Durga
The adorations ended on another rainy day, and drowning idols left drunken devotees in venting devotion with their faint chanting. “Stone the bitch”, they shouted: bottles and stones cast at a woman lying dead-still behind a tree.
I tiptoed above the wild heads, saw her bloodless face, and I murmured “durga”. I once knew her, a woman who dreamed of becoming a goddess, and she was always a goddess whenever we warmed cold nights together. An altar boy behind me cursed and threw a stone clouting dead-on on the forehead, and
I heard a moan leaving her lips. The last time I saw her was in a madhouse, but she left it and had been walking the streets singing strange songs:
I was told.
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When I find two women live inside the woman whom I love, one consoling the other while the other kneads vengeance. It makes no difference when the flag no longer flutters if asked to in a strange anthem. Which country I belong to for no poetry owns my land. It makes no difference what greying hair means for death is no longer a certainty. It is only a day in the calendar. It makes no difference how old I am when falling leaves turn into butterflies urging autumn to fly without hesitation. And how can I hate my enemy when I see him kissing his child before he leaves home to fight me. Ever since I chased the poem playing mischief in your eyes and began to draw lines on the sands of your river while I ran my fingers in your unkempt hair and squandered my soul, I haven’t stopped muttering – Where am I? But it makes no difference how dark shadows are as I finally close my eyes to the sun. It makes no difference that my land is not a nation as we strive for sovereignty in frivolous valour. The truth is we are lessons short of patriotism. And when my doctor reveals my blood is sick with sweetness it makes no difference of what flavour was the blood we shed on defeated battles. Therefore, it makes no difference what bitter reasons we seek to justify the hate we practice. As I am now incurably sweetened, it makes no …show more content…
It is believed when a woman hears its calls, she understands her menstruation is about to happen.
My Wife is Away to the Mountains
My wife is away to the mountains visiting her folks.
She left the windows guarded with curtains made of her jainsem.
Last night the moon peeped in through the protective embroidery, but failed to seduce me as I was secured, in the possessive perfume of my love exuding from the wilful drapes.
There are times between midnight and dawn, I dream of an open harbour, swallowing waves of salty ships into her inflamed mouths.
But in the morning, when the north wind flutters my wife’s curtains,
I pity the drowned pirates in their defeats on that adulterous night of stormy lusts.
Then I realize they needed a dedicated poet to calm the storms, who can sprinkle the sacrificial blood of his circumcised words, on the cruel crevices of the wild seas.
Neighbours visit with ritualistic inquiry about my solitude and wellbeing, but their keep-watch concerns reveal through cleverly concealed blushes, reminding me of the wiles of threatened wives in tales told on the moors.
Before dark clouds solicit the sleeping owl, before an aged crow curses me with yellow
The essay will consider the poem 'Practising' by the poet Mary Howe. It will explore how this poem generates its meaning and focus by analysing its techniques, metaphorical construct and its treatment of memory. The poem can primarily be seen to be a poem of missed opportunity. In this way is comes to form, alongside other poems of Howe's a study about a certain kind of loss and the recuperative efforts of memory, alongside the certainty of the failure of this recuperation. The paper will begin by giving a context to the poem with regard to Howe's life and work and will then proceed to analyse it directly, drawing attention to how it can be seen to fulfil this thesis about its content and meaning.
In the short story “Lysandra’s Poem”, by Budge Wilson, Lysandra is justified in taking revenge on Elaine. This is because Elaine was never a good friend to begin with. Elaine mentions that Lysandra was always made fun of as a child, being given the nickname “Pigeon-Toed Cochrane”. Elaine had never stood up for Lysandra, not even once. If they truly were best friends, Elaine would have tried to stand up for Lysandra.
In mythology, sirens enchant sailors and direct them death with their sweet songs. Even Odysseus is tempted to jump overboard if he weren’t tied up. The speaker entices the reader into reading more by offering to tell a secret. The reader is soon praised for being unique and is begged to help the speaker. The speaker finishes off the poem by saying that “ it is a boring song, but it works every time(Lines 26-27).”
“Nikki-Rosa” Poem Analysis In the poem “Nikki- Rosa,” Nikki Giovanni writes with diction and imagery to prove that’s she had a happy childhood in spite of her family’s hardships. Giovanni creates a poem, that although short in words, provides a lasting effect on the reader. Giovanni’s creative use of language and descriptive words, the distinction of black culture from white culture, and memories of average times that made her childhood unique and happy made this poem distinct and exceptional. Giovanni frequently references to her happy childhood in her poem using words and phrases that create an image in your mind showing you that her childhood was in fact a happy one.
For instance Lady Reason states, “Believe me, despite what you’ve read in books,you’ve never seen such a thing, because it’s all pack of outrageous lies” (785). Lady Justice is presented with a container of gold given for rewards to those who have remained loyal, and righteous. Not to mention, Lady Rectitude who holds the rule that separates right from wrong, in other words good from evil. Each tool is used to represent what was expected of women as well as to help build the kingdom of women. In the same manner, The goddess are the personification of wisdom, morality, and good behavior.
