I remember walking into the expansive room in the Arkansas Art Center and just staring at Duck, Duck, Noose. It seemed almost out of place, sectioned off from the rest of the pieces that hung on the walls. I circled around the piece, saw it from every angle, and every angle led me to a new tinge of emotion. Constantly changing emotions, mostly awe, anger, and sadness.O.@uusIy-Iit._A(taposition against the brightly lit pieces of history, cultural s mbolism, and humor mencans xhibition was filled to the brim with through provoking pieces, but only this one has stayed with me. The white hoods on the stools are a direct connection to the same white __bggdyihat the Klu Klux Klan wore. The noose is made. for the black man/woman they are hunting, or playing with. Which seems odd when one sees the stools in a circle around the noose, until you lead the title of the work. …show more content…
Another realization was that these Klansmen were almost playing with the people they hated. They chased and caught them much like children playing tag, hide and go seek, or duck, duck, goose. Only instead of being it, the loser loses their life. The use of ordinary objects, minus the white hoods adds the element of normalcy. When combined with a basic knowledge of KKK history, it adds the somber realization of how normal this was in certain areas of our country. Especially in Little Rock, Arkansas were this was displayed, not too far from KKK headquarters in Harrison Arkansas. The ominous light associated with the piece adds the allure of somberness; this combined with the visual cues creates an automatic response. Mostly of sadness, but for few there is also a layer of
Southern Horrors Lynch Law in All Its Phases Book Review Da B. Wells-Barnett has written the book under review. The book has been divided into six chapters that cover the various themes that author intended to fulfill. The book is mainly about the Afro-Americans and how they were treated within the American society in the late 1800s. The first chapter of the book is “the offense” band this is the chapter that explains the issues that have been able to make the Afro-American community to be treated in a bad way by the whites in the United States in the late 1800s.
Nicholas Lemann begins his book “Redemption: The Last Battle of the Civil War” with the 1873 Colfax, Louisiana massacre where a White League militia comprised of former Confederate soldiers killed black Republican voters. The Colfax massacre was perhaps the bloodiest event of Reconstruction. Lemann views this event as a startup of what would happen later in Mississippi if Federal troops did not defend black voters. Lemann blames Ulysses S. Grant’s Secretary of War, William W. Belknap, for not stopping the White Line activity in Louisiana and Mississippi. Grant had worked hard to stop the Ku Klux Klan in the early 1870s with Congress passing legislation and Federal troops putting down Klan activity.
In Chapter Four of White Metropolis, Phillips discusses the way white elites ensured that the black population lacked political and social standing. The elites achieved this as much by spreading rumors and reinforcing stereotypes as by passing laws that legally robbed blacks of power. The “Sambo” stereotype, which depicted blacks as childish, carefree, and happy perpetuated the impression of superiority among the whites, even in the lowest classes (77;81). When the black population had access to the same goods as the white population in Dallas—even though they still shopped from separate stores—this perceived economic equality created panic among the white community (78). This was a factor in the second wave of the Ku Klux Klan in the 1920s.
In the first chapter of Beverly Tatum’s, “Why Are All the Black Kids Sitting Together in the Cafeteria?”, And Other Conversations About Race, the author immediately clarifies that racism is not a thing of the past. People in today’s society are merely raised with racial concepts at such a young age that they do not realize the injustice going on around them. She reinforces her statement by showing an example of a group of preschoolers who were told to draw a picture of a Native American. Most of the children didn’t even know what a Native American was, but after being told to draw an Indian, complied. Recurring elements in all of their drawings were feathers, along with a violent weapon, such as a knife.
(Tourgee 511) The man was a Republican senator and was brutally murdered. The picture shows two men being hanged and one of them is a carpetbagger and the other is a scalawag. (Tourgee 511) This shows that the KKK was murdering people who supported reconstruction and people who did not support their views.
