Dramatic Devices In Oedipus The King

This sin is used in order to show how pride in one's own self may lead to unwanted repercussions. Because this tale was written in this time period, boasts and pridefulness were common. The use of pride develops the characters from being a band of brothers to becoming each other's murderer.

As more information is uncovered, Oedipus’ legacy is exponentially diminished as a childhood prophecy revolving around Oedipus, murdering his father and marrying his mother, is brought to light. Knowledge possesses the power to catalyse devastation in stages as demonstrated through Oedipus’ ignorance, his overwhelming curiosity, and his psychological anguish. From the beginning, Oedipus was raised in a legion of lies, believing Merope and Polybus to be his true parents. This cloak of ignorance not only shielded Oedipus from the knowledge of his biological parents, but allowed the prophecy to act as a catalyst for his fleeing of Corinth.

He died because of his pride. His faults, the pathos the reader feels, and his death brought upon by pride are all pieces of evidence that backup the claim that John Proctor from Arthur Miller’s play The Crucible aligns tone for tone with Aristotle's definition of a tragic

In this case, the good would be Macbeth’s thoughts towards the murder of King Duncan, before when he thought as a loyal soldier would. The evil won and he became ambitious and oblivious to his actions just to end up dead, killed by Macduff as revenge for his family. The blood on every page of the play shows the guilt of Macbeth and how it drove him to the end, just for his

Having been mentally distressed by the death of their loved ones, Hamlet and Maximus both undertake a challenging test to avenge the ones they love. First, both Hamlet and Maximus lose leaders they love due to greed for the throne. This is the main cause for Hamlet to get upset and pursue his plan for revenge and what causes Maximus to rebel against the new emperor. These scenes are arguably the most important in their stories and relates them closely together. In Hamlet, Claudius kills King Hamlet which upsets young Hamlet.

Both Agamemnon and Odysseus, have wives besieged by suitors and a son who, logically, dislikes them. The story of Agamemnon parallels that of Odysseus. But Agamemnon's story turned negative: the suitor killed him and married his wife, though his son, Orestes, avenged his death. This foreshadowing effect is only a brief statement by Zeus in Zimmerman’s interpretation as time is a vital resource in a play while in an epic it is held in excess. Homer’s ability to enhance the epic with secondary characters came from years of oral history and time but pays off tenfold.

But when the messenger reveals the true identity of Oedipus in the latter part, a reversal of mood is produced. The mood indeed lightened up after Oedipus heard the death of his dad: “So! Why then, Jocasta, should we study Apollo’s oracle, or gaze at the birds screaming over our heads-----those prophets who announced that I would kill my father? He’s dead, buried, below ground. And here I am in Thebes----I did not put hand to sword.”

Macbeth succumbs to evil and in doing so, betrays his King. You could argue that when he ‘wore the Thane of Cawdor’s robes’ he became a traitor like the Thane of Cawdor. His traitorous actions would have been met with death at that time. God's divine order is disturbed as Macbeth challenges God by killing the God appointed King and assuming the role for himself in his quest for power. Later on, in the play, Macbeth asserts his right over Lady Macbeth, flipping their dynamic, and distances himself from her, "be innocent of the knowledge dearest chuck.

In the distinguished play Antigone, there is argument over who the tragic hero is, Antigone, or King Creon. A tragic hero must meet certain specifications, which include having a great influence, being essentially good with good intentions, having a weakness in them that leads to their fall, they must commit great sin which leads to conflict, that their story begins in relative happiness and ends in utter disaster, and that the hero commits their actions of their own free will. In this play, I believe that Creon is the real tragic hero and that Antigone sparks the reaction to his downfall. Creon’s position as king gives him great influence over the people of Thebes, allowing him to create laws to restrain, abstain, and assist the citizens.

A tragic hero is a character who makes a mistake due to a flaw that inevitably leads to their own destruction. The play Antigone is a very good example of showing what a tragic hero is. This play was written by Sophocles and tells the story about Antigone’s uncle, Creon, declaring to only bury only one of her two brothers after they killed each other in a battle over ruling the kingdom. She goes against her uncle’s law and buries Polynieces, who was left unburied while Eteocles was. Creon finds out about her doings, and sentences her to live in a cell until her death.

He discovered that she was married to Uriah the Hittite, but this did not stop him from sending for her and getting her pregnant. He then recalled Uriah from battle and pretended that Uriah was the father of Bathsheba’s baby. Uriah refused to go home to his wife, so David sent Uriah to the front lines of battle, where he was killed. David then married Bathsheba. When confronted by Nathan the prophet, David admitted his sin.