Duality Of Human Nature In Frankenstein

A monster being more human than a human is the intriguing and bold concept that Mary Shelley successfully conveys throughout Frankenstein. As the story progresses a clear shift of protagonists is crafted creating a fascinating yet subtle paradox, that allows the reader to empathise with the monster. This subtle paradox seems to be one of the guiding plotlines that makes this story an excellent reflection of human arrogance. While it may seem difficult to empathize with a hideous murderous monster, the reader is constantly reminded that he was built to be loving and exactly like a human. However, after constantly being corrupted and morally tested by human thinking the monster is led to become aggressive.

What is the point? Everyone has an erred of self-centeredness. It’s natural to take the world in from an internal perspective, but what happens when one’s perception of the outside world is deranged? Mary Shelley answers this question in depth in; Frankenstein.

It is imperative to love and be cherished on the grounds that it fills a characteristic void in the human heart. Companionship is critical on the grounds that having someone else, a mate, takes into account love along these lines filling that void. Companionship is as well important on the grounds that being distant from everyone else frequently makes the void in the heart considerably greater than it would be without affection. In Frankenstein by Mary Shelley, Victor creates a creature who seeks love and affection from a special someone. He requests for Victor to create him a partner and will refuse bo for an answer.

Frankenstein Dynamic Character Essay Knowledge of the formerly unknown can lead to change in one’s character. This truth can be seen in both Dr. Victor Frankenstein and his monster in Mary Shelley 's novel Frankenstein. This novel tells of an intelligent scientist who becomes obsessed with his work. He puts all other necessities below bringing life on seemingly unanimated life, which he later learns was more dangerous than expected.

“Frankenstein” by Mary Shelley and “The Tempest” by William Shakespeare are both similar because they include a father and son relationship between the characters. Frankenstein from the text “Frankenstein” and Prospero from “The Tempest” represent neglectful fathers, while the creature and Caliban represent the abandoned orphans. In spite of their similarities, the characters from both of the texts also have differences between each other. The creature is portrayed as an abandoned son who is superior to Frankenstein, unlike Caliban who is not superior to Prospero. This shows how both “Frankenstein” and “The Tempest” present similar themes to their audience in different ways.

A writer named Nikita Gill once said “When you see a monster next, always remember this. Do not fear the thing before you. Fear the thing that created it instead.” This quote can be related to the novel Frankenstein where instead of the actual creature being perceived as the monster, the person who created it deserves to be called one. Using the archetypal lens, Victor can be seen as the real monster in Mary Shelley’s Frankenstein from his cruel characteristics, continuous patterns of monstrosity, as well as symbols and themes involving nature.

We have established that the monster from Frankenstein is one of a kind and feels alone, this brings up one of his main goals, seeking a life companion. In the novel, when talking to Victor, the monster states, ““You must create a female for me, with whom I can live in the interchange of those sympathies necessary for my being…””(Shelley 125) The monsters’ goal in the novel is not to hurt victor as some might argue, but to achieve a companion that will not shun him. While, trying to achieve this goal leads to suffering and hardships to many in the novel, it is seen that the reason is to fulfill one of humanities’ basic goals, achieve a companion. In the novel Grendel, we see that Grendel is also wanting a companion or friend to talk to.

A foil is a character who contrasts with another character in order to highlight particular qualities of the other character. In Mary Shelly’s Frankenstein Or The Modern Prometheus, Victor Frankenstein is telling his story about his trials and tribulations so far in his life. Characters like the creature, Elizabeth, and Henry Clervel help highlight Victor’s qualities. Robert Walton is a more effective foil for Victor Frankenstein based on his experiences that parallels and contrasts Frankenstein’s life.

1. Throughout the novel Frankenstein by Mary Shelley, there is a paradox between how humans treat the creature and how the creature thinks of them before knowing the history of mankind. The creature thinks of humans in an idealistic and superior manner that causes it to aspire to be similar to and accepted by them. Despite the fact that humans repeatedly treat the monster in inhumane ways and judge it by its appearance first and foremost, the monster still has hope for the best in humanity. When the monster first encounters the family in the cottage, it “admired the perfect forms” and “longed to discover the motives and feelings of these lovely creatures” (113).

Through his scientific studies and experiments, Frankenstein decides to attempt to restore a lifeless body to animation. He succeeds in this, but once he brings the body to life he looks into the eyes of his creation and immediately deems the creature a monster. The monster initially has childlike characteristics, and wants to be loved by his creator. However, Frankenstein does not see this and his judgement is clouded by the appearance of his creation. Frankenstein addresses the importance of human relationships in people 's lives through the development of Frankenstein and the Monster.

In many novels throughout literature, enemies often share striking similarities. They push and pull at each other to the point where they lead to the each others undoing, yet they share tremendous likeness. In the novel Frankenstein, by Mary Shelly Victor Frankenstein and his creature are two sides of one person. Both despise each other, and in doing so they are despising themselves. There is a power struggle between the two adversaries, which leads to both Frankenstein, and his creature ending up alone.

In the novel, females are portrayed with an indispensable nurturing and empathetic disposition. This important female nurture is illustrated in Frankenstein’s development. As Frankenstein describes his parents, he claims to

“...-rather let me say such the words of fate, enounced to destroy me” (Shelley 27). Mary Shelley explored many themes throughout the book. Such as technology and science, love and hate, and light and dark. The one theme that I found significant as I read the book is, the duality of Victor’s personal choice but the effects of fate it will have on him and the people around him. People believe that they have the free will to do as they wish, but their fate is the outcome of their free will.

Dichotomy is a very important characteristic in literature. Dichotomy is able to emphasize the contrast and add many deep layers to a story. In Emily Brontë’s Gothic Novel Wuthering Heights, Heathcliff’s embodies many contrasting philosophical components. Heathcliff personifies the role of a savage and a cultured gentleman. Heathcliff is also able to play the role of the victim and victimizer.

Frankenstein's creature is a archetypal horror character in the story. This type of character is said to be scary and hideous. His physical features also shows that it is the archetypal horror character of the story. This creature has been attacked by people because of the way it looks and because of the strong skin it has.