Unit 1: documentary Response ‘Conflict’ “Dulce et Decorum Est” Exploration During this session our stimulus was the poem by Wilfred Owen “Dulce et Decorum Est,” this showed us a version of conflict which is externalised: war. Our group took on the middle two stanzas of the poem and explored them: Gas! GAS! Quick, boys! —An ecstasy of fumbling Fitting the clumsy helmets just in time, But someone still was yelling out and stumbling And flound’ring like a man in fire or lime. — Dim through the misty panes and thick green light, As under a green sea, I saw him drowning. In all my dreams before my helpless sight, He plunges at me, guttering, choking, drowning. We decided to use the explorative strategies of thought tracking, still images, …show more content…
Our first explorative activity was to walk around using the objects in an iconic fashion for example when I came to a bed sheet I wrapped it around me as if I were cold. Once we had finished that exploration we re-did it but this time instead of using the objects in an iconic way; we used them symbolically for example when I revisited the bed sheet I wrapped it around me and acted as if it were trapping me and I couldn’t get out. These two explorations showed me the diversity of the uses an object can have when dramatically exploring something. We then chose objects (in pairs) and displayed them in an area, in a certain way to create an installation (see photo). In our teams we then mind-mapped the different ways one could interpret the stimulus. We chose to interpret the binoculars as parents looking over their child; the log and binocular case and block of wood symbolised childhood and the helmet, keys and bed sheet symbolised his profession. Because we used the stimulus to explore the man’s past we thought we could explore the man’s present and future. First we created the characters through some brainstorming and decided their basic history; we decided to have four characters, mum, dad, and two sides of the man’s schizophrenic mind. Once we finished that we explored the characters by using the explorative strategy of hot seating. This allowed us to pinpoint the exact parts of information we wanted for example his time in war and what things he experienced. Then we used improvisational role play to further explore the character’s feelings and really let loose both of the man’s schizophrenic sides; we did this through setting up to arguments between the mother and the father about sending the man to a ‘mental institute’ this helped explore the torment which the parents endured when sending their child to war,
Sensory images impact the understanding of events by describing how come things make them feel physically, feelings that the reader can relate to. One example is at the end of Lucas’s dream, he feels “icy hands” push him so deep into a pool where he could no longer see anything from the surface and had no air, making his lungs want to “explode” (Wagamese 29). If the readers were ever to hold their breath for a long time, they too could experience a feeling like what Lucas describes. Reoccurring images enrich the work and hint at its meaning by giving the reader more details about it every time to build the mental image of the carving and explaining the dreams that gave the images meaning (Wagamese
Understanding the way the characters felt and behaved helped relate myself and bring the reality of war to life. There were moments that I didn’t want to picture but I had to because I wanted to keep reading, and it was if I was there. The most important piece that
In the Poem Dulce Et Decorum Est It is about the horrors of war and how no one ever realises it if they war not in the army. As Wilfred Owen Said “Dim, Through the misty panes and thick green light/ As under a green sea, I saw him drowning/ In all my dreams, Before my helpless sight,/ He plunges at me, guttering, choking, drowning”(Document C). The soldier that tells the story states of his horrors of war and how a man died in a gas attack and he was not able to save him, “under the green sea, I saw him drowning” the green sea was the chlorine gas that was dropped.
Throughout the development of his gentle, innocent character into the epitome of a wartime officer and courageous veteran, Robert faces many antagonizing events which are made worse by the constant reminder of his sister’s death; a past experience which has an evocative
His eyes were glazed over, his lips parched decayed (88).” This example of imagery is made to shape the reader’s thought of this scene with a dramatic mood through words that will describe the situation in a serious and dramatic way. The sad mood can be connected to the choice of words that are used to describe an event in the story through
Chris Hedges, a former war correspondent, has a memory overflowing with the horrors of many battlefields and the helplessness of those trapped within them. He applies this memory to write War Is a Force That Gives Us Meaning, where he tutors us in the misery of war. To accomplish this goal, Hedges uses impactful imagery, appeals to other dissidents of war and classic writers, and powerful exemplification. Throughout his book, Hedges batters the readers with painful and grotesque, often first-hand, imagery from wars around the globe. He begins the book with his experience in Sarajevo, 1995.
