Of all the characters who are suffering from the harmful Duryea-Gode disease in Octavia Butler’s “The Evening and the Morning and the Night”, Alan Chi seems to be the one who wants to live the least. He admits to the main character, Lynn, that if his mother and father “had any sense they would have had me aborted the minute my mother realized she was pregnant” (Butler, 175). His morbid sense of the world fuels his disdain for reproduction. He states that “as soon as I was old enough” he had been sterilized (Butler, 176). Although Chi would rather not give into “mindless urges” like animals, his encounter with Lynn the following evening questions the verity and validity of his sentiments. Why does Chi contradict himself? There is a tension between Chi’s sterilization to prevent reproducing and participation in sex -- the main …show more content…
It is the body subconsciously driving itself to reproduce to ensure that the species does not die out. Our bodies were made to reproduce. While the reader may believe that Chi is being overtaken by animalistic and human desires, it is obvious that Lynn has great influence in his decision to go to bed with her. Later in the short story, the reader learns that Lynn possesses pheromones which the reader learns later in the story are “sex-linked scents” (Butler, 189) that allow the possessor certain control over other DGD sufferers. Pheromones can only be inherited if both parents have DGD. Through the language in this scene, Octavia Butler emphasizes the importance of Lynn and her pheromones in Alan’s decision to go to bed with her. Although some readers may argue that the pheromones only serve as controls for patients in the DGD ward, this is incorrect because they actually serve as an important form of communication between DGD sufferers, specifically Lynn and Alan. This form of communication is important because it provides DGD sufferers with a reason for “staying alive” (Butler,
How is the separation of lovers and its consequences presented in the extract? This extract of Flora Macdonald Mayors ' novel, 'The rectors daughter ', develops the theme of hedonism being extingished by the misfortune of unrequited love, through the perspective of a middle aged woman of the 1920 's. Mary Jocelyn, the stories narrator, aims to persue the man of her desires, however his absence of affection is prominant in this extract when we discover his devotion to another woman. This extract is significant to the era, as newly upcoming 'flapper girls ' encouraged a future of female independence and open sexuality, but this segment leaves connotations that not all women took this lifestyle by storm, and still remained unsatisfied as a woman when unaccompanied by a husband, as shown through Mary 's characterisation in the text. Throughout the excerpt, the consequences faced by the separation of lovers is evident to leave a negative effect on the person on the receaving end.
Joelle Windmiller Their Eyes Were Watching God and Sexuality Their Eyes Were Watching God is in many ways a novel about the protagonist's sexual awakening. As it was written in the conservative early twentieth century, much of this sexuality is masked in metaphor. Zora Neale Hurston takes a naturalist approach to expressing sexuality in her book. The experience in which Janie attempts to make her first expression of love, Nanny resents her actions and proceeds to turn it into something to be ashamed of.
Being in an unhealthy relationship is something women nowadays are not obligated to put up with. If they ever feel that their husband is not treating them good; they have the right to ask for a divorce. Otherwise, they could end up with mental problems or death. Back in the nineteenth century, divorce was not an option for women. Females were forced to stay with their husband whether they were treated right or not.
Kathy Acker’s Blood and Guts in High School, through a vulgar, unreal narrative, critiques and mocks the gender expectations of our patriarchal society. Acker writes a narrative that routinely switches between various forms: imagery, fairy-tale, drama, poetry to name a few. As one progresses through Acker’s comically un-realistic story, her scathing critique of patriarchy in society becomes clearer. Acker’s writing can be viewed through the lens of Judith Butler’s theory of gender performativity in Gender Trouble: Feminism and the Subversion of Identity. Butler stresses on the fact that modern society views sexuality as a primary element of one’s identity.
family and from pursuing her own interests. Unhappy with her conditions, Edna rebels against them, however this results in her not being accepted in society. Thus, Edna deliberately sacrifices her freedom in a way which Edna’s value of free nonconformity. The sacrifice goes hand-in-hand with the meaning of the work as a whole that there is no place in society for those who do not conform to its expectations. A misogynistic and sexist time, the Victorian Era envisage and encloses women into a certain image that they are meant to be devoted, subordinate and more-or-less obsessed with their husband and family.
The poet successfully illustrates the magnitude with which this disease can change its victim’s perspective about things and situations once familiar to
To develop the setting of the house, Gilman uses vivid diction to craft an image of the house to show how men a imprisoning the minds of women in Victorian society. Gilman introduces the house as a “colonial mansion, a hereditary estate, I would say a haunted house, and reach the height of romantic felicity” (1066). Although her description uses the words “romantic felicity” which seem to carry a light tone, these words are preceded by the dark statement that the estate is a “haunted house”. By contrasting these two tones, Gilman foreshadows that the house in which the narrator is interned for treatment might seem magnificent and grand, but in reality, the house and the rest cure will turn out to be her doom. The foreshadowing hints that Gilman uses the contrasting description of the house to point out how physicians like John are oppressing women by denying them their right to a postpartum experience with their baby, a thing of “romantic felicity,” and instead, turning it into an ordeal as nightmarish as a “haunted house.”
