In Edward Scissorhands, Jim becomes jealous over Edward and Kim’s developing relationship. He begins to threaten and push and try to overpower Edward. Throughout of the drama and trouble, the camera was always at a low point and shot at an upward angle, to make Jim look as if he had all the power. Giving that effect to someone and making them bigger than all the others around them, added more drama and made the movie more enticing. Burton wants you to see that, that person has more can have more power and that they may be someone to watch out for throughout the movie.
One of the massive aspects of movie making is the movement and angles at which the camera is held. One film that does a great job of creating this form of cinematography is Raising Arizona, directed and produced by the Coen brothers. This fast paced crime comedy does an excellent job of capturing the audience’s attention by making them feel as though they are actually a part of the action. An example of the great camera movement is when the camera bobs up and down as it gets closer to the Arizona’s house, this creates the effect that the viewer is actually the person who is approaching the house.
Tim Burton uses his mysterious and creepy characteristics and expressed it through his film Edward Scissorhands Burton uses his unique style of editing that helps understand the main character’s, Edward’s, background. In comparison with the editing the sound helps understand the meaning of certain part such as the suspense of what would happen to Edward in the end. The costuming was a peculiar choice, it shows how in the town there was a lot of colors, but, Edward wore an all black steam punk like clothing showing how he was different. Therefore Tim Burton’s character, Edward, is a somewhat reflection of himself. Like Burton he has an imagination in order to create “art”, and the style of clothing is alike to that of Burton’s.
Tim Burton’s film, Edward Scissorhands, has a significant amount of interesting scenes including the captivating scene where Edward is joining the family for dinner along with two of Kim’s friends. Even though this scene only has the duration of about a minute, it has perfect use of a compatible dialogue, props and, numerous different camera angles, that all combine and enhance the the scene. This scene was put here to insure the audience understands a following scene. The props, in most movies, are not focused on very often, and usually ignored. However, in this scene the props are shown a significant amount.
In Edward Scissorhands, Burton uses a high angle when Peg goes into the mansion and sees that the roof had fallen apart. The high angle makes Peg look small and adds to her shocked emotion. Because of this choice of a high angle, the scene has a spooky, eerie mood. The torn roof and Peg’s reaction is an example of Burton’s unusual, gothic style. Tim Burton also uses angles in Alice In Wonderland.
Tim Burton’s near gothic style displays characterization to challenge society’s values and stereotypes. Edward Scissorhands, the main protagonist from Edward Scissorhands, is perceived as gothic because of his pale skin, having weapons for hands, and wearing all black. But, Edward actually turns out to be friendly by creating beautiful plant sculptures with his scissors instead of using them for harm. Normally, people who look alarming are automatically judged as evil by first glance.
Tim Burton once said, “I've always been misrepresented. You know, I could dress in a clown costume and laugh with the happy people but they'd still say I'm a dark personality.” Even when he was younger, his views towards things that were typically gory, to him just seemed like an outpouring of emotion. In his films, he chooses to exaggerate things that are odd, so they make the viewer feel emotions.
Tim Burton is known for his comical but suspenseful films. Some of his best known movies were Charlie And The Chocolate Factory, and Edward Scissorhands. Similar literature films can have less of meaning and surround around fantasy beliefs. Tim Burton uses the format of film to pull the spectator in and to teach some type of life lesson. In the two films Edward Scissorhands and Charlie And The Chocolate Factory, but relies on cinematic techniques such as editing and camera angles.
The use of symbolism and expressionism is paramount to both the narrative and to the theme. Meaning of some of the symbols are; • Mirrors: The mirrors in the movie Citizen Kane shows how Kane has different series of mirrors in his life in which his image has duplicated infinitely. Metaphorically, these mirrors continuously showed us different versions of Kane. • Puzzles: The jigsaw puzzle shows how Susan Alexander used to play with them very often not merely for fun but also as a way to fulfill her unyielding existence with Kane. The jigsaw puzzle shows how all pieces always don’t fit in properly, similarly, Susan and Kane’s personalities were very different that created unresolved issues and conflicts in their lives.
For example, in Charlie and The Chocolate Factory, Burton utilizes low shot and high shot when the five golden ticket winners at Wonka’s gate. This shows the factory is enormous and these people are very small and powerless against it. If Burton wants the audience to see a character feel intimidated or threatened, low angle is used like in Edward Scissorhands when Peg first stands outside the gate of Edwards castle. This gives the tone of her being a helpless woman walking into a large, intimidating house. As the reader can see, types of shots is critical for the films setting and
What makes Tim Burton’s films so unique compared to others? The motion pictures chosen were Edward Scissorhands (1990) and Charlie and the Chocolate Factory (2005) directed by Tim Burton. Edward Scissorhands is a fantasy and drama film produced in 1990. The film is about a boy who is assembled by a scientist that dies before he can finish his work. This caused the boy Edward to have scissors for hands and have a strange appearance.
In the 1989 Batman film, Tim burton uses a mix of medium shots to show the hand-to-hand combat scenes and close-up shots to show the emotion on Batman’s face. An example would be when the Joker was first introduced to the audience, the Joker turns around where his face was very close to the camera to show the bad condition his face was in. Another example would be in the movie Edward Scissorhands Tim Burton uses a long shot when Peg is standing on the edge of the castle where the roof was torn off. This shows the vulnerability of Peg, it makes her look weak and small.
Throughout his life in making films, Tim Burton has shown his unique talent and vision. He proceeds taking advantage of the cinematic techniques; lighting, sound, and camera movements creating a certain mood/tone. These three techniques are used numerous of times for the duration of each film. Although, many various emotions are constructed, there are feelings that anyone may connect to. Tim Burton is a successful filmmaker and has inspired many with the use of his cinematic techniques.
Ultimately in all films, Tim uses these low to high angles to reveal the growing love as people make strides to connect with outcasts such as Edward Scissorhands, Willy Wonka, and even Edward Bloom, and they start to build bonds with each
The Book Thief, directed by Brian Percival, is a film adaptation of a book by Mark Zusak centred around adolescent girl Liesel Meminger (Sophie Nelisse). Set in Germany during the early-mid 1940’s, leading up to the war, Liesel is sent away from her family to live with foster parents since she is at risk of being killed due as her parents are communists. Percival uses skilfully chosen aural and visual elements as well as cinematic techniques such as lighting and camera angles to communicate and explore the central theme to the audience: the power of human spirit, especially when dealing with adversity. Percival designs the aural elements in the scenes that make up the film The Book Thief to communicate and allow the audience to explore the power of the human spirit when dealing with adversity. Percival does this by using the aforementioned techniques to create juxtapositions, contrasting the power of the human spirit against adversity.