Both Ted Hughes and Wilfred Owen present war in their poems “Bayonet Charge” and “Exposure”, respectively, as terrifying experiences, repeatedly mentioning the honest pointlessness of the entire ordeal to enhance the futility of the soldiers' deaths. Hughes’ “Bayonet Charge” focuses on one person's emotional struggle with their actions, displaying the disorientating and dehumanising qualities of war. Owen’s “Exposure”, on the other hand, depicts the impacts of war on the protagonists' nation, displaying the monotonous and unending futility of the situation by depicting the fate of soldiers who perished from hypothermia, exposed to the horrific conditions of open trench warfare before dawn. The use of third-person singular pronouns in “Bayonet
A “runaway” or a “war hero?” The psychology of a confused and depressed young man was shown and repeated. Throughout the book, “psychology of the soldier” was a topic O’Brien examined deeply by telling his memories, so this brought up the question “whether war is moral or
The Silent Killer Explication: “Alzheimer’s” by Kelly Cherry was published in 1997 during a time of personal struggle for Cherry and her dad. This short, free verse poem consists of twenty nine perplexing lines. The poet’s nontraditional placement of line breaks cause some ideas to fall off in mid-sentence, while others never complete the thought. This creates enjambments which mimic the disease’s confusing nature.
Both Dulce et Decorum Est and Mametz Wood present the incompetent results of war. Dulce et Decorum Est indicates the horrible facts and deaths in war. Moreover, Mametz Wood highlights how precious life is and how easily it can be lost as a result of battle. In this poem “Dulce et decorum Est”, Owen portrays the deadly effects of conflict through the use of metaphor: “as under a green sea, I saw him drowning”. Here, he describes the pain of the gas attack.
This essay will compare and contrast the way the poets Jessie Pope and Wilfred Owen present war in their poems. Who’s for the game? Was written by Jessie Pope in 1916 during the heart of the First World War. The poem is pro war and is a piece of propaganda that was used to recruit men into the British army. In contrast Dulce et decorum est is an anti war poem and shows the true aspects of war.
There is no question that war is an ugly thing, and there is also no question that of all the conflicts in recent history, the first world war was one of the most horrific. However, as horrific as all war is, around the time of World War I a prevailing theme in both European and American culture was that it was honorable and beautiful to fight for one's country and often die. This culture of glorifying war can be seen in writing from poets like Jessie Pope, who wrote patriotic verses trying to motivate men to sacrifice themselves for their nation. Conversely, in the poem Dulce et Decorum Est, essentially a direct response to both this misplaced romanticism for war and to Jessie Pope's work itself, writer and ex-soldier Wilfred Owen shares
We conjure images; we combine incongruent elements to evoke emotion in a more efficient way than wordier descriptions can, and we use unconscious and tangential associations rather than logic to tell a story”.
Comparative Essay How can different perceptions about one topic be expressed in poetry? The main theme that the two sets of poems convey is war, but it’s expressed in different point of views through the use of diction that builds tone. The tones of these poems play a big role in conveying the differences between the different eras that these poems are written in, and shows how societies have changed from the Victorian era till the time of World War I. The diction and tone in Borden and Owen’s poems is so much different than the diction and tone in Lovelace and Tennyson’s poems due to different perspectives and point of views. In all four poems the main idea is war, but each set conveys a perspective of war, a positive perspective
Owen then depicts the death of a soldier in a gas attack, and then goes on to address the audience and challenge the idea that war is a great honour. Throughout the poem, Owen uses several poetic techniques to effectively convey the experiences of soldiers. In line 5 of Dulce Decorum Est Owen uses an oxymoron to convey the fatigue and tiredness felt by the soldiers. Through the contrast of the words “marched”, which implies alertness and awake, and the word asleep, which implies tiredness and fatigue, Owen is able to add extra emphasis to the great fatigue felt by the soldiers, and more effectively convey their experience. In the same poem, Owen depicts a gas attack on the group of weary soldiers.