Lucy is repeatedly attacked during her sleep in Dracula. Lucy, someone prone to sleep walking, is affected by Dracula’s pull. She actually gets up in her sleep and talks outside to meet with Dracula. This is the opposite of Johnathon’s situation where he experienced sleep paralysis. Since Johnathon was practically paralyzed, he couldn’t act out his desires. Since Lucy is still able to move in her sleep, she is easily able to act out any unconscious desires she has. In this case, Lucy’s desire is to find Dracula and allow him to feed on her. Once Lucy has transitioned into a vampire she does not cease acting out her desires in her sleep. Instead, Lucy goes after a group of children. Even the children appeared to be acting out their own desires …show more content…
“It is generally supposed in the neighborhood that, as the first child missed gave as his reason for being away that a “bloofer lady” had asked him to come for a walk, the others picked up the phrase and used it as occasion served”(675). However, the children seem aware of this while Lucy appeared oblivious to her own sleepwalking. The children also make this into a game where they try to lure each other away by wiles: “This is the more natural as the favorite game of the little ones at present in luring each other away by wiles”(675). The children do not seem alarmed over the fact that they have been attacked but think of it as a fun game. In psychology, young children have no yet developed the part of their brain that deals with logic. Since the children cannot use logic to realize what Lucy did was not pleasant, they only talk about her in a positive sense. Like he adults that have been attacked, the children enjoyed being fed on. The children just do not have the same sense of logic to stay quiet or realize the horror behind the …show more content…
However, Mina does not recount her own story. Dr. Seward is the one the recalling the events and Mina’s explanation of the event in his diary. So a separation exists between the act and Dr. Seward’s tale of the events. Like the rest of the victims, Mina is attacked while asleep. This happens on a few occasions. Mina’s intelligence has been a key theme and tool throughout the novel. So Mina being fed on a few times and not realizing it is rather particular and definitely out of character for someone as clever as her. It is highly probable that Mina was at least subconsciously aware of her being fed on but repressed the information because some pat of her mind desired to be fed on and possibly tuned. This becomes even more suspicious when Dracula decides to turn Mina into a vampire. Mina is not the only person in the bed; Johnathon is there too. Johnathon could have easily been awakened by this final attack but was not having experienced a similar situation and after Lucy had gone through the same experience, Johnathon should have been able to comprehend that Mina was constantly being fed on and that Dracula might attack again. However, Johnathon had not been opposed to the female vampires who tried feeding on him and he refuses to stay away from Mina after she started transitioning. It is likely that like Mina, he repressed these thoughts because he was subconsciously okay with Dracula attacking and feeding on his wife.
Lucy’s. They begin to start adapting to the human culture by changing their food habits. Before they come to St. Lucy’s, they make a promise to their parents that they will adapt at St. Lucy’s and change their host culture to a human culture. Later, most of the girls are beginning to progress at St. Lucy’s, but Mirabella is not. They find her “wading in the shadows to strangle a mallard with her rosary beads”.
Lucy’s they realize they have no choice but to shape up and learn how to be civilized. Claudette watches herself proceed through the stages, and she watches her younger sister Mirabella struggle the most. Through the whole story the tone of desire is seen. In the text it says “…students may experience a strong sense of dislocation.”
A Ripple of Innocence in a Sea of Intolerance No child is born racist, and the children of Maycomb County are no exception. Set in the town of Maycomb, Alabama, Harper Lee’s To Kill a Mockingbird is a heart-wrenching story about growing up surrounded by poverty, ignorance, and discrimination. Lee uses Scout Finch, the six-year-old daughter of controversial lawyer Atticus Finch, to showcase the belief that innocence is crucial in a world corrupted by prejudice.
Throughout history, individuals have deliberated on social issues faced in society through their works of literature. During the 1960’s, the United States consisted of sparks of change that impacted an individual or the society. George Romero, director of Night of the Living Dead, constructed a document of contemporary social changes by addressing social issues, such as women’s right, race, and the media. First of all, George Romero produced a document of contemporary social changes by incorporating the women’s right. To begin with, the 1960’s was a time period that changed the life of a woman because they began rebelling for what belonged to them.
