Does Tim Burton Use Cinematic Techniques In Edward Scissorhands
Edward Scissorhands, directed by Tim Burton, is packed with both moral lessons and cinematic techniques that force the world to reevaluate themselves. This movie features a young man, Edward. He is challenged to fit into society while sporting scissors as hands. Throughout the film Burton shows the trials and tribulations that someone who is so different has to persevere through in order to fit in. Burton uses cinematic techniques to prove the importance of not judging someone based on their appearance.
In the beginning of the film, Burton has the camera zoomed in on an abandoned looking house sitting isolated on a hill. While focusing on this old appearing house, the music has a very sketchy, scary tone to it. Due to the eerie non-diegetic sound going on, the audience sees everything through fear tinted lenses. However, at the end of the movie, after Edward is known, Burton features his house again. This time, there is softer music playing so instead of seeing the sharply angled arches and the gargoyles, the viewers see Edward’s isolated home and beautifully shaped bushes. Based on the sound Burton chooses to accompany the same shot, the
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When he does a long shot of the neighborhood, everything looks overly cookie cutter and perfect. The houses are all the a solid color, and almost everyone has a similar house, shaped like a box. The driveways all have similar dimensions and the bushes are all the same. The viewers immeadiately categorize this neighborhood as utopian like because it is all uniform and bright. When Burton shows a long shot of Edward’s house, it is full of gothic arches, gargoyles, and large, eerie seeming inventions that could pass as torture devices. Between the machines, Burton shows us a cobblestone floor and a broken roof. Due to the vast differnces presented in each shot, Burton can make his audience form conceptions about the characters before they are ever
Does Tim Burton Use Direct Sound In Edward Siccorhands?
626 Words | 3 PagesThe first way Burton shows his thoughts in Edward Scissorhands is when he uses the tilt camera movement in order to add suspense and intrigue the person who is watching or the audience. For example, when Peg, the person who found him, starts walking up the stairs, Burton uses this camera movement to show the creepy adic Edward was staying in before bringing him to her neighborhood. This helps show Burton's ideas where intended to introduce the difference between Edward as a creepy and misleading looking person, and Pegs shine and heartwarming feeling. As a result, it shows why people that live in the neighborhood see Edward as a creepy person.
Tim Burton's Cinematic Style In Edward Scissorhands
82 Words | 1 PagesEdward Scissorhands is about an animated human, created by a genius, who falls in love with a young beautiful girl, but struggles finding a way to express himself. Then he is soon shunned and becomes an outcast due to his strange hands, which are actually tons of sharp objects. There are many factors that contribute to Tim Burton’s cinematic way of an artistic style. Burton’s unique style is brought into play by his exploitation of bizarre costuming, eerie lighting, and subsequent editing.
How Does Tim Burton Use Lighting In Edward Scissorhands
748 Words | 3 PagesTim Burton has a bigger number of chances as a director instead of a creator to show state of mind and tone. In some of his past motion pictures, for example, "Edward Scissorhands" and "Beetlejuice" he utilized different procedures to exhibit evil mind-sets and tones. The tones of his films are quite often dull in view of his youth encounters. Tim Burton utilizes lighting, sound and camera developments to portray a remarkable gothic artistic experience. Lighting is pivotal to demonstrate the state of mind of a motion picture.
How Does Tim Burton Use Camera Angles In Edward Scissorhands
1588 Words | 7 PagesTim Burton once said, “One person’s craziness is another person’s reality,” What he means by this is that the gloomy, bittersweet moments of his films seem ominous, yet this drama is indeed realistic, which is what Burton attempts to convey in his productions, combining his knowledge and special touch. Tim Burton uses various cinematic techniques such as camera angles, music/sound and editing choices to emphasize the mood and tone of the movie, which is mainly focused around being eerie, dramatic yet realistic. Edward Scissorhands, Big Fish and Charlie and the Chocolate Factory most effectively demonstrate these decisions through the clear application of them to the scenario at hand, along with the clear inferences and conclusions viewers can
Frankenstein And Edward Scissorhands Analysis
123 Words | 1 PagesOne of the differences between Frankenstein and Edward Scissorhands is that in Edward Scissorhands Edward was accepted into the community, while in Frankenstein the monster was made to feel like a villain. It is shown in Edward Scissorhands when an Avon lady took him home to live with her family. The moment she arrives at her house with Edward everyone wants to know who he is and they all want to make friends with him. While in Frankenstein the monster is treated like he is an animal. This is shown when he is in the cabin with Agathe and Felix rocks up and threatens to shoot the monster.