The difference here was race in which the punishment differed because white schoolteachers could escape the threats meanwhile black schoolteachers could not. Humiliation tactics of whipping and killing black schoolteachers as a punishment would remind them where they socially belonged and deflect them from fighting back. Hahn described the killing of white man named Outlaw who had been mutilated in front of everyone and the Klan attached a note stating, “Beware you guilty both white and black.” The Klan discouraged communities from changing the status quo and integrating African Americans into the community. The brutalization of the bodies were method of violence to refrain citizens from changing the dynamics of the
The dark background could symbolize how horrible this moment was for the people who were in this incident. Even the family member of the people Involved in the
The last section of the article The Rule of Night Riders he touches on his opinions about the Ku Klux Klan and expresses the beginning of this organization in a positive light and interprets it in an honorable way. He expresses their attacks as a positive and effective method to terrorize the African American
Examining the specific case of Maria Carter, and the violence she experienced with the Ku Klux Klan, gave more justification towards the need of a government-issued change that the Klan, and other hate groups, would not like to disobey. Carter witnessed one of the most violent instances with the Klan, in which she testified that “they struck her [neighbor] over the head with a pistol. The house looked next morning as if somebody had been killing hogs there. Some of them said ‘Fetch a light here, quick;’ and some of them said to her, ‘Hold a light.’ They said she held it, and they put their guns down on him and shot him” (United States, “Testimony Taken by the Joint Select Committee”).
Passed the Emergency Immigration Act, which restricted immigration…” The Klan won basic control of some state governments, in turn there were an estimated four million paid members of the KKK. The popularity of the KKK exposed the intensity of traditional resistance to the quick social and cultural changes constructed by the roaring era. ”What would have been a simple misdemeanor trial lasting but a few hours was transformed into a major media event, and Scopes became all but an afterthought because of the high-profile players attracted to the case.” Maybe the single
Once the Civil War ended, many people suffered from weaknesses. The war caused many problems, therefore, causing the need for Reconstruction. Reconstruction was used to fix the majority of problems that the Civil War caused. During Reconstruction, which occurred from 1865 to 1877, many people’s lives were impacted, especially African Americans because many were having to deal with political, economic, and social issues. A political perspective was that African Americans should be given more rights, a social perspective was to allow African Americans to have a normal life, while an economic perspective was that African Americans shouldn’t be allowed to connect with the government.
(Foner 173). This event was not just an act of the KKK, but other Southern whites as well, and it truly represented the violence and mass terrorism of a time that was supposed to show progression in the treatment of
Pants explains, “In 1865 Abraham Lincoln, freed slaves but violence continued for more than a decade, for instance during their reconstruction period. Between the Northern and Southern states, the confederate, such as, the Klutz, Klux, Klan. The newly slaves suffered the most, 100,000. of slaves killed the most also, during this period A woman in North Carolina, wealthy white woman was charged with trying to whip a little black child. Never the less,, there was hanging still going on, the white man very upset because the slaves was freed and he didn’t have people to work his fields. This video dealt with slavery, cheap labor for white plantation owners” .
During this time, Klansmen were holding public parades and initiations throughout the nation while projecting their racist beliefs of purifying American society with native-born White Protestant males along with their White supremacy. With their massive growth, their
The first thing that may come to an audience’s mind with regards to this piece is the deconstruction of the dancer’s form and their apparent rebirth into shapes that blended together harmoniously with the music. One may argue that this reshaping of the subjects in the art piece represents the destruction of social, racial, and political barriers, moreover the rhythmic motion of the shapeless dancers could be interpreted as the beauty that would arise from a world without the artificial divides stated earlier. Another theme that might be articulated from this video is the neon highlighting of the dancers. This can be symbolic of the television and its potential impact it may have for ending bigotry and uniting the world. Professor Jun Okada at SUNY Geneseo elaborates on this idea by stating, “Paik’s Fluxus vision inclined itself to crossing borders and dissolving difference through the power of televisual flow.