While in New York, Armstrong made dozens of records as a sideman, creating inspirational jazz and backup singing for many blues singers. Moreover, he had records as a soloist including "Cornet Chop Suey" and "Potato Head Blues." These solos changed jazz history, by incorporating daring rhythm choices, swing and high notes on cornet(Source B). Furthermore, in 1926, Armstrong finally switched from the cornet to the trumpet. After 1926, Louis became more and more famous and broke more and more barriers through his music.
Louis Armstrong shaping scat singing to make it achieve posterity Louis Armstrong (1901-1971) is surely one of the most famous and incredible jazz singer and trumpet player. He influenced widely, and still does, jazz music. But there is something that only jazz specialists or some aficionados know: he actually reinvented a brand new genre of vocal jazz, the scat singing. And I said “reinvented” on purpose. Indeed, though Louis Armstrong 's recording Heebie Jeebies in 1926 is often cited as the first song to use scatting, there are some earlier examples of artists ' pieces of work that could be considered as premises of scat singing.
Song Title: So What Artist: Miles Davis (Music writer) The music starts with Piano sound and little bit guitar sound in the background. Then these both sounds are overtaken by dramatic start of saxophone music. Saxophone melody is the major melody in this composition and it is the melody which is questioning or exclaiming “So what”. The music picks up speed with the engagement of all three type of instruments. After 5 minutes piano music takes over as major music.
Trumpeters Louis Armstrong and Miles Davis became two of the most inspiring American jazz musicians of all time by accessing very differently to their art. In the analysis an album from each artist, I choose “What A Wonderful World” of Louis Armstrong and “Kind of Blue” of Miles Davis. Louis Armstrong (August 4, 1901 – July 6, 1971) was the most influential performer to affect a lot of Jazz musicians. He influenced the whole jazz population with his amazing voice and energetic trumpet. And he played a great role in the modernization of jazz.
Langston Hughes was one of the most influential figures during the Harlem Renaissance, which was a time when African Americans were finding their role in American Society. During this era some of the best jazz musicians to this day such as Count Basie, Miles Davis, Duke Ellington and Louis Armstrong heavily influenced this movement. One of Langston Hughes poems, “Trumpet Player” portrayed how these musicians used jazz to express themselves and escape from the racial inequality at the time. Part I: Scansion and Analysis Trumpet Player is a short poem with a very moving and deep message. It is composed of six stanzas, the first four stanzas consist of eight lines, and the last two stanzas are comprised of four lines and one coda.
He moved permanently to New York in 1943. In 1946, Armstrong made an appearance in the film "New Orleans," in which he performed works from the repertoire of classical jazz. In 1947, Armstrong cut his band to six instruments (trombone, clarinet, bass, piano and drums), thus returning to the Dixieland style that made him famous early in his career. This group was called All Stars. During this new stage with the band, he made countless recordings and appeared in film productions on several
Jazz being one of the few public forums for African American self expression, allowed musicians a platform to speak to their audiences and to transcend the barriers they faced in society. Beboppers ‘spoke’ at whirlwind speed, almost as if to say ‘you can’t catch me’ to their white counterparts. Although some elements of the music carried on from the Swing Era, such as the 32 bar song form and the 12 bar blues foundations, the harmonic and rhythmic complexity was stretching the boundaries further and further from the mainstream popular swing style. Heavy use of flattened ninths, sharpened elevenths and other altered intervals in solos and the speed at which they were used as well as the phrasing of these notes gave the music an off balance quality. Dizzy Gillespie’s tendency towards desceding whole or halfstep patterns such as in “Con Alma” and “A Night in Tunisia”, Charlie Parker’s favoured ii-V substitutions in the famous bridge to “Ko Ko” and “Confirmation” and the mastery of dissonance by Thelonious Monk shows the boppers preoccupation with developing their sound, making statements through their music.
Miranda McKellen: Good morning! My name is Miranda McKellen, and for you new listeners, this is the finest radio station where we talk about the greatest music! Today we have many special guests, starting with our first one: Tom Jenson. Tom has been on our station before, and he discusses musical links from two distinct musical cultures. Today Tom will be sharing the musical links that he has found between the cultures of German Baroque Music and American Cool Jazz.
The invention of rock & roll was a collaborative effort, yet many music buffs trace its beginnings back to a singer, songwriter, and guitarist named Chuck Berry. Taking what he knew from the blues, big band, swing, country, and pop, Berry developed a style and sound that uniquely spoke to the experience of the American teenager, and that appealed to white as well as black audiences. And he remains, arguably, rock & roll's most influential figure. Among those who admit to having emulated his complex guitar riffs and quick, witty lyrics in their early days are some of the most prominent bands and artists of the past 50 years--including the Beatles, the Rolling Stones, Bob Dylan, and Bruce Springsteen. Berry has spent a lifetime in the spotlight, but the spotlight has not always been kind to him.
The Historical roots of Bossa Nova Music As Christopher Small, it is true that there is no culture ever disappears but it is transformed over and over again through the new one (Small, On cultures and their fusion 1998). Bossa nova, means ‘new trend’, is a genre of Brazilian music that is transformed by two fusion; samba and strong American jazz influenced (Wikipedia). It was known in 1957 and 1963 especially among young students and musicians who would like to bring a complicated combination of melody to be harmony and be more relaxing rather than using powerful voice and strong meaning. According to Tom Jobim, one of the fathers of bossa nova, said “music is the silence between the notes” (Just landed 2016). The interesting point is ‘where
The acoustical recording equipment made it hard to hear the true sound of the bands. Early accounts of the Jazz bands would had turn the century. Buddy Bolden 's band became a very popular band during this time. They didn’t played what was written. No musical notation has yet been devised that accurately describes the feel of a great performance.
Professor Davis taught Louis how to play the cornet correctly and set him on the path of being a pro. Louis wrote years later, “My whole musical success goes back to the time I was arrested…. because then I had to quit running around and began to learn something. Most of all, I began to learn music.” (McDonough, 26-27) Louis Armstrong was the most influential person of the 1920’s because he was the most important figure in jazz during the 1920’s, he influenced civil rights through his jazz, and he helped transform jazz in 1920’s giving it a
I define him as an effective advocate because of what he wanted and tried to do in a way that was more peaceful and focused on the mindset of a person. Others may argue differently but even today younger generations of different races recognize the name Louis Armstrong as a talented African American musician and historical figure where as many other Jazz figures have faded away through the culture of up and coming
Of the various American art forms, jazz is probably one of the most unique and distinguishable. Jazz has proven to be an enduring music style, lasting over a century—from ragtime to present day. I had the good fortune of witnessing one of the world’s premier trumpet players—Wayne Bergeron—in action during Brazosport College’s Jazztravaganza. Featuring a multitude of bands, the concert lasted almost three hours. Nevertheless, my time was well spent as I heard the best jazz music my community had to offer.