Her life has left her to Dracula, her soul is assumed trapped, and her flesh remains the same. The process even corrupts Lucy into a nightmarish version of herself. In her UnDeath Lucy specifically feeds on the blood of children (Stoker 198). It’s almost like Dracula corrupted Lucy into a dark version of motherhood. Instead of protecting children, she predates
Dracula traps Jonathan Harker in his castle, but he finally escapes without the Count killing him. Dracula then sucks Lucys blood and turns her into a vampire. At this point everyone is against the bloodsucker. Since Lucy died, well turned into a vampire. Lucys friends have to stab her in the heart and cut off her head.
Lit, ETC, ETC” (Stoker 130) and is using the newest technology, he is also a connoisseur of vampires and superstitious methods how to destroy them. His knowledge of medicine and folklore enable him to solve Lucy’s condition as he explained to Harker “You are a clever man, friend John. You reason well, and your wit is bold, but you are too prejudiced.” (Stoker 202). He puts garlic flowers in Lucy’s room and tells Arthur that the only way to kill a vampire is to drive a stake through their heart.
Lucy Westenra is the best friend of Mina Harker and thus the second female main character of the novel. Stoker describes with Lucy a representative of the New Women movement, as the time was seen by the British population. She is single and lives with her mother, who is suffering from heart disease. Her family, that was once very prosperous, consist only of herself and her aging mother. She is Dracula’s first victim /vampire child in England.
Dracula learns that the group are plotting against him and feeds Mina his own blood to control her. In the final fight, humanity wins over the creature as they can kill him and Mina’s mind from his “spell.” The premise
The narrator points out that he hated being wrong, but still tries to reach out to his sister. When Lucy does not answer, he unfairly imagines her “sulking somewhere” One his way back, he meets Lucy and he only tells her that he had been looking for her instead of apologizing. He does not genuinely ask for forgiveness. When Lucy tells Edmund that the White Witch is evil and untrustworthy, he disregards her opinion and convinces himself that she is
She has fallen victim to Dracula and becomes undead herself. She is one of two female characters, who is pursued by the vampire. Bram Stoker may have given the impression that Lucy was of that a ‘free’ and gossipy female. I do believe that from reading a few passages from Dracula that apply directly to Lucy, this portrayal could be false, and this is in reference to her once she has become undead. Lucy could be a victim, an innocent woman sabotaged by Dracula.
In Victorian society, women had the choice between two roles: the pure woman or the fallen woman. Bram Stoker plays with these anxieties revolving around female sexuality – he follows the gothic tradition of innocent damsel in distress against looming evil. The narrative structure Stoker imploys to the text through intertextuality reveals multiple point of view distinguishing a duality in Lucy - her true self and 'thing'. In order to cope with Lucy’s worsening condition, the male authoritative figures of the text assign a duality present in Lucy to make sense of her shifting from “pure woman” to “fallen woman”. Stoker exhibits in the structure of the multi-faceted narrative how certain characters are unable to cope with the duality present
As Lucy becomes a vampire, she becomes increasingly sexualized. Like the vampire ladies of Castle Dracula, her repressed sexuality comes to the surface, and she becomes the sexual aggressor, women in 1897 weren 't supposed to be the ones to ask for kisses. They were supposed to be
The abnormal way in which these sexual anxieties are presented permits the discussion of these apprehensions. The supernatural renders Lucy inhuman — her twisted face resembles “The coils of Medusa’s snakes ” (Stoker 250) — and as such, the sexual and moral dangers she posits in her independence are punishable by the four men. The same men who once desired nothing more than her pure affections are those who persecute her to the grave, for Lucy now personifies the destructive morals of the transgressive female. The violence employed in their fight against the vampire, in addition to their destruction of Lucy’s egregious body, demonstrates that male anxieties and fears often transform into hatred towards that which questions their masculinity.
Every child loves the story of Little Red Riding Hood not only due to her innocence and purity driving her in a great danger, but her fatal destiny also slightly implies the truth that the sweeter the strangers’ mouths speak, the sharper their teeth could be. The tales of Little Red Riding Hood describes a young girl’s journey to her grandmother along the path in the forest, breathtakingly discover that a wolf has eaten her ill grandmother, dressed in her clothes, and yet plans to devour the little girl. Upon reading the stories, many of the readers, even a four-year-old child, suspect the intention of this young girl of exposing the exact location her grandmother when a random wolf in a middle of the forest inquiries about her destination. In the various tales, Little Red Riding Hood seeks out a father figure in predatory negative male figures, therefore she suffers from oppositional defiant disorder afterward explicitly realizes the mortal consequences of indulging.