Throughout history there has always been a recurring theme of change, how the individuals in each generation deal with this change sets the precedent for culture. For the most part, humans fear and dread change; the unknown nature of change has the ability to expose humanity’s greatest weaknesses and strengths, and fears. The examination of the two films Easy Rider and Old Joy is for the purpose of analyzing how they represented their corresponding cultures, and how their cultures compare to one another, though set in different times, these films have surprising overlaps and accurate reflections of their respective time period. Beginning in chronological order, Easy Rider takes place during a pivotal time in American history: The late 1960’s. …show more content…
The two main characters, Wyatt and Billy travel by motorcycle across the country with the intent of going to Mardi Gras. They live lives that veer from the normal “set” path, and along the way, they meet people similar to they are: A group of Hippies living in a commune, a man who owns his own land with his large family, and George Hansen, an alcoholic, pot-smoking lawyer. Though throughout their journey, they also encounter people who don’t approve of the way they look or speak, representative of the reality that certain people weren’t comfortable with the change in youth culture, a shift from well-mannered children to a group of rebellious …show more content…
Similarly, much of both movies focus on the scenery of nature around them, and tough different, the attention to the landscape is no small detail. It attempts to forge a connection between the viewer in the movie, almost placing the viewer into the movie, letting them see what the characters see and feel. Though almost opposite landscapes; the barren desert landscapes of Easy Rider and the lush forests of Old Joy, the convention of the scenes is intentional- an interesting overlap between the two films. Albeit decades apart, Old Joy and Easy Rider feature the main characters smoking marijuana. The times that the movies are set in, are what separates the meaning between the usage. During the time of Easy Rider, marijuana was considered taboo by many, and the act of smoking was not only for the effects of the drug, but for the rebellion that came with it. The use of the drug in Old Joy has a different meaning behind it, for the character’s intent, it was to simply relax and revel in the nature and nostalgia of the
The "Byrnes Family Ranch" series by Dusty Richards is a historical fiction series following Chet Byrnes, a patriarch of the Byrnes, who is trying to keep his family together, and trying to get them through one more winter and one more cattle drive. The Byrnes family came to Texas long ago and carved out their own piece of land in the territory. Three generations of Byrnes have worked on the land and paid to keep it with blood, tears, and money. The series is set in the old west (1800s), in Texas. The novels are of the western genre.
In Revolutionary Road, Richard Yates paints the misery that April and Frank Wheeler endure as a couple in the American suburbs in the 1960s. Throughout the novel, the Wheelers repeatedly blame their despairs, monotonous lives, and altercations on the suburbs. Consciously or not, the suburbs and their tags influence the Wheelers’ actions and interactions with each other. The suburban stereotypes heavily influence Frank’s actions.
Throughout American history, society has changed. Public opinion changes, as the surrounding environment changes. One prime example of this drastic change was the 1920s and the 1930’s. These two decades show how a culture’s political, social, and cultural life can change within years.
In the 1950’s the American economy was booming due to the conclusion of World War II. Economic prosperity transformed family life and people put more emphasis on the individual. Television programs represented how people should live the ideal life. With many changes in culture people began to have a different perspective on life. In the 1998 film, “Pleasantville” directed by Gary Ross and the novel, “The Catcher in the Rye” written by J.D. Salinger both depict teenage culture of the 1950s.
Racism in 1927 was not uncommon, especially along the Mississippi river where the Cotton Blossom would have roamed. Jim Crow laws ruled over the land and life was very difficult for many principally african-americans. But, Show Boat challenged the perspectives of white people by creating “three-dimensional” black characters (“Bloom et. al. Show Boat”).
Spain used to be a force to reckon with, for sake of well being. But Spanish officials were often corrupt and committing acts of injustice,so neighboring countries chose to band up against Spain. After a warship has exploded, there was large controversy on who had done it, And the governments found it a good story to lie about and start a war, but really it was the product of a ship malfunction. American people wanted war, as did others, but Mckinley did not. However, he came through, and they went to war.