Susanna’s roommate is Georgina, who is in the hospital for having pseudologia fantastica. Lisa starts to take Susanna under her wing and helps her to get to know the ropes. Susanna has sexual interactions with her boyfriend and with one of the orderly at the hospital in the same day, which is seen as promiscuous. Being promiscuous is a sign of her disorder (Mangold,1999). Once Lisa is moved out of the ward Susanna is in, the two of them decide to escape and sell Valium to get money to go to Florida.
Transcript of Women in Early American Literature The continuing shift on the representation of women embodies the changes that occur in American literature. Each period in the American history seemed parallel to showcase the degree of which acknowledgement and acceptance were given to portray the roles of women. Dating back in the16th century, Svoboda (2013) argues that writings in American literature contained little reference to women at all thus illustrates the harsh reality of society's treatment of women. Women in American literature before the 18th century were inexplicit and almost non-existent. The chief literary work that portrayed woman character was Cabeza de Vaca’s The Chronicle of the Narvaez Expedition that was written during
In Kate Chopin 's novel The Awakening and the short story “The Story of An Hour” feminist beliefs overshadow the value in moral and societal expectations during the turn of the century. Due to Louise Mallard and Edna Pontellier Victorian life style they both see separating from their husband as the beginning of their freedom. Being free from that culture allows them to invest in their personal interest instead of being limited to what 's expected of them. Chopin 's sacrifices her own dignity for the ideal of society’s expectations. Chopin 's sad, mysterious tone seems to support how in their era, there was a significant lack of women 's rights and freedom of expression.
The play An Ideal Husband was written by Oscar Wilde in 1895 in England’s Victorian era. This era was characterised by sexual anarchy amongst men and women where the stringent boundaries that delineated the roles of both men and women were continually being challenged by threatening figures such as the New Woman represented by Mrs Cheveley and dandies such as Lord Goring(Showalter, 3). An Ideal Husband ultimately affirms Lord Goring’s notions about the inequality of the sexes because of the evident limitations placed on the mutability of identity for female characters versus their male counterparts (Madden, 5). These limitations will be further elaborated upon in the context of the patriarchal aspects of Victorian society which contributed to the failed attempts of blackmail by Mrs Cheveley, the manner in which women are trapped by their past and their delineated role of an “angel of truth and goodness” (Powell, 89).
She incorporates Swanson’s (1991) “Empirical Development Of a Middle Range Theory of Caring” processes such as knowing and being with, into her care and upholds patient advocacy, but she too makes mistakes that hinder Vivian’s wellbeing. Communication In the beginning of the movie, Doctor Kelekian
Edith Wharton’s novel The House of Mirth is predominantly examined by critics in terms of literary Naturalism. The purpose of this analysis is to compare two critical approaches to Naturalism in The House of Mirth by literary critics Carol Singley and Walter Benn Michaels. Carol Singley analyses the theme of Naturalism within the concept of religion and science in her book Edith Wharton: Matters of Mind and Spirit, while Walter Benn Michaels assesses the Naturalism of the novel from an aspect of economics, power and speculation in his critical review The Gold Standard and the Logic of Naturalism: American Literature at the Turn of the Century.
And living in such isolation she actually had rare at any point seen any young fellow from the world without till she saw you. He at that point says "Hardly," however his mom besides asks him, "You were her initially cherish?" Angelʼs mother who relentlessly stresses over immaculateness and virtue―virginity―of a spouse of her sonʼs speaks to Victorian traditional ethical quality, and the thought lies somewhere down in the brains of the Clares. Mr. Clare, Angelʼs father, thinks in an indistinguishable path from his motherʼs.
The Picture of Dorian Gray, one of Oscar Wilde’s masterpieces, portrays one of the most important values and principles for him: aestheticism. As a criticism to the life lived during the Victorian era in England, Wilde exposed a world of beauty a freedom in contradiction to the lack of tolerance a limitation of that era; of course inspired due to Wilde’s personal life. All the restrictions of the Victorian England lead him to a sort of anarchism against what he found to be incoherent rules, and he expressed all this to his art. His literature is a strong, political and social criticism. He gave a different point of view to controversial topics such as life, morality, values, art, sexuality, marriage, and many others, and epigrams, for what he is very well known, where the main source to the exposure of his interpretations of this topic.