‘Annabel Lee’ by Edgar Allan Poe is an eminently beautiful yet tragic poem centred around the theme of a forbidden love between two people, and the many obstacles that they overcome in order to be together. At the same time the poem relates back to a man’s undying love for his wife in which even death is unable to hinder. From the beginning of the poem, I realized Poe to be an articulate person who has a beautiful way with words, as he describes the origin of his love story between himself and Annabel Lee. This was shown in Stanza 1 where I identified him to be a kind and doting person, as he continues to talk about a maiden from the kingdom by the sea whom only wished to love and be loved by Poe. As this was written by Poe and shown from
The final poem of significance is Jazzonia, in which Hughes experiments with literary form to transform the act of listening to jazz into an ahistorical and biblical act. Neglecting form, it is easy to interpret the poem shallowly as a simple depiction of a night-out in a cabaret with jazz whipping people into a jovial frenzy of singing and dancing. But, the poem possesses more depth, when you immerse yourself in the literary form. The first aspect of form to interrogate is the couplet Hughes thrice repeats: “Oh, silver tree!/Oh, shining rivers of the soul!” Here, we see the first transformation.
The imagery of the first poem greatly contrasts from the overall tone. In “A Barred Owl,” Richard Wilbur describes an owl frightening a child and waking her from her slumber. Wilbur sets the scene with dark imagery: “The warping night air brought the boom/ Of an owl’s voice into her darkened
She utilises a diptych structure which portrays the contrast of a child’s naive image of death to the more mature understanding they obtain as they transition into adulthood. This highlighted in ‘I Barn Owl’ where the use of emotive language, “I watched, afraid/ …, a lonely child who believed death clean/ and final, not this obscene”, emphasises the confronting nature of death for a child which is further accentuated through the use of enjambment which conveys the narrator’s distress. In contrast, ‘II Nightfall’, the symbolism of life as a “marvellous journey” that comes to an end when “night and day are one” reflects the narrator’s more refined and mature understanding of mortality. Furthermore the reference to the “child once quick/to mischief, grown to learn/what sorrows,… /no words, no tears can mend” reaffirms the change in the narrator’s perspective on death through the contrast of a quality associated with innocence, “mischief”, with more negative emotions associated with adulthood, “sorrows”.
The description of “the lights...shadowy lines of a palatial chateau” (3), the island and characters help the reader see the story as it unfolds. When “He lifted the knocker and it creaked stiffly….The door opened … as suddenly as if it were on a spring and Rainsford stood blinking in the river of glaring gold light that poured out” (4). The description of Rainsford’s appearance at the door of the chateau creates an underlying sense of dread. The reader has a macabre anticipation of what might be in store for Rainsford.
Sonia Sanchez is an African American poet activist, scholar, and mother. She was born Wilsonia Benita Driver on September 9, 1934, in Birmingham, Alabama. In her poetry, Sonia Sanchez stresses the importance of black unity and action against white oppression. She also writes about violence in the black community, social problems, family ties, and the relationship between African American women and men.
Indian woman 's death song By : Felicia hemans Background of the writer • Felicia Hemans was Born in Liverpool, but brought up in Wales which she considered to be the "land of my childhood, my home and my dead" . • From 1812 to 1818 she was married to Captain Alfred Hemans, and gave birth to five children. • Her works were given to schoolchildren to teach them morals and lessons .
Edgar Allan Poe is an influential writer who is well known mainly for his dark and mysterious obscure short stories and poems. Throughout this essay I will analysing how poe uses a series of literary terms such as diction and anaphora in order to convey a bleak, eerie mood and tone. Poe uses these terms in order to contribute to his writing in a positive way, creating vivid images and a cheerless mood. In Poe’s poem, “The Raven”, he uses words such as lonely, stillness, ominous and fiery to add to the building up apprehension within the poem. In addition, he also uses repetition to create fluent yet unruffled, tragic feel for the reader.
“Bishop’s carefully judged use of language aids the reader to uncover the intensity of feeling in her poetry.” Elizabeth Bishop’s superb use of language in her introspective poetry allows the reader to grasp a better understand of feeling in her poetry. Bishop’s concentration of minor details led to her being referred to as a “miniaturist”, however this allows her to paint vivid imagery, immersing the reader in her chosen scenario. Through descriptive detail, use of metaphor, simile, and many other excellently executed stylistic devices, the reader can almost feel the emotion being conveyed. Bishop clearly demonstrates her innate talent to communicate environments at ease.
Liberation After Death: Akhmatova’s Shifting Tone in “Requiem” Written between 1935 and 1940, Anna Akhmatova’s “Requiem” follows a grieving mother as she endures the Great Purge. Joseph Stalin, the Soviet Union’s General Secretary, unabatedly pursued eliminating dissenters and, consequently, accused or killed hundreds of thousands who allegedly perpetrated political transgressions (“Repression and Terror: Kirov Murder and Purges”). Despite the fifteen-year censorship, Akhmatova avoided physical persecution, though she saw her son jailed for seventeen months (Bailey 324). The first-person speaker in “Requiem,” assumed to be Akhmatova due to the speaker’s identical experience of crying aloud “for seventeen months” (Section 5, Line 1), changes her sentiments towards deaths as reflected in the poem’s tone shifts.