Tim Burton's Use Of Editing In Edward Scissorhands
142 Words | 1 PagesTim Burton uses his mysterious and creepy characteristics and expressed it through his film Edward Scissorhands Burton uses his unique style of editing that helps understand the main character’s, Edward’s, background. In comparison with the editing the sound helps understand the meaning of certain part such as the suspense of what would happen to Edward in the end. The costuming was a peculiar choice, it shows how in the town there was a lot of colors, but, Edward wore an all black steam punk like clothing showing how he was different. Therefore Tim Burton’s character, Edward, is a somewhat reflection of himself. Like Burton he has an imagination in order to create “art”, and the style of clothing is alike to that of Burton’s.
Similarities Between Edward Scissorhands And Frankenstein
682 Words | 3 PagesWhat does director Tim Burton’s Edward Scissorhands and Mary Shelley’s Frankenstein (1994), directed by Kenneth Branagh, have in common— a mutual underlying story; but their differences are what makes their tales all the more special. Edward Scissorhands is a retelling of Frankenstein, but with a slight twist. In Edward’s case instead of lacking companionship like Frankenstein’s monster, he lacks hands; and is received rather well by the surrounding community. Ironically, in both tales the characters share the same desire to be love; this ignites the question – why do humans want to be love? Are we only important as we are loved?
Edward Scissorhands Camera Movement Analysis
531 Words | 3 PagesTim Burton uses camera movements, camera angles, and sound in Big Fish, Edward Scissorhands, and Charlie and the Chocolate Factory to create the right mood for the audience to feel. Creating the right mood allows the audience to connect to the movie and to be intrigued by the movie. In Edward Scissorhands, Burton uses camera movements to create a sad mood. In a flashback, the camera moves with the inventor, who made Edward, as he takes Edward's hands out of a box and walks over to Edward before he dies, without getting to put Edward's real hands on.
Editing Techniques In Tim Burton's Big Fish
526 Words | 3 PagesBurtons use of sound supplies an effective tool to allow the audience to understand the mood of the setting. This technique can also be found a while earlier in the movie, when the grandmother sits with the granddaughter to tell a bedtime story. There are bits of audio between the two, describing Edward Scissorhands and produces an idea of the movie topic. The grandma is almost set up as the narrator for the first part of the movie so that the audience can understand (or get an idea of the movie) the plot of the film. This also connects the opening credits to transition through scenes and carry on with the
Cinematic Techniques In Edward Scissorhands
793 Words | 4 PagesHis sad life he must live is inside an empty mansion which is shot in low lighting signifying the lonely reality of his home. Lighting gives you an idea of what is real and what is only a fantasy. Burton uses angles to show the level of power of characters. A good example is in the movie Edward Scissorhands during the scene where Edward is making an ice sculpture Kim is shot in a high angle. This signifies that she is truly happy and on top of the world.
Tim Burton Themes
828 Words | 4 PagesTim Burton is one of the best directors to date. His ability to intertwine creepiness themes and tones into plots and the characters and still maintain the necessities to watch an enjoyable is unimaginable. Edward Scissorhands and Charlie and the Chocolate Factory are both adequately produced movie that show Tim Burton’s prodigal filmmaking abilities. The thematic elements are vivid and applicable to the scene to put actors and even the audience under suspense and eager to know their
Edward Scissorhands Outcast Essay
529 Words | 3 PagesBurton uses sound to express something he has firsthand experience with being an outsider. For instance, in Edward Scissorhands, Edward starts walking towards Peg in the beginning there was eerie music. Once Peg saw the shadow of Edwards scissors she quickly turns away, and apologizes for intruding. Edward soon speaks up in a very soft voice teller her not to go. Edward is explaining what happened to his hands to Peg, and while he is talking choral music is playing the background.
Examples Of Gothic Elements In The Fall Of The House Of Usher
1669 Words | 7 PagesAdditionally , the house that the narrator mentions is illustrated as “ mansion of gloom “ which might be a sign that the aura of the house has something dreadful in it. However , the Narrator reveals something important about his first impression for the house by saying “ I looked upon the scene before me , upon the mere house, upon the bleak walls , upon the vacant eye-like windows ( 3 ).To illustrate , the words such as “ air of heaven , silent tarn , mystic vapor “ used as a reinforcement for making the ambience of the house as gloomy. In fact , in the light of these facts , it could be said that the house has an darkness appearance which might be an indication of its mysterious atmosphere.
Conformity In Edward Scissorhands
1040 Words | 5 Pages"In a world where we are forced to conform to society, it is necessary to have personal chaos", said Alan Armstrong. Edward Scissorhands, a dark romantic film from 1990, spotlights the structured rules of society and one man who refuses to mimic the rest. Edward and I have both suffered conformity, been swallowed for our diversity and shocked by the intensity of love. Society, cruel and ruthless, handles differences in a manner similar to the way a predator stalks their prey. Devouring the life at the first sign of weakness.
Analysis Of Tim Burton's Film Style
1071 Words | 5 PagesTim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.
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