Throughout the movie “Pleasantville”, there are numerous social issues. This paper will look at and identify some of them, as well as defining the basic social issues and how they relate to the movie. Some sociological concepts found in the movie include Race and Ethnicity, Age Stratification, and Social Interaction. Throughout the movie, there are plenty of examples, but I will use the three main concepts I found. The example of Race and Ethnicity would be Discrimination.
Charley, Thank you for your post. Your analysis provides exceptional examples of the proximal and distal effects of the Wallace Rider Performing Arts Program. As you pointed out in your assessment, I can see how the program cultivates the proximal effects of a, “model [of] leadership, promote personal growth, [and] positive relationship building” (Regau, 2015, para.2). These effects maybe felt immediately as students begin to navigate their way through the program.
The influence that Ernesto "Che" Guevara (1928-1967) had in the political ideas and events in Latin America during the last half of the 20th century is undeniable. However, the interpretation of his historical figure has caused controversy, and much of the myths surrounding his biography have replaced an analysis of his real work and the historical context of the continent at that time. Guevara's political thought addresses real social problems, seeking a way to confront them and engage in all consequences. Walter Salles’ Motorcycle Diaries tries to show a personal portrait of this young Ernesto Guevara, situating the spectator in the geography and social issues in Latin America.
“[He] was able to escape the worst of [his] culture’s inheritance. And uneasy though [he is] about [his] new life, [he] cannot whine about it,” (253). The Hillbilly culture is full of poverty, however it explodes with family values and support from those who don’t battle with addiction. J.D. claims that, “the life [he] leads now was the stuff of fantasy during [his] childhood. So many people helped create that fantasy,” (253).
Looking back in time at advertisements and television shows in the era of the 1950’s and 60’s will open our eyes at how the world has changed in the past sixty-five years. The value of the way society sees certain demographics of people to the outlandish lifestyles expected among Americans of the time. The world has changed so much just in my life span when that time frame is doubled it is incredible to think just how different of a world we live in today. From big companies such as Coca-Cola to main stream cable television shows on AMC depicts a picture of segregation and ideology of Americans during this
These are all some of the things that we see in movies and television shows about regular marijuana users. When, in reality, that isn’t really how using marijuana looks. The media is constantly pressured into portraying their material in a certain way. “The portrayal of marijuana legalization as individualistic in nature and tending to ignore broader social attributes may shape public perceptions and direct political support away from the movement” (University of California). They do this to secure their viewers and fans, along with their financial supporters.
Modern Times was an eye opening film that illustrated the results of an increasing industrialization along with devastating effects leading to the Great Depression. The main concerns during the time period in which the movie was released was unemployment, poverty, and hunger. Charlie Chaplin, director and star of Modern Times, demonstrated all of those factors with the addition of emphasizing how humanity was compelled to being in factories and machines, relating to the idea of the “American Dream” and/or the “pursuit of happiness”. The Tramp was a cheery and hopeful man, even though he often found himself in odds with society and the people around him. Chaplin believed that mechanic labor should have benefited humanity, but the opposite occurred and removed it from the individual.
Loneliness can be one of life’s greatest motivators. In the film McCabe and Mrs. Miller nearly every action taken by McCabe is to avoid this feeling alienation and loneliness. McCabe is easily the most fearful of every protagonist in the New Hollywood era. He is a man so filled with fear of alienation that he builds his own community to avoid it and saddest of all makes himself the dealer in poker to avoid missing out on a single hand. McCabe is similar to the protagonists in Five Easy Pieces and Easy Rider because of he is in the middle of a society without one.
The 1950s oeuvre of Hitchcock could be seen to register the ideologies and insurgencies, the normative assumptions and the cultural alternatives, that shaped the tumultuous decade as reflective of the concerns and motifs of Cultural Studies. The films occupy a visual landscape defined by the grand monuments of American civic life-Mt.Rushmore, the Statue of Liberty, the United Nations-in addition to their marked preoccupation with the social mores and private practices of mid-century America. My attempt is to see Hitchcock’s films as a series of lucid interrogations of the totems of American life-the cult of motherhood, the mythology of the masterful male- and the institutions that celebrate, interpret, and patrol its cultural terrain: advertising, the judicial system, psychiatry, the police and the movies