Dolores Del Rio: Racism In Hollywood

From our previous film showing, High Noon, we got a taste of how the Western genre portrayed Chicano/a characters. The late 1970’s saw a decline of the western, and “with the decline of the filmic western came the rise of the urban violence film” (Cortés 134). The 1980’s and 90’s saw film after film released portraying gang violence, and the Latino gang film was a “natural crossroads for sex, violence, and ethnicity” (Cortés 135). Some see these Latino gang members “as updated, modern variants of the Mexican bandit type” (Treviño).

Generalizations take after specific individuals for the duration of their lives. Judith Ortiz Cofer is a Latina who has been stereotyped and she delineates this in her article, "The myth of the Latin lady: I just met a young lady named Maria." Cofer depicts how pernicious generalizations can really be. Perusers can understand Cofer 's message through the numerous explanatory interests she employments. Cofer utilizes moral and, enthusiastic interest to communicate as the need should arise to others that the generalizations of Hispanic ladies can have negative impacts.

Positive and negative representations of Latinos in films has always fluctuated throughout history, however the more negative ones seem to always overpower the good ones. The film, “The Bronze Screen”, gave many examples of the negative roles Latinos played in films throughout film history. Early films included Latino actors, however they did not always have a lead role or even a positive one. And even the positive ones somehow had some negative aspects to them. For example, the film mentioned “the subconscious images that the rest of the world will have because of the roles Latinos play in

The immigrants entering the United States throughout its history have always had a profound effect on American culture. However, the identity of immigrant groups has been fundamentally challenged and shaped as they attempt to integrate into U.S. society. The influx of Mexicans into the United States has become a controversial political issue that necessitates a comprehensive understanding of their cultural themes and sense of identity. The film Mi Familia (or My Family) covers the journey and experiences of one Mexican-American (or “Chicano”) family from Mexico as they start a new life in the United States. Throughout the course of the film, the same essential conflicts and themes that epitomize Chicano identity in other works of literature

”Diversity is about all us, and about us having to figure out how to walk through this world together.” Was stated by Jacqueline Woodson and is referred to millions of people from different religion, culture, color, etc.Diversity is just like a one of the most important spice in food . If there is no diversity than life will be so boring. Not everyone in a family has the same likes and dislikes; everyone is unique either by behavior or lifestyle or thoughts. The article “true colors” by Christine Granados relates to the clash between the thoughts of the author and her mother.

Situated near the U.S.-Mexico border during the early twentieth century is the fictional setting of Fort Jones, the outskirts of which is where Americo Paredes’ short story “Macaria’s Daughter” takes place. Emblematic of the disappropriation of Mexican land, as well as the increased marginalization of the Mexican people, the overbearing presence of Fort Jones reveals the struggle for preservation that characterizes the Mexican-American community of the story. “Macaria’s Daughter” is the tragic account of what happens in a small community when the upholding of Mexican values and institutions, and opposition to Anglo-American culture, become more important than a young woman’s life. In this essay, I will argue that “Macaria’s Daughter” is a text

“The common denominator all Latinos have is that we want some respect. That 's what we 're all fighting for” - Cristina Saralegui. Judith Ortiz Cofer published the article, “The Myth of the Latin Woman,” where she expresses her anger towards stereotypes, inequality, and degradation of Latin Americans. Cofer explains the origins of these perceived views and proceeds to empower Latin American women to champion over them. Cofer establishes her credibility as a Latin American woman with personal anecdotes that emphasize her frustration of the unfair depiction of Latinos in society. Cofer addresses the cultural barriers and challenges that Latinos experience through emotional appeal, anecdotal imagery, parallelism and the use of effective periodic sentences.

