Donatello's David Analysis
Donatello’s David (Fig 1) could be classified as a sculpture of Florentine early Renaissance. In that era, art followed a rejuvenation of classical subjects, forms and principles. Sculpture kept its roots in the Greek or Etruscan and Roman models, yet simultaneously, evolved with influences of German, Lombard and Frankish origins. The poised but provocative demeanor and the sensual surface sheen of the bronze emit an image of being physically delicate and effeminate, reminiscent of the sensuous beauty of gods in Greek sculpture. Additionally, it as been said that David’s head was inspired by classical sculptures of Antinous, a Greek youth renowned for his beauty.
Donatello’s David has also been portrayed with a fluid naturalistic approach,
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Stele D Portraying Ruler 13 Analysis
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The Agony In The Garden Analysis
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David Compare And Contrast Bernini And Michelangelo
793 Words | 4 PagesWhen another artist remakes the work of a former one it always gives a sense of admiration and gives another point of view on the topic. The two sculptures of David are both breath taking. However, Bernini and Michelangelo achieve this feeling in diverse ways. Bernini’s David gives the sense of a Baroque styled sculpture. Meaning that it expresses a grandiose image that portrays masculinity.
How Did Donatello Influence Renaissance Art
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Leonardo Bruni Florentine
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Comparing Arnolfini Portrait And Fra Filippo Lippi
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The Cycladic Culture
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Compare And Contrast Bernini's David And Michelangelo
1114 Words | 5 PagesDavid is a topic from the Old Testament, which is widely repeated and done by many artists. David is a story where it shows that not only does strength wins in a battle but also wits. Each artist depicts David in different views and moments, like Michelangelo who is an Italian sculptor painter, architect, and poet of the High Renaissance, another is Gian Lorenzo Bernini who is an Italian architect and sculptor, and he was credited with creating the Baroque style of sculpture. Although both artists depicted David, but each one had different style where Bernini’s is more expressive then Michelangelo’s. Looking at both sculptures of David, there are some similarities which can be noticed.
Commodus Bust Analysis
1550 Words | 7 PagesIn both sculptures the hair is deeply carved and is a vivid feature of the busts. The detail of realism in David’s left hand we can see his veins on his hands when he is holding the slingshot and his ribs near the chest. In the bust of Commodus we can see the similar detail of his hands especially the joints above the knuckle area and how realistic it looks when he’s holding the apples and Hercules club on his. In both busts chest, arms and face are sooth. In both busts these sculptures have the portrait of emperor Commodus and the small town hero David as musculant where as in real life they weren’t this is done because Romans believed that the god made us humans and by showing David and Commodus as being musculant hey are portraying them as gods and God were portrayed to be musculant and strong.
Betto Bardi Analysis
431 Words | 2 PagesHis art featured enormous sculptures that illuminated with his style and technique. His style would consist of realistic expressions such as happiness,pain, and grief that were shown off with the positioning and structure of his pieces. Around the mid 1400’s Donatello began a partnership with a fellow Italian sculptor and architect, Michelozzo who also studied under Lorenzo Ghiberti. Together Donatello and Michelozzo crafted multiple architectural-sculptural tombs, including the tomb of Antipope John XXIII and the tomb of Cardinal Brancacci. Donatello 's most notable piece is “David”, being about five feet tall, David represents civic virtue winning over brutality and irrationality.
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