There is no unity or variety that appears in the artwork. The artwork is in proportion. There is no movement in the picture considering the people are sitting down at the table. There is no rhythm or pattern in the artwork that is involved.
In this essay I will write about the strengths and weaknesses of perception as a way of knowing. Perception is the way we perceive the world through our senses. We use all five of our senses, which are sight, hearing, smell, taste and touch to understand the world and interpret it. We can then say it’s a Primary way of knowledge. We can also say that, because the senses is the way our body communicates, we have at least three more senses: kinesthetic sense, which is our awareness of our body’s dimensions and movement; vestibular sense, which is the awareness of the human’s balance and spacial orientation; and organic sense, which is the manifest of the internal organs (for example, hunger or thirst).
Descriptive Essay I have never thought that drawing would help me out in life until I tried it. The interest started when I was in second grade when I saw one of my best friends drawing. I am thankful for her, she is the one who taught me to be patient and practice makes perfect. It gets a little frustrating and overwhelming when your interest is there, but you are not good at it.