Chica da Silva was not only an icon for many Afro-Brazilians, but for women of color as a whole. Chica was able to use social and matrimonial strategies in order to achieve freedom and control over her own life. Today, Chica da Silva’s life has been retold in movie adaptations such as Xica de Silva and books such as Chic da Silva, A Brazilian Slave of the Eighteenth

They say it’s very difficult to succeed as a Latino girl in the Hollywood entertainment industry. Anyway, actress Gina Rodriguez, the star of The CW’s comedy-drama “Jane The Virgin” is absolutely doing it. Last year, she won the Golden Globe award for her mesmerizing portrayal of a young woman named Jane Villanueva.

Throughout the story, she is confronted by men who act like she is the “Hot Tamale” (Cofer 105) hispanic woman, which she describes as “a one-dimensional view that the media have found easy to promote” (Cofer, 105), and according to Looking in the Popular Culture Mirror’s “Sexy, Sassy, Spicy: The Portrayal of Latina Women in American Television” by April Hernandez, it has been a trope going back to the 1920s. She describes how latina women in early films were stereotyped as “sexual bombshells” and it persisted into the 21st Century media. The stereotype profoundly affected Cofer by making non-hispanic men a little too eager to talk to her: the man on the British bus sang to her without being asked. Her date to her first formal dance kisses her extremely hard and says “I thought you Latin girls were supposed to mature early.” (Cofer, 106) The stereotype did not make her think she had to act sexy, but made men come on to her in ways they “would not have been likely to regale a white woman with a dirty song in public.” (Cofer, 107) She was forced to endure public humiliations women of other ethnicities would not have endured, because the stereotype of the sexual Latina woman forced the men in her story to think she was a sexual object instead of a

Today, when one turns on the radio, Pandora, or any type music streaming company, we will most likely hear artists singing songs that do not sound like their ‘usual sound.’ Today they are known as crossover artists, and some of the most widely know to this day are Taylor Swift from country to pop, Enrique Iglesias and Gloria Estefan both coming from Latin fan bases to the American pop culture.

Gloria Anzaldúa's personal experience growing up in the Rio Grande Valley was inspiration for Borderlands, which was published in 1987. In this highly acclaimed work, she explores the effects of the Mexican-American border on her self-identification as mixed race, Chicana, a woman, and a lesbian. Shunned from each of these groups, Anzaldúa creates a new

Selena Quintanilla’s father once said, “We have to be more Mexican than the Mexicans and more American than the Americans.” In today’s society, many have encountered the challenge of not being able to be who they really are because they fear not being accepted by others, more specifically their culture. But, what happens when an individual is part of two worlds that have just as many rules? Gloria E. Anzaldúa was a Mexican-American writer and poet who made a major contribution to the fields of cultural, feminist, and queer theory. Anzaldúa identifies as a Chicana and speaks different variations of Spanish, some of which she exhibits in her works. In her short story “How to Tame a Wild Tongue”, she centers on the struggles of self-identity that

It can be argued that from the start the film Selena gives the audience the wrong impression that Selena reached the pinnacle of her career when she successfully obtained an English- language crossover status. That is because the film opens with a scene of Selena singing in English to a sold-out concert at the Houston Astrodome which is meant to show “Selena’s career pinnacle” (Vargas 2006). Thus, the viewer’s initial impression of Selena is that Selena became successful only once she succeeded in the American music industry. However, if one were to look at the story of Selena from when she first debuted as a singer one would be able to see that is the not the case. In actuality, Selena reached a pinnacle of success long before she broke into

Assimilation means to adapt into a new culture and become a part of them. “People of different backgrounds and beliefs undergo assimilation when, through living together, they come to see themselves as part of a larger community.” The reason why you see assimilation often in Chicano/a Literature is because many Mexicans try to blend into the American culture. Many Chicanos write stories about what they have lived through the years or stories they have heard from their love ones growing up. Some have had first-hand experience of assimilating into the American culture by trying to blend in and become accepted that they start to lose or deny a part of their identities. In the story of “Aria”, by Richard Rodriguez, being Mexican American was a challenge for him in which he struggled with having two identities. Since he spoke Spanish in an American society,