From the emergence of literature and arts to contemporary times, monsters have served a dual purpose of both inciting fear and awe. This duality is reflected through the vastly different reactions of humans to the presence of monsters. For the young, depictions of horrific creatures often haunt their dreams, creating feelings of anxiety and terror in times of loneliness. Adults, conversely, frequently dismiss the notion of exotic beings, but rather imagine the dejected and deplorable of society as true “monsters”. The latter distinction is critical; Jeffery Cohen in his work “Monster Culture (Seven Theses), presents an intriguing claim that monsters represent their cultural body, specifically the context in which they were conceived or have …show more content…
In the film, scientists inadvertently create a zombie plague while searching for a cure for cancer. Ultimately, the vast majority of the world’s population are killed, while a small percentage are transformed into zombies and an even smaller percentage remains immune to the disease. This theme continues to be extremely popular in the United States, with similar films such as World War Z (2013) using the same devices. The monsters of I am Legend symbolize a greater, overarching concern with society’s overwhelming trust and reliance on medicine. In his Seven Theses, Cohen writes, “the monster is born only at this metaphoric crossroads, as an embodiment of a certain cultural moment- of a time, a feeling, and a place”. I am Legend corroborates Cohen’s assertion; the zombies of the film are created as a result of our obsession with science, and ultimately our fear of deadly diseases, such as cancer. When then science goes wrong, panic is inevitable. In the film, Will Smith’s character becomes quarantined on Manhattan island following military strikes on all bridges and tunnels that connect the island to the mainland, leaving those still present to die. People fill the streets, running for their lives away from an invisible killer. Through these images, the movie captures the essence of our culture’s fear of disease and consequently, our fundamental fear of dying at the hands of …show more content…
While these obsessions seem superficial, they ultimately reflect a deep discomfort not only with ourselves, but also with those around us. Modern medicine has progressed exponentially through the years, and our trust in this science is almost blind. Is it possible for researchers to create a disease that transforms us into mindless beings? How would I personally survive such a nightmarish scenario? These questions are nearly universal, shown by the sheer number of zombie inspired arts. What makes I am Legend so wildly successful is that it’s antagonists, the flesh obsessed darkseekers, embody multiple cultural elements that we find
To answer the question of “Who is the monster?” when talking about “War of the worlds” and “Monsters”, one must understand what a monster is. A monster is not simply a creature so ugly or monstrous it frightens people, it can also be defined as a person or thing who excites horror by wickedness or cruelty. This second definition establishes that we, humans, can be classed as a monster even if we do not fit the stereotypical description of what a monster looks like. This question is an important
Vampires and Zombies Reborn “Cursed By a Bite”, by Matt Kaplan from the book Medusa’s Gaze and Vampire’s Bite: The Science of Monsters (2012), explores the history of vampires and zombies and how they relate to actual events. This paper will show the effectiveness of the author’s use ethos, pathos, and logos and how the text fulfills its purpose for a historical and scientific audience. Throughout this paper the reader is shown how effective Matt Kaplan’s text Cursed By a Bite is. Matt Kaplan’s text is for an audience that is interested in a scientific explanation of the origins of mythical monsters with the use of historical context.
In Jeffrey Jerome Cohen’s Monster Culture (Seven Thesis), Cohen analyzes the psychology behind monsters and how, rather than being a monstrous beast for the protagonist of the story to play against, “the monster signifies something other than itself”. Cohen makes the claim that by analyzing monsters in mythology and stories, you can learn much about the culture that gave rise to them. In Thesis 1 of Monster Culture, Cohen proposes that “the monster’s body literally incorporates fear, desire, anxiety, and fantasy”, specifically the fear, desire and anxiety of the cultures that gave rise to it; for example, vampires, undead, represent a fear of death. Monsters are born of an intense fear, desire, or internal conflict, “at this metaphorical
In the article “My Zombie, Myself: Why Modern Life Feels Rather Undead,” Chuck Klosterman explains how everyday life is like zombies and why they are so popular. Zombies are experiencing an up rise in popularity because they are being used in video games and television shows such as “The Walking Dead”. Zombies are becoming more interesting to watch because any kind of sound or smell of a living human draws their attention. For example, the sound of shooting one zombie attracts others zombies to the person doing the shooting. Zombies are becoming more popular because the audience are able to relate to them in numerous ways.
Monsters will NEVER ever die: all cultures around the world have them and have had them since people first thought of them. Distinguished Professor of Philosophy at Columbia College Chicago, Stephen T. Asma, in his essay, Monsters and the Moral Imagination, describes how we look at and are drawn to monsters. But not just monsters, murderers and psychopaths also. Monsters never age, ranging from the first civilization to now. In Asma's essay he asks, "Why do monsters exist?
Rhetorical Analysis of “Monsters and the Moral Imagination” Many people believe monsters are imaginary creatures that are seen in movies or even for others, it could be a serial killer that was heard about on the news. Stephen T. Asma wrote “Monsters and the Moral Imagination” which “first appeared in the Chronicle of Higher Education in October 2009” (Hoffman 61). Asma, who is a professor of philosophy, examines how different individual’s perceptions of a monster can be different depending on the era or even events happening around them. In “Monsters and the Moral Imagination,” Stephen T. Asma wrote a nonfiction, persuasive article for an educated and possibly specialized audience to examine how the idea of monsters have changed over time, what could be the motivation to create them, or even how life experiences could change an individual’s perceptions.
Imagine a world where humans, extraterrestrials, and technology become one; where messages are sent through brainwaves and mythical creatures roam the earth. Nnedi Okorafor is a Nigerian American science fiction author who captures this alternate universe. She combines the richness of African culture with the mysteriousness of other worlds; the result is a captivating tale of heroism across cultural and spiritual barriers. Binti is the story of an African girl who lives in the desert with her family. However, she longs to attend Oomza Uni, a prestigious school across the galaxy.
Monster Culture Jeffrey Jerome Cohen is the writer of “Monster Culture: Seven Theses.” He went to the University of Rochester and acquired a PhD in English and has been teaching at George Washington University since 1994. The intended audience of this essay is anybody interested in the monster culture. This essay came from Monster Theory: Reading Culture.
Society is well-known for pushing those who are outsiders or strange away from society. This is prevalent to the examples in Mary Shelley’s novel, Frankenstein. The monster who was created by Victor Frankenstein who wanted to be the first to create life was appalled by the sights of the his creation. Frankenstein’s monster is judged based on his appearances and is often ostracized by society, just as anyone in modern day society can be shunned or pushed away due to their looks or how they think. The most outstanding example of ostracism that occurred throughout the novel is based on the monster’s physical features and structure.
In Jeffrey Jerome Cohen’s Monster Culture (Seven Thesis), Cohen analyzes the psychology behind monsters and how, rather than being a monstrous beast for the protagonist of the story to play against, “the monster signifies something other than itself”. Cohen makes the claim that by analyzing monsters in mythology and stories, you can learn much about the culture that gave rise to them. In Thesis 1 of Monster Culture, Cohen proposes that “the monster’s body literally incorporates fear, desire, anxiety, and fantasy”, specifically the fear, desire and anxiety of the cultures that gave rise to it;; fFor example, vVampires, undead, represent a fear of death. Monsters are born of an intense fear, desire, or internal conflict, “at this metaphorical
Molly Childree Fleischbein EH 102.147 Draft February 5,2018 Our world is full of monsters, some imaginary, but most are legitimate and terrifying. In his text “Monster Culture (Seven Theses)”, Jeffery Jerome Cohen examines the use of monsters in literate and cinema. Cohen makes the claim that the use of monsters, historically and presently, in forms of entertainment symbolizes more than just the fear they instill in audiences. A monster is no longer just a monster.
The movie shows that this fear can lead to a dangerous outcome if not handled
Critical Thinking: 1) Is there a clear position/thesis statement? - Yes a. What is it? “Zombies are a reflection of their own narcissistic personality with poor education and lack of awareness of their own society/culture” b. How does it address the question asked.
I Am Legend was a “2007 American Science-Fiction Horror” film that included Will Smith as the lead actor who played US Army Virologist that lives in New York. Robert Neville who played by will smith was immune to a man-made virus that was created to cure cancer. New York is now a deserted land unsure of any other infected humans living there. US Military put New York under quarantine after the infection spread and killed 90% of infected population and mutated the remaining 10% into carnivore eating zombie like humans. I
Frankenstein’s Monster is not categorized as evil by his malicious behavior and is sympathized with due to his creator abandoning him and the role of nature versus nurture taken place II. Monster’s Nature and alienation A. Monster originally had an inquisitive nature yet gentle nature a. Information on the German family was “each interesting and wonderful to one so utterly inexperienced as [he] was” (105) B. With the rejection and alienation from society, the only interactions the monster experiences, he becomes full of hatred a. Rejected by De Lacey family by his looks and labeled a monster b. Tries to save a child but is shot by child’s father C. Reader may feel sympathy towards the Monster’s actions because the readers know that his true nature was not evil and he was misjudged III.