In Hamlet “it is only the meek, the dispirited, the altogether
spiritless who forgo ecstasy and madness”, as they are tied closely together, “ecstasy often
[standing] for … madness … and madness ecstasy” (Eissler 452). Ecstasy is observed to take the
place of madness when Hamlet’s accusations of the King are criticized as being “the very
coinage of [his] brain: this bodiless creation ecstasy is very cunning in”, Hamlet’s ecstasy, his
aggrandized rage contributing to his fanaticism, and his fanaticism to his rage (III.iv.138-140).
Hamlet’s irrationality also acts as “a means of relieving his surcharged feelings”, a way to
express his emotions without facing social ridicule, hidden behind the guise of lunacy
(“Hamlet”). Ophelia
…show more content…
The Ghost’s visitation is the catalyst that begins Hamlet’s downward spiral …show more content…
In Hamlet, madness serves to “convey the disillusion and despair that pervades the
characters, and leads them to rash and self-destructive acts” (Lidz 33). Hamlet’s despair drives
him to madness, which, in turn, drives him to decimating his relationships with his mother and
Ophelia, and ultimately, to death. Hamlet’s descent into insanity explores the “possible reasons
of degeneration of the human mind”, the idea that ultimate desolation, unwavering grief, may be
a driving force for developing insanity (Bali 84). Hamlet’s disparaging tendencies are a result of
the degeneration of his mind, an unpleasant side effect of his cavernous grief and longing for his
The influence of his madness is exemplified when Laertes does not, in the end, condemn
Hamlet for his, Ophelia’s, and Polonius’s deaths. The indication that “Hamlet does it not … his
madness” is what forces him to behave as he does, that “Hamlet is of the faction that is
wrong’d”; “his madness is poor Hamlet’s enemy” lends to the idea that lunacy is all-consuming
and that the ill cannot be condemned for acts committed while mentally unstable: their mania is
the true culprit (V.ii.232-238). Hamlet is driven to decimation by his madness, which forces
Everyone at some point in their life sets a goal that they wish to accomplish for some reason or another, and in William Shakespeare’s play, Hamlet, the goal of the main character is to avenge the death of his father who was killed by his uncle, Claudius. Furthermore, when achieving these goals, people are willing to go to the extreme to make sure that these goals are completed. In Shakespeare’s play the main character, Hamlet, falsely portrays himself as mentally unstable which adds a crafty element to the storyline because his false derangement allows him to undertake rash decisions without consequence to achieve his ultimate goal. Shortly after Hamlet’s father comes to him in ghost form explaining that he wants Hamlet to avenge his death, the prince goes straight to his friend, Horatio, to explain that all of his future actions of madness are false (Shakespeare I.5.169-174). This textual evidence clarifies that Hamlet is actually
Polonius explains Hamlet 's madness to Claudius and Gertrude, “Mad call I it, for, to define true madness. What it 't but to be nothing else but mad? But let that go (Act 2, Scene 2, lines 93-94). Polonius then goes on to describe his ides of the stages of Hamlet 's madness and his inability to sleep, “And he, repelled-a short tale to make- Fell into a sadness, then into a fast, Thence to a watch, thence into a weakness, Thence to a lightness, and by this declension Into the madness wherein now he raves, And all we mourn for” (Act 2, Scene 2, lines 146-151).
Madness is often a symptom, and in the case of Hamlet this may be the reason behind his actions. The death of Hamlet’s father is the catalyst for Hamlet, causing him to see the ghost and ultimately become obsessed with the idea of revenge. A common theme for shakespeare is to explore a character’s mind and reasonings, and Hamlet’s character being mad was a perfect opportunity to continue this theme. Hamlet’s debatable madness, Ophelia being truly mad and the death of every character involved with Hamlet or his father is a prime example of tragedy, which Shakespeare is known for. While Hamlet’s madness is not certain, it is indisputable that the play Hamlet was built off of the idea of what is madness, and how does it affect one’s
Crawford states that Shakespeare includes Hamlet’s fits of madness were deliberately used to make Claudius and his attendants confused and for them to think Hamlet’s mental health is deteriorating. Crawford analyzes, “The fact that he [Hamlet] has made it appear like real madness to many critics today only goes to show the wideness of his knowledge and the greatness of his dramatic skill” (Crawford. 1916. p 1.). Crawford states that Hamlet is merely acting insane and he is extremely clever for doing this.
Someone who is consumed with insanity would just impulsively act without thinking rationally or considering the consequences beforehand. Therefore, Hamlet is merely acting insane to fool those around
In Hamlet, Shakespeare uses many references to sanity and insanity. Throughout the play, Hamlet goes back and forth between sanity and insanity, whether pretending to be insane just to mess with those he does not like or to save himself from getting in trouble. Hamlet is actually one of the smartest characters in the play, which is why he can pull off acting crazy so well. Shakespeare uses this idea of sanity and insanity to help the plot change and take a different directions. One of the most discussed topics of the Hamlet is whether Hamlet is insane or if he was just pretending the whole time.
The question of whether or not Hamlet was insane is of a never-ending debate. Was he always crazy? Was he always faking it? Or was he somewhere in between? In this paper I will share three different views and provide my own interpretation of Hamlet’s sanity.
Insanity is an idea that has been examined for a long time in numerous mediums such as films, music, plays, and even works of literature. William Shakespeare’s “Hamlet” is no exception to that rule. Hamlet is one of Shakespeare’s most complex characters, and many scholars have been debating for centuries whether or not Hamlet is truly insane, or whether there is a particular reason for his odd behavior. In Shakespeare’s Hamlet, Hamlet merely pretends to be mad but in reality is sane.
An overwhelming amount of evidence shows that Hamlet faked his insanity to confuse the king and his accomplices. Often revered for their emotional complexities, William Shakespeare’s tragic characters display various signs of mental illness. Sylvia Morris notes “Hamlet contains Shakespeare’s most fully-developed study of mental illness, and has always intrigued commentators on the play.” (“Shakespeare’s Minds Diseased: Mental Illness and its Treatment”). When looking at the play, one can infer that Shakespeare makes the relationship between sanity and insanity undistinguishable from one another.
A decision is the thought process of choosing between two or more outcomes that may or may not have a great impact. When thoroughly pondered, living life is fundamentally based on making the best decisions. Whether or not they are great or small decision making is critical. Often times, it is the smallest decisions one can make that impact the even bigger decisions later to come. Starting from the time people wake up in the morning, the will be surrounded by the most basic decisions until they go to sleep that night.
In the play, Hamlet, William Shakespeare reflects the common early modern beliefs and perspectives about madness by using the character development of the protagonist who feigns madness throughout the play. Given Hamlet 's status as a prince, current knowledge of madness during the time period, and the contrast of the different types of madness of other characters in the play, Elizabethan audiences would have found it plausible that Hamlet feigns madness as part of his plot to avenge his father 's death. This new historicist perspective steers the modern reader away from anachronistic psychological interpretations of the play. Hamlet’s status as a prince gives the character certain roles and expectations to fulfill, such as avenging his father’s
In Shakespeare’s tragedy, Hamlet, there are a series of events that causes Hamlet to act abnormally. He has to deal with his father’s death, mother’s remarriage, and his lover Ophelia. However, it is often argued whether Hamlet’s madness is real or fake. Throughout the tragedy, he is over-exaggerating his madness for his plan of revenge.
Many characters show signs of intelligence throughout William Shakespeare’s Hamlet as they conjure plans to achieve their goals. However, Hamlet’s intelligence is far superior to that of all the other characters. He is capable of altering the kingdom’s perception of him to his advantage by adjusting his behaviours. The schemes he devises outsmart everyone and leave him to appear innocent. Most importantly, Hamlet miraculously escapes his own death and instead brings an end to those involved in his execution.
He calls him a murderous villain, heartless, disloyal, and lustful. Hamlet’s insanity can be seen in this soliloquy because his mind is so caught up with everything and anything. He is so distressed with insignificant things as well as his desire for revenge. Hamlet’s mind is racing and he is filled with several emotions which he feels one after another, from distress and confusion to self-pity
In the play, Shakespeare portrays Hamlet as a dynamic character to cause a mental state conundrum among the audience and explore the themes of suicide, spying, friendship, madness, providence, love, hate and humour. Furthermore, by utilising literary devices such as soliloquy, characterisation, dialogue, personification, metaphor, dramatic and situational irony Shakespeare exploits these themes and questions Hamlet’s sanity. In the beginning, Hamlet is portrayed as an overthinking person, claiming to act an antic disposition. However, as the play advances his manic rage and irrational acts such as Polonius’s murder and