Double Bass History
The double bass is an evolving and complex instrument with a rich history. The history of the double bass dates back to 1516, when Gaspar da Salò invented an early version of the modern bass based on the gamba. His instrument had 3 strings and frets opposed to the modern fretless bass with 4 strings. The fourth string was added in the 20th century, with the strings E-A-D-G It is the only member of the modern bowed string instruments tuned in fourths. It can be played arco, with a bow or pizzicato, by plucking the string Jazz style music usually uses pizzicato while the orchestras use arco, most commonly.
It doesn’t just stand out in a crowd because of its height. It’s tuned with machine pegs, unlike violins, violas, and cellos that are tuned
Big Mouth Bass Research Paper
1700 Words | 7 PagesEverything To know About The Large Mouth Bass! Imagine fishing on a dock, or on a deep-sea boat. Imagine all the different of fish you can see or catch while you’re there. Lets put a little more thought into it!
Why Did America's Band Become More Advanced
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Louis Armstrong Accomplishments
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How Has Percussion Changed Over The Years?
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Compare And Contrast The Bass The River And Sheila Mant
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Jazz Concert Critique
896 Words | 4 PagesThe E.V.I., from the Big Band, was an unique instrument with a strangely pleasant sound for Jazz much like the Vibraphone, from the Jazz Combo, and this brought a different feel yet was able to keep the authentic tone to the genre by adding a
17th And 18th Century Dbq
1919 Words | 8 PagesBattles and wars slaughter civilians as each individual continues the strife with their monarch in attempt to obtain their own rights and freedoms. Throughout the 17th and 18th centuries, an absolute monarchy had always been the primary form of government. However, trying to limit the royal power, a new type of government was introduced known as a democracy. In a democracy, every citizen would contribute to the decisions that affect their country. The two governments vastly differ, causing tension to arise between them, in terms of effectiveness.
Houston Symphony Concert Report
974 Words | 4 PagesThe stringed instruments were the accompaniment; therefor, they began with harmonics, chromatics, and tremolo for various measures rather than having a moving part. The melody was given to the flutes and soloist, Sami Junnonen, who was also very talented. The song was about 22 minutes long and he had the whole piece memorized. It sounded very sad, but soothing simultaneously. There were visuals around the theater, which made it easier to understand and visualize what Lopez was trying to describe when writing the song.
Louis Armstrong Research Paper
1157 Words | 5 PagesJazz is most often thought to have been started in the 1920s as this explosive movement, but that is in fact not the case. Starting in the late nineteenth and early twentieth century many African American musicians have started to explore their taste in improvising, and where better to do that than New Orleans (Anderson). Before the 1920s these jazz musicians have already been going around sharing the unique sound, but up until then, jazz had remained majorly in New Orleans. Interestingly during this period, a common jazz band would consist of a cornet, a clarinet, a trombone, and a rhythm section when at this period of time the clarinet is not commonly associated with being a jazz instrument, it moved into being the saxophone rather. A big
How Did King Oliver Influence Today
1007 Words | 5 PagesHis unique style was created by trumpet mutes and four square rhythms. This style resembles what various cornetists before him tried to achieve, but completely different from what Armstrong and other artists tried to create. Oliver used this contrasting music style to try and appear different from what other artists tried to create. Additionally, his style of jazz incorporated many changes in pitch and rhythm and had a blend of blues style and pop sounds. Oliver would perform with timbre modifiers of many shapes and sizes which allowed him to get a wah-wah sound that no other musician, at the time, could produce (know Louisiana).
Harlem Renaissance Events
801 Words | 4 PagesThis type of music has lasted through almost a hundred years now, and still brings people the same freeing feeling it did when it was first discovered. Jazz is a type of music that is improvised. Each instrument in the band will get a mini solo that they improv to show off their skills. The swinging rhythms and varying tempos tell the story of the composer. Music from the Harlem Renaissance tells the stories of those who lived through it, and continues to inspire people today.
Symphonie Fantastique Analysis
1225 Words | 5 PagesThe Low tubas and bassoons, continues playing the chant in long even notes, with bells accompanying, Higher horns and trumpets also continue playing the chant, but in a faster tempo and the high woodwinds continuing the chant in a fast dance tempo (Kamien, 2014: 298). Berlioz thus dared to parody a sacred chant by altering it into an insignificant melody, as he had previously done just a few bars earlier with the Idée fixe and therefore Berlioz conveys the insanity of a witches dance in a fugue-like section (Kamien, 2014: 297). There are violin syncopations, with piccolo and altered strings between the dynamics forte and piano to the repeated chords. The Witches’ dance is introduced in woodwinds and imitated with low strings and violins (Kamien, 2014: 298). The brass section of the orchestra plays rapid chords in fortissimo that are repeatedly answered by descending high woodwind section that descends to pizzicato in the cello and bass section of the orchestra.
The Impact Of Andres Segovia's Influence On The Classical Guitar
2103 Words | 9 PagesAndres Segovia was a prolific twentieth century classical guitarist who had a profound influence on the classical guitar. Segovia emerged from a musical family in Linares, Spain and from a young age had lessons in an array of traditional classical instruments. But he did not discover his passion for music and the guitar until attending a private concert of a flamenco guitarist after which he received his first lesson. Following this, Segovia began studying the instrument, working diligently, ignoring the wishes of his family “to study an acknowledged and respected classical instrument” (Gorman, 2008). Soon after this Segovia began to realise the guitar’s shortcomings in the realm of classical music.
Penny Lane Analysis
789 Words | 4 PagesPiano and violins are in line with each other while the horn steadily plays offbeat in the ' 'though she feels as if she 's in a play. Through out the song, both string and horns come in without us noticing until the mood
Richard Strauss Violin Sonata